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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-10205\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/erniegehr.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-10205-3rH_60F5CKc\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/erniegehr.jpg?itok=leyJMNN5\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EErnie Gehr\u003C\/strong\u003E (born 1941 in Milwaukee, Wisconsin) is an American experimental filmmaker closely associated with the \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Structural_film\/\u0022\u003EStructural film\u003C\/a\u003E movement of the 1970s. A self-taught artist, Gehr was inspired to begin making films in the 1960s after chancing upon a screening of a \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Stan_Brakhage\/\u0022\u003EStan Brakhage\u003C\/a\u003E film. Gehr\u0027s film \u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Serene_Velocity\/\u0022\u003ESerene Velocity\u003C\/a\u003E\u003C\/em\u003E (1970) has been selected for preservation in the United States National Film Registry. Gehr served as faculty at the San Francisco Art Institute. His films have screened internationally, including retrospectives at the Museum of Modern Art in New York, The Centre Georges Pompidou in Paris, the Musee du Cinema in Brussels and at the San Francisco Cinematheque, and he has received awards and grants from numerous institutions, including the National Endowment for the Arts, a John Simon Guggenheim fellowship and the Maya Deren Award from the American Film Institute. His films are distributed by \u003Ca class=\u0022wikilink\u0022 href=\u0022\/site\/en\/wiki\/article\/canyon-cinema\u0022\u003ECanyon Cinema\u003C\/a\u003E in San Francisco.\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EIn representational films sometimes the image affirms its own presence as image, graphic entity, but most often it serves as vehicle to a photo-recorded event. Traditional and established avant garde film teaches film to be an image, a representing. But film is a real thing and as a real thing it is not imitation. It does not reflect on life, it embodies the life of the mind. It is not a vehicle for ideas or portrayals of emotion outside of its own existence as emoted idea. Film is a variable intensity of light, an internal balance of time, a movement within a given space\u003C\/em\u003E. - Ernie Gehr, January 1971\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EInstallations\u003C\/strong\u003E \u003Cem\u003E2010 Picture Taking (HD, 9 1\/2 min.)(available as either a single channel or a 3-channel work) \u003C\/em\u003E2010 Surveillance (HD) ((4-channels) \u003Cem\u003E2008 Water Front (two 4-channel pieces) \u003C\/em\u003E2007-08 Water Series (approx.)50 single channel pieces) \u003Cem\u003E2006 Crossing The Bowery (3-channels) \u003C\/em\u003E2005 Ocean Avenue (4-channels) \u003Cem\u003E2005 Panoramas of the Moving Image: 19th Century Mechanical Magic Lantern Slides \u0026amp; Dissolving Views (5-channels) \u003C\/em\u003E2001 Navigation *2001 MoMA On Wheels\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003E External links \u003C\/strong\u003E \u003Cem\u003E\u003Ca href=\u0022http:\/\/www.canyoncinema.com\/G\/Gehr.html\u0022\u003EErnie Gehr at Canyon Cinema\u003C\/a\u003E \u003C\/em\u003E\u003Ca href=\u0022http:\/\/making-light-of-it.blogspot.com.es\/2012\/12\/ernie-gehr.html\u0022\u003EGehr\u0027s profile\u003C\/a\u003E at \u0027Making light of it\u0027 \u003Cem\u003E\u003Ca href=\u0022http:\/\/www.fredcamper.com\/Film\/GehrL.html\u0022\u003EGehr\u0027s profile\u003C\/a\u003E at \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Fred_Camper\/\u0022\u003EFred Camper\u003C\/a\u003E\u0027s website. \u003C\/em\u003E\u003Ca href=\u0022http:\/\/www.hi-beam.net\/mkr\/eg\/eg-bio.html\u0022\u003EErnie Gehr at Hi Beam\u003C\/a\u003E *\u003Ca href=\u0022http:\/\/mubi.com\/notebook\/posts\/a-playground-with-no-supervision-an-interview-with-ernie-gehr\u0022\u003EInterview with Ernie Gehr\u003C\/a\u003E, MUBI\u003C\/p\u003E\n\u003Cp\u003E\u00a0\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EUnited States\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}