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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-10611\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/jennifer_reeves.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-10611-fP-yyPW6tFY\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/jennifer_reeves.jpg?itok=9XDOjKdE\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EJennifer Reeves\u003C\/strong\u003E (also known as Jennifer Todd Reeves) (b. 1971, Ceylon) is an American experimental filmmaker based in New York who works primarily on 16mm film.\u003C\/p\u003E\n\u003Cp\u003EHer films have shown extensively, from the Berlin, New York, Vancouver, London, Sundance, and Seoul Film Festivals to many Microcinemas in the US and Canada, the Robert Flaherty Seminar, Princeton University, and the Museum of Modern Art. In August 2008, Reeves completed her 4.5 years in-the-making \u003Cem\u003E\u003Ca href=\u0022\/wiki\/work\/When-it-was-blue\/\u0022\u003EWhen it was blue\u003C\/a\u003E\u003C\/em\u003E, which premiered at Toronto International Film Festival in September with live music by Sk\u00fali Sverrisson. In 2007 Reeves performed her double-projection films \u003Cem\u003ELight work mood disorder\u003C\/em\u003E and \u003Cem\u003EHe walked away\u003C\/em\u003E (with music by Anthony Burr) at Rotterdam Film Festival, the Wexner Center, AFI Fest, Diapason Gallery in New York, Kino Arsenal in Berlin, and the Contemporary Art Museum of Strasbourg. Jennifer has been the proud recipient of a 2007 Wexner Center Capital Residency Award, which made it possible for her to complete production and post-production on her \u003Cem\u003ELight work mood disorder\u003C\/em\u003E, and gave partial completion funds for her recently completed \u003Cem\u003EWhen it was blue\u003C\/em\u003E. The MacDowell Colony and the Experimental Television Center also gave support to the project.\u003C\/p\u003E\n\u003Cp\u003EReeves has made experimental films since 1990 (or since 1986 if you consider high-school video-making). She does her own writing, cinematography, editing, and sound design. Her subjective and personal films push the boundaries of film through optical-printing, film stock \u201cmis-use\u201d, and direct-on-film techniques (including hand-painting and sewing 16mm film). Reeves has consistently explored themes of memory, mental health and recovery, feminism and sexuality, landscape, wildlife, and politics in her work since the early 90s.\u003C\/p\u003E\n\u003Cp\u003ESince 2003 Reeves has collaborated with some of the finest composer\/ musicians today, including Anthony Burr, Sk\u00fali Sverrisson, Elliott Sharp, Zeena Parkins, Marc Ribot, Erik Hoversten, Pitt Reeves, Hilmar Jensson, John Stone, Eliza Slavet, and Dave Cerf. The daughter of a trumpeter, gravitating toward film and music collaborations was natural. In 2003, Reeves expanded her work as a \u201csingle strand filmmaker\u201d by creating multiple-projection films, to be performed with live original music. This direction in her work began with \u003Cem\u003EHe walked away\u003C\/em\u003E (several scores with different composers) and has culminated in her recent work \u003Cem\u003ELight work mood disorder\u003C\/em\u003E (composer Anthony Burr), and \u003Cem\u003EWhen it was blue\u003C\/em\u003E (score by Sk\u00fali Sverrisson). In 2005, Reeves was commissioned to make a silent film for the Bard Music Festival. \u003Cem\u003EShadows choose their horrors\u003C\/em\u003E premiered with the American Symphony Orchestra\u2019s performance of Aaron Copland\u2019s \u003Cem\u003EGrohg\u003C\/em\u003E (Leon Botstein, conductor).\u003C\/p\u003E\n\u003Cp\u003EReeves has also made a number of experiemental narratives, most notably her highly acclaimed feature \u003Cem\u003EThe time we killed\u003C\/em\u003E. Reeves also teaches film part-time at Bard College\u0027s Milton Avery School of the Arts, The Cooper Union, Millennium Film Workshop and the School of Visual Arts in the Photography and Related Media MFA program.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EExternal links\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.jenniferreevesfilm.com\u0022\u003EJennifer Reeves\u0027 Official Website\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.cinema-scope.com\/cs37\/spot_sicinski_blue.html\u0022\u003EArticle\u003C\/a\u003E on \u003Cem\u003EWhen it was blue\u003C\/em\u003E by Michael Sicinski for Cinema Scope, Issue 37.\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.cinema-scope.com\/cs20\/int_kite_reeves.htm\u0022\u003E\u0027Homeland Insecurity\u0027\u003C\/a\u003E Interview by Brent Kite, Cinema Scope, Issue 20, Fall 2004.\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/artesix.blogspot.com\/2005_02_01_artesix_archive.html\u0022\u003ELives Interview\u003C\/a\u003E by Sasha Soren on Arte Six, Dec 2004\/Jan 2005 Issue (scroll down).\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.villagevoice.com\/2008-07-16\/art\/paint-it-wack\/\u0022\u003EJennifer Reeves at the Drawing Center: Paint It Wack\u003C\/a\u003E\u003C\/em\u003E, article by Robert Shuster for the Village Voice, July 16 2008.\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003Cp\u003E(Source:Artist\u0027s website)\u003C\/p\u003E\n\u003Cp\u003E\u00a0\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EUnited States\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}