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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-10419\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/hannes_schupbach.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-10419-Fzo7K9f66wo\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/hannes_schupbach.jpg?itok=DFUs4fsw\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EHannes Sch\u00fcpbach\u003C\/strong\u003E is a Swiss filmmaker and painter, born in Winterthur, Switzerland in 1965.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EEducation\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003ESch\u00fcpbach studied visual art at the academies of art and design in Zurich (Zurich University of the Arts, ZHdK) and in Basel (Hochschule f\u00fcr Gestaltung und Kunst) from 1988 to 1991. In 1992 he dedicated six months to cinema and performance studies at New York University. During his education two figures were very important for their influence on the artist\u0027s cinematic language: Werner von Mutzenbecher and Andr\u00e9 Lehmann. They were his professors and both engaged in experimental film movement in Basel in the 1970s and 1980s.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003ECareer\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EIn 1999 Sch\u00fcpbach established \u0027Film direkt\u0027, a monthly series of artists\u0027 films at Filmpodium Zurich, where some publications on the art film were also issued. Hannes Sch\u00fcpbach has become internationally known with his 16mm films, which he has presented in some of the most important European art institutions: Centre Pompidou, Paris; Biennale de l\u0027Image en Mouvement, Geneva; Museum Reina Sofia, Madrid; Tate Modern, London.\u003C\/p\u003E\n\u003Cp\u003EFrom the first years of his artistic career, Sch\u00fcpbach also worked as painter, creating \u0027large, connected series of paintings\u0027. During his first solo exhibition, \u0027Stills and Movies\u0027 at Kunsthalle Basel (25 January - 22 March 2009) was presented a combination of his paintings and films. As we can read on the exhibition website \u003Ca href=\u0022http:\/\/www.kunsthallebasel.ch\u0022\u003Ehttp:\/\/www.kunsthallebasel.ch\u003C\/a\u003E \u0027both media are inseparably connected in his approach to his work. The films and the paintings are two idioms that Sch\u00fcpbach adopts to articulate the major themes of his artistic work: the representation of time and movement and the complex processes of experiencing and remembering\u0027.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EAbout his films\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EThe limits and limitations of the visual that Pierre Bonnard actively challenged in his affectionately hybrid Symbolist-Impressionistic domestic scenes are here, too, confronted, expanded, upended by Sch\u00fcpbach\u2019s poetic strategies. His signature use of black and soft-focus shooting evince all that lies beneath the surface, inhaling and exhaling the life force surging from his images, with echoes of silence. Of Cageian silence, of course, where the sounds of life never cease and become like music.\u003C\/em\u003E - Andr\u00e9a Picard, Material Moments. Hannes Sch\u00fcpbach: Cinema Elements, p. 110.\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EAs for Rilke\u2019s poetic strategy, Robert Musil wrote: \u201cHe weaves things together like a carpet; when one examines them, they are separate, but if one looks at the background, they are linked through it.\u201dRobert Musil, Rede zur Rilke-Feier, 1927. And thus a circle may be sketched, linking poem, music, and carpet through the unifying motif of the braid\u2014the same motif that Hannes Sch\u00fcpbach has taken as the compositional model for his films. Through the distribution of colored forms on the film\u2019s surface, a play of opposites and correspondences, of syncopes and durations is created, based on the construction of a field conceived as a single opaque entity (Feldman\u2019s \u201cgluing-together approach\u201d).\u003C\/em\u003E - Philippe-Alain Michaud, The Thread of Time. Hannes Sch\u00fcpbach: Cinema Elements, p. 100.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EExternal links\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E \u003Ca href=\u0022http:\/\/expcinema.com\/site\/en\/dvd\/hannes-sch%C3%BCpbach-instants\u0022\u003EInstants\u003C\/a\u003E, book and DVD. Revolver Publishing, 2014.\u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Ca href=\u0022http:\/\/vimeo.com\/65761413\u0022\u003EVideo: \u0027Conversations at the Edge: Hannes Sch\u00fcpbach\u0027, (2013-04-06)\u003C\/a\u003E\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003ESwitzerland\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}