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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-10010\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/bastiancleve.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-10010-bM1jYFDAHFg\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/bastiancleve.jpg?itok=7n0jB4z3\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EBastian Clev\u00e9\u003C\/strong\u003E, born January 1, 1950 in Munich, is a German filmmaker and producer. He is Professor and Head of the Film Production-Department at the Film Academy Baden-Wuerttemberg in Ludwigsburg, Germany.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EBiography\u003C\/strong\u003E Clev\u00e9 grew up in Hamburg. After a two-year stint as sound-assistant at the TV-studios in Munich he studied \u003Cem\u003EVisual Communication\u003C\/em\u003E in Hamburg at the Hochschule f\u00fcr Bildende K\u00fcnste Hamburg (University of Fine Arts of Hamburg) where he continued filmmaking and started winning awards. In 1975\/76 he was awarded a one-year scholarship by the German Academic Exchange Service \u003Cem\u003EDAAD\u003C\/em\u003E to study at the San Francisco Art Institute. He was touring with his experimental short films throughout the continent. After a brief return to Germany he relocated to Los Angeles in 1979 where he worked as a freelance writer, director and producer.\u003C\/p\u003E\n\u003Cp\u003EIn 1991 he returned to Germany to become Professor and Head of the Department for \u201cFilm Production and the Business of Entertainment\u201d at the newly established Film Academy Baden-Wuerttemberg in charge of the training program and the curriculum for motion-picture- and TV-producers. Clev\u00e9 wrote and edited more than two dozens books on filmmaking and film production. He is married with a daughter.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EWork\u003C\/strong\u003E Clev\u00e9 started personal filmmaking in 1969 with short-films progressing into feature-lengths works. He sustained his efforts by winning awards and by touring and lecturing extensively throughout the world. Upon moving to Los Angeles he focused on the commercial side of filmmaking by picking up the craft of producing. He continued both his artistic and commercial filmmaking later on throughout his professorship in Germany.\u003C\/p\u003E\n\u003Cp\u003EHis first DVD entitled \u003Cem\u003EJourneys\u003C\/em\u003E contains \u003Cem\u003ESchau ins Land\u003C\/em\u003E, \u003Cem\u003ENachtwache\u003C\/em\u003E, \u003Cem\u003ELichtblick\u003C\/em\u003E, \u003Cem\u003EDie Reise\u003C\/em\u003E, \u003Cem\u003EEmpor\u003C\/em\u003E, \u003Cem\u003ENach Bluff\u003C\/em\u003E and \u003Cem\u003EFatehpur Sikri\u003C\/em\u003E.\u003Ca href=\u0022\/site\/en\/dvd\/bastian-clev%C3%A9-journeys\u0022\u003EBastian Clev\u00e9: Journeys\u003C\/a\u003E provided by redavocado\u003C\/p\u003E\n\u003Ch3\u003ECommercial filmmaking\u003C\/h3\u003E\n\u003Cp\u003EClev\u00e9\u0027s commercial filmmaking as a writer\/director\/producer has been for TV and as producer\/production-manager\/line-producer for German and American third party projects (\u003Cem\u003EBagdad Caf\u00e9\u003Cstrong\u003E) or other contracted work. He has worked and produced throughout the world.\u003C\/strong\u003E\u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ELumigraph\u003Cem\u003E\u003Cbr \/\u003E \u003C\/em\u003E\u003C\/em\u003EOskar Fischinger \u2013 Life and WorkDie Familie Oppermann\u003Cem\u003E \u003Cbr \/\u003E \u003C\/em\u003EMelodie einer Stadt: CaracasMelodie einer Stadt: BogotaMelodie einer Stadt: Sa\u00f5 PauloMelodie einer Stadt: VancouverMelodie einer Stadt: Quebec City\u003Cem\u003E \u003Cbr \/\u003E \u003C\/em\u003EDie experimentellen Filme des Bastian Clev\u00e9Melodie einer Stadt: Buenos AiresMelodie einer Stadt: Rio de JaneiroMelodie einer Stadt: Mexiko\u003Cem\u003E \u003Cbr \/\u003E \u003C\/em\u003EOut of Rosenheim (aka Bagdad Caf\u00e9) \u003Cbr \/\u003E \u003Cem\u003ENightchildren\u003C\/em\u003E \u003Cbr \/\u003E *\u003Cem\u003EDie verkl\u00e4rte Nacht\u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EHonors and awards (\u003Cem\u003Eselection\u003C\/em\u003E)\u003C\/strong\u003E \u003Cem\u003E\u003Cem\u003ELichtblick\u003C\/em\u003E BMI-Award 1976 \u003C\/em\u003E\u003Cem\u003EEmpor\u003C\/em\u003E German Film Award 1978 \u003Cem\u003E\u003Cem\u003EAm Wegerand\u003C\/em\u003E German Film Award 1979 \u003C\/em\u003E\u003Cem\u003ESan Francisco Zephyr\u003C\/em\u003E French Film-Critic\u2019s Award, Hy\u00e8res Filmfestival 78 \u003Cem\u003E\u003Cem\u003EDer Deutschlandfahrer\u003C\/em\u003E BMI-Shortfilm-Award 1978 \u003C\/em\u003E\u003Cem\u003EExit Sunset Boulevard\u003C\/em\u003E BMI-Screenplay-Award 1978 \u003Cem\u003E\u003Cem\u003EDas blinde Gl\u00fcck\u003C\/em\u003E BMI-Screenplay-Award 1985 \u003C\/em\u003E\u003Cem\u003ESound of Eternity\u003C\/em\u003E HD Fest DEFFY-Award 2006\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EBooks (\u003Cem\u003Eselection\u003C\/em\u003E)\u003C\/strong\u003E \u003Cem\u003E1989 \u003Cem\u003EThe Art of Personal Filmmaking\u003C\/em\u003E\u003Cbr \/\u003E \u003C\/em\u003E1994 \u003Cem\u003EFilm Production Management\u003C\/em\u003E \u003Cbr \/\u003E \u003Cem\u003E1994 \u003Cem\u003EInterview: Philipp Glass\u003C\/em\u003E \u003Cbr \/\u003E \u003C\/em\u003E1997 \u003Cem\u003E1.Akademiekreis Production Value\u003C\/em\u003E \u003Cem\u003E1997 \u003Cem\u003EDevelopment\/Stoffentwicklung\u003C\/em\u003E \u003C\/em\u003E1997 \u003Cem\u003ECashing In \u2013 Chancen und Risisken privater Filmfinanzierungsfonds\u003C\/em\u003E \u003Cem\u003E1997 \u003Cem\u003EWege zum Geld\u003C\/em\u003E \u003C\/em\u003E1997 \u003Cem\u003EDrehen in Deutschland \u2013 Shooting in Germany\u003C\/em\u003E \u003Cem\u003E1998 \u003Cem\u003EInvestoren im Visier\u003C\/em\u003E \u003C\/em\u003E1998 \u003Cem\u003EVon der Idee zum Film\u003C\/em\u003E \u003Cem\u003E1999 \u003Cem\u003EFilm Production Management\u003C\/em\u003E \u003Cbr \/\u003E \u003C\/em\u003E2005 \u003Cem\u003EGib niemals auf \u2013 Film\u00f6konomie in der Praxis\u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003E\u00a0\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EGermany\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}