@book {expcin16024, title = {Expanded cinema}, series = {Mediaversi}, number = {13}, year = {2013}, pages = {xvi+388}, publisher = {CLUEB}, organization = {CLUEB}, address = {Bologna}, abstract = {

Italian edition of Gene Youngblood{\textquoteright}s Expanded Cinema

}, keywords = {Buckminster Fuller, Carolee Schneemann, Expanded cinema, James Seawright, John Cage, John McHale, John Schofill, John Stehura, John Whitney, John Whitney Jr., Jordan Belson, Michael Snow, Nam June Paik, Otto Piene, Pat O{\textquoteright}Neill, Paul Morrissey, Philip Makanna, Ronald Nameth, Scott Bartlett, Stan Brakhage, Stan VanDerBeek, videotronic, Will Hindle}, isbn = {9788849127881}, author = {Gene Youngblood} } @book {expcin16023, title = {Cine expandido}, year = {2012}, pages = {456 pp}, publisher = {EDUNTREF}, organization = {EDUNTREF}, address = {Buenos Aires}, abstract = {

Translation in Spanish of Gene Youngblood{\textquoteright}s Expanded cinema.

}, keywords = {Buckminster Fuller, Carolee Schneemann, Expanded cinema, James Seawright, John Cage, John McHale, John Schofill, John Stehura, John Whitney, John Whitney Jr., Jordan Belson, Michael Snow, Nam June Paik, Otto Piene, Pat O{\textquoteright}Neill, Paul Morrissey, Philip Makanna, Ronald Nameth, Scott Bartlett, Stan Brakhage, Stan VanDerBeek, videotronic, Will Hindle}, isbn = {9789871889044}, author = {Gene Youngblood} } @article {expcin15981, title = {Zelluloid: Film ohne Kamera = cameraless film}, year = {2010}, pages = {190 pp}, publisher = {Schirn Kunsthalle}, address = {Frankfurt}, abstract = {

"Zelluloid" is dedicated to a particular genre of artistic film, in which the image is generated directly, by physically processing the film strip. Unlike other forms of experimental film, the film material is interpreted as if it were a canvas by using a diverse range of artistic processes: through painting, drawing, collage on the celluloid, scores and scratches in the photographic emulsion, chemical manipulation or the direct lighting of photo-sensitive media. Such were the origins of the cinematic avant-garde, which researches even the material nature of the medium of film and at the same time sounds out its relationship with the visual arts and also with music in ever-changing approaches. The exhibition catalogue contains outstanding examples of "films without a camera" and features approximately 20 international artists and filmmakers from the 1930s to the present day.

Exhibition: Schirn Kunsthalle, Frankfurt (2.06 - 29.08.2010).

Artists featured in the exhibiton: Stan Brakhage, Tony Conrad, Cécile Fontaine, Amy Granat, Ian Helliwell, Hy Hirsh, Takahiko Iimura, Emmanuel Lefrant, Len Lye, Norman McLaren, Bärbel Neubauer, Luis Recoder, Jennifer Reeves, Dieter Roth, Pierre Rovère, Schmelzdahin, José Antonio Sistiaga, Harry Smith, Aldo Tambellini, Marcelle Thirache, Jennifer West.

}, keywords = {Aldo Tambellini, Amy Granat, Bärbel Neubauer, cameraless film, Cécile Fontaine, Dieter Roth, Emmanuel Lefrant, Harry Smith, Hy Hirsh, Ian Helliwell, Jennifer Reeves, Jennifer West, Jos{\'e} Antonio Sistiaga, Len Lye, Luis Recoder, Marcelle Thirache, Norman McLaren, Pierre Rovère, Schmelzdahin, Stan Brakhage, Takahiko Iimura, Tony Conrad}, isbn = {9783866783959}, url = {https://monoskop.org/images/d/dd/Schlicht_Esther_Hollein_Max_eds_Zelluloid_Camera_Less_Film_Film_ohne_Kamera.pdf}, author = {Esther Schlicht and Max Hollein} } @book {expcin15994, title = {Experimental Cinema: The Film Reader}, year = {2002}, pages = {356 pp}, publisher = {Routledge}, organization = {Routledge}, address = {New York/London}, abstract = {

Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.

}, keywords = {Agn{\`e}s Varda, Andy Warhol, Barbara Hammer, Black cinema, Carolee Schneemann, Chantal Akerman, Female cinema, Gay cinema, Germaine Dulac, Hollis Frampton, Jack Smith, Kenneth Anger, Maya Deren, Michael Snow, Stan Brakhage, Su Friedrich, Trinh T. Minh-ha, Warren Sonbert, Yoko Ono}, isbn = {9780415277877}, author = {Jan-Christopher Horak and Jonas Mekas and Lauren Rabinovitz and Agn{\`e}s Varda and Juan Antonio Su{\'a}rez and Suranjan Ganguly and Jerry Tartaglia and Kate Haug and Reva Wolf and Daryl Chin and Yoko Ono and P.Adams Sitney and Scott MacDonald and Philip Lopate and David Ehrenstein and Peter Gidal and Chris Holmlund and Gloria J. Gibson and Kobena Mercer}, editor = {Wheeler Winston-Dixon and Gwendolyn Audrey Foster} } @book {expcin16095, title = {Le cin{\'e}ma visionnaire: L{\textquoteright}Avant-garde am{\'e}ricaine (1943-2000)}, year = {2002}, pages = {440 pp}, publisher = {Paris Expérimental}, organization = {Paris Expérimental}, address = {Paris}, abstract = {

French translation of the 3rd edition of Visionary Film

Traduit de l{\textquoteright}anglais par Pip Chodorov et Christian Lebrat, avec la collaboration de Vincent Deville et Chloé Donati.

}, keywords = {American Cinema, Christopher MacLaine, Gregory Markopoulos, Jordan Belson, Kenneth Anger, Maya Deren, Michael Snow, Robert Breer, Sidney Peterson, Stan Brakhage}, isbn = {9782912539083}, author = {P.Adams Sitney} } @book {expcin15991, title = {The Avant-garde Film: A Reader of Theory and Criticism}, series = { Anthology film archives}, number = {3}, year = {1978}, pages = {295 pp}, publisher = {New York University Press}, organization = {New York University Press}, address = {New York}, abstract = {

This anthology is both a history of the avant-garde film genre and a compendium of theories of cinema articulated by major filmmakers. The 33 selections include several previously unpublished theoretical and critical articles and many articles that were especially translated into English for this collection. Other selections were drawn from interviews and from lectures contained in the Anthology Film Archives.

}, keywords = {Andy Warhol, Anthony McCall, Antonin Artaud, Ernie Gehr, Germaine Dulac, Hans Richter, Harry Smith, Hollis Frampton, James Broughton, James Whitney, Jean Epstein, John Whitney, Jonas Mekas, Joseph Cornell, Maya Deren, Michael Snow, Paul Sharits, Peter Kubelka, Sergei Eisenstein, Sidney Peterson, Stan Brakhage, Tony Conrad}, isbn = {9780814777930}, author = {P.Adams Sitney and Sergei Eisenstein and Hans Richter and Jean Epstein and Germaine Dulac and Antonin Artaud and Joseph Cornell and Maya Deren and Sidney Peterson and James Broughton and John Whitney and James Whitney and Harry Smith and Carel Rowe and Stan Brakhage and Peter Kubelka and Stephen Koch and Annette Michelson and Michael Snow and Jonas Mekas and Ernie Gehr and Anthony McCall and Paul Sharits and Tony Conrad and Hollis Frampton} } @book {expcin16094, title = {Visionary Film: The American Avant-Garde}, year = {1974}, pages = {479 pp}, publisher = {Oxford University Press}, organization = {Oxford University Press}, address = {New York}, keywords = {American Cinema, Christopher MacLaine, Gregory Markopoulos, Jordan Belson, Kenneth Anger, Maya Deren, Michael Snow, Robert Breer, Sidney Peterson, Stan Brakhage}, isbn = {0-19-501761-7}, url = {https://archive.org/details/Visionary_Film_The_American_AvantGarde}, author = {P.Adams Sitney} } @book {expcin16038, title = {Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino}, year = {1971}, pages = {239 pp}, publisher = {Ullstein}, organization = {Ullstein}, address = {Frankfurt/Berlin/Vienna}, keywords = {Andy Warhol, Bruce Baillie, Bruce Conner, Ed Emshwiller, Expanded cinema, Experimental film history, George Kuchar, Gergory Markopoulos, Harry Smith, Jack Smith, James Whitney, John Whitney Jr., Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Knokke Experimental Film Festival, Mike Kuchar, Robert Breer, Robert Nelson, Ron Rice, Stan Brakhage, Stan VanDerBeek}, issn = {9783548028170}, author = {Birgit Hein} } @book {expcin16022, title = {Expanded Cinema}, year = {1970}, pages = {432 pp}, publisher = {E.P. Dutton \& Co.}, organization = {E.P. Dutton \& Co.}, address = {New York}, keywords = {Buckminster Fuller, Carolee Schneemann, Expanded cinema, James Seawright, John Cage, John McHale, John Schofill, John Stehura, John Whitney, John Whitney Jr., Jordan Belson, Michael Snow, Nam June Paik, Otto Piene, Pat O{\textquoteright}Neill, Paul Morrissey, Philip Makanna, Ronald Nameth, Scott Bartlett, Stan Brakhage, Stan VanDerBeek, videotronic, Will Hindle}, issn = {9780525472636}, url = {https://monoskop.org/log/?p=218}, author = {Gene Youngblood} } @book {expcin16021, title = {Cinema now 1: Perspectives on American underground film: Stan Brakhage, John Cage, Jonas Mekas, Stan Vanderbeek}, year = {1968}, pages = {28 pp}, publisher = {University of Cincinnati}, organization = {University of Cincinnati}, address = {Cincinnati}, abstract = {

Transcript of a discussion among filmmakers and members of the Film as Art and Communication class at the University of Cincinnati, which took place in April 1967.

}, keywords = {American Cinema, John Cage, Jonas Mekas, Stan Brakhage, Stan VanDerBeek}, author = {Stan Brakhage and Jonas Mekas and John Cage and Stan VanDerBeek}, editor = {Hector Currie and Michael Porte} } @book {expcin16012, title = {An Introduction to the American Underground Film}, year = {1967}, pages = {326 pp}, publisher = {E.P. Dutton \& Co.}, organization = {E.P. Dutton \& Co.}, address = {New York}, keywords = {Andy Warhol, Branaman, Bruce Baillie, Bruce Conner, Carmen D{\textquoteright}Avino, Charles Eames, Dziga Vertov, Ed Emshwiller, Emlen Etting, Experimental film history, George Kuchar, George Landow, Gregory Markopoulos, Hans Richter, Harry Smith, Jack Smith, James Sibley Watson, Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Lawrence Jordan, Len Lye, Man Ray, Marie Menken, Maya Deren, Melville Webber, Mike Kuchar, Peter Emanuel Goldman, Ralph Steiner, Ren{\'e} Clair, Robert, Robert Breer, Robert Nelson, Ron Rice, Sidney Peterson, Stan Brakhage, Stan VanDerBeek, Tony Conrad}, url = {http://archive.org/details/introductiontoam00rena}, author = {Sheldon Renan} } @article {expcin16010, title = {Film Culture 30: Metaphors on Vision}, year = {1963}, abstract = {

{\textquotedblleft}Metaphors on Vision is a collection of writings on the film and, in particular, on the film as Stan Brakhage sees and makes it. Yet more significantly it is a testament of what makes mythopoeic art. Mythopoeia is the often attempted and seldom achieved result of making a myth new or making a new myth.{\textquotedblright} (from the Introduction)

Edited with an Introduction by P. Adams Sitney
Book design by George Maciunas

}, keywords = {Jane Brakhage, Stan Brakhage}, url = {https://monoskop.org/log/?p=7736}, author = {Stan Brakhage and Jane Brakhage and P.Adams Sitney} }