@article {expcin15981, title = {Zelluloid: Film ohne Kamera = cameraless film}, year = {2010}, pages = {190 pp}, publisher = {Schirn Kunsthalle}, address = {Frankfurt}, abstract = {

"Zelluloid" is dedicated to a particular genre of artistic film, in which the image is generated directly, by physically processing the film strip. Unlike other forms of experimental film, the film material is interpreted as if it were a canvas by using a diverse range of artistic processes: through painting, drawing, collage on the celluloid, scores and scratches in the photographic emulsion, chemical manipulation or the direct lighting of photo-sensitive media. Such were the origins of the cinematic avant-garde, which researches even the material nature of the medium of film and at the same time sounds out its relationship with the visual arts and also with music in ever-changing approaches. The exhibition catalogue contains outstanding examples of "films without a camera" and features approximately 20 international artists and filmmakers from the 1930s to the present day.

Exhibition: Schirn Kunsthalle, Frankfurt (2.06 - 29.08.2010).

Artists featured in the exhibiton: Stan Brakhage, Tony Conrad, Cécile Fontaine, Amy Granat, Ian Helliwell, Hy Hirsh, Takahiko Iimura, Emmanuel Lefrant, Len Lye, Norman McLaren, Bärbel Neubauer, Luis Recoder, Jennifer Reeves, Dieter Roth, Pierre Rovère, Schmelzdahin, José Antonio Sistiaga, Harry Smith, Aldo Tambellini, Marcelle Thirache, Jennifer West.

}, keywords = {Aldo Tambellini, Amy Granat, Bärbel Neubauer, cameraless film, Cécile Fontaine, Dieter Roth, Emmanuel Lefrant, Harry Smith, Hy Hirsh, Ian Helliwell, Jennifer Reeves, Jennifer West, Jos{\'e} Antonio Sistiaga, Len Lye, Luis Recoder, Marcelle Thirache, Norman McLaren, Pierre Rovère, Schmelzdahin, Stan Brakhage, Takahiko Iimura, Tony Conrad}, isbn = {9783866783959}, url = {https://monoskop.org/images/d/dd/Schlicht_Esther_Hollein_Max_eds_Zelluloid_Camera_Less_Film_Film_ohne_Kamera.pdf}, author = {Esther Schlicht and Max Hollein} } @book {expcin15991, title = {The Avant-garde Film: A Reader of Theory and Criticism}, series = { Anthology film archives}, number = {3}, year = {1978}, pages = {295 pp}, publisher = {New York University Press}, organization = {New York University Press}, address = {New York}, abstract = {

This anthology is both a history of the avant-garde film genre and a compendium of theories of cinema articulated by major filmmakers. The 33 selections include several previously unpublished theoretical and critical articles and many articles that were especially translated into English for this collection. Other selections were drawn from interviews and from lectures contained in the Anthology Film Archives.

}, keywords = {Andy Warhol, Anthony McCall, Antonin Artaud, Ernie Gehr, Germaine Dulac, Hans Richter, Harry Smith, Hollis Frampton, James Broughton, James Whitney, Jean Epstein, John Whitney, Jonas Mekas, Joseph Cornell, Maya Deren, Michael Snow, Paul Sharits, Peter Kubelka, Sergei Eisenstein, Sidney Peterson, Stan Brakhage, Tony Conrad}, isbn = {9780814777930}, author = {P.Adams Sitney and Sergei Eisenstein and Hans Richter and Jean Epstein and Germaine Dulac and Antonin Artaud and Joseph Cornell and Maya Deren and Sidney Peterson and James Broughton and John Whitney and James Whitney and Harry Smith and Carel Rowe and Stan Brakhage and Peter Kubelka and Stephen Koch and Annette Michelson and Michael Snow and Jonas Mekas and Ernie Gehr and Anthony McCall and Paul Sharits and Tony Conrad and Hollis Frampton} } @book {expcin16038, title = {Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino}, year = {1971}, pages = {239 pp}, publisher = {Ullstein}, organization = {Ullstein}, address = {Frankfurt/Berlin/Vienna}, keywords = {Andy Warhol, Bruce Baillie, Bruce Conner, Ed Emshwiller, Expanded cinema, Experimental film history, George Kuchar, Gergory Markopoulos, Harry Smith, Jack Smith, James Whitney, John Whitney Jr., Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Knokke Experimental Film Festival, Mike Kuchar, Robert Breer, Robert Nelson, Ron Rice, Stan Brakhage, Stan VanDerBeek}, issn = {9783548028170}, author = {Birgit Hein} } @book {expcin16012, title = {An Introduction to the American Underground Film}, year = {1967}, pages = {326 pp}, publisher = {E.P. Dutton \& Co.}, organization = {E.P. Dutton \& Co.}, address = {New York}, keywords = {Andy Warhol, Branaman, Bruce Baillie, Bruce Conner, Carmen D{\textquoteright}Avino, Charles Eames, Dziga Vertov, Ed Emshwiller, Emlen Etting, Experimental film history, George Kuchar, George Landow, Gregory Markopoulos, Hans Richter, Harry Smith, Jack Smith, James Sibley Watson, Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Lawrence Jordan, Len Lye, Man Ray, Marie Menken, Maya Deren, Melville Webber, Mike Kuchar, Peter Emanuel Goldman, Ralph Steiner, Ren{\'e} Clair, Robert, Robert Breer, Robert Nelson, Ron Rice, Sidney Peterson, Stan Brakhage, Stan VanDerBeek, Tony Conrad}, url = {http://archive.org/details/introductiontoam00rena}, author = {Sheldon Renan} }