{"markup":"\u003C?xml version=\u00221.0\u0022 encoding=\u0022UTF-8\u0022 ?\u003E\n    \u003Chtml version=\u0022HTML+RDFa+MathML 1.1\u0022\n    xmlns:content=\u0022http:\/\/purl.org\/rss\/1.0\/modules\/content\/\u0022\n    xmlns:dc=\u0022http:\/\/purl.org\/dc\/terms\/\u0022\n    xmlns:foaf=\u0022http:\/\/xmlns.com\/foaf\/0.1\/\u0022\n    xmlns:og=\u0022http:\/\/ogp.me\/ns#\u0022\n    xmlns:rdfs=\u0022http:\/\/www.w3.org\/2000\/01\/rdf-schema#\u0022\n    xmlns:sioc=\u0022http:\/\/rdfs.org\/sioc\/ns#\u0022\n    xmlns:sioct=\u0022http:\/\/rdfs.org\/sioc\/types#\u0022\n    xmlns:skos=\u0022http:\/\/www.w3.org\/2004\/02\/skos\/core#\u0022\n    xmlns:xsd=\u0022http:\/\/www.w3.org\/2001\/XMLSchema#\u0022\n    xmlns:mml=\u0022http:\/\/www.w3.org\/1998\/Math\/MathML\u0022\u003E\n  \u003Chead\u003E\u003Cscript\u003E\n\u003C!--\/\/--\u003E\u003C![CDATA[\/\/\u003E\u003C!--\njQuery.extend(Drupal.settings, {\u0022basePath\u0022:\u0022\\\/site\\\/\u0022,\u0022pathPrefix\u0022:\u0022en\\\/\u0022,\u0022setHasJsCookie\u0022:0,\u0022field_group\u0022:{\u0022hidden\u0022:\u0022full\u0022},\u0022ajaxPageState\u0022:{\u0022js\u0022:{\u0022sites\\\/all\\\/libraries\\\/jquery-focuspoint\\\/js\\\/jquery.focuspoint.min.js\u0022:1,\u0022sites\\\/all\\\/modules\\\/field_group\\\/field_group.js\u0022:1}}});\n\/\/--\u003E\u003C!]]\u003E\n\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__OoSVGe59A5vEr_Q8WbDSyFzbnGhy67AvEk1Dt4WQ4mc__avvfGLSi1OXpILN3vu2rqILFNkWom4aVBbb2dR6Gz5g__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__mj2TlWhks9oJxPMS-NZeTpU46WwFVlMGEIo6S9H_Qx8__BsaKROlqVoH1U-25O4BHSOvj0FOd9mpaW6cDEgy8HfE__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003Cnoscript id=\u0022advagg_loadcss_0\u0022\u003E\n\u003Clink type=\u0022text\/css\u0022 rel=\u0022stylesheet\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 \/\u003E\n\u003C\/noscript\u003E\u003Clink type=\u0022text\/css\u0022 rel=\u0022preload\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 as=\u0022style\u0022 onload=\u0022window.advagg_mod_loadcss = function() {if (window.jQuery) {if (jQuery.isFunction(jQuery.holdReady)){jQuery.holdReady(false);}} else {setTimeout(advagg_mod_loadcss, 100);}};setTimeout(advagg_mod_loadcss, 200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-10829\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/kenjacobs.jpg\u0022 title=\u0022Ken Jacobs, phoro by Bryony McIntyre\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-10829-ATfLitafO6w\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;Ken Jacobs, phoro by Bryony McIntyre\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/kenjacobs.jpg?itok=yR9lNFkW\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022Ken Jacobs, phoro by Bryony McIntyre\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EKen Jacobs\u003C\/strong\u003E (born May 25 1933) is an American experimental filmmaker. He is the director of (1969, USA), which was admitted to the National Film Registry in 2007, and \u003Cem\u003EStar Spangled to Death\u003C\/em\u003E (2004, USA), a nearly seven hour film comprised largely of \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/found_footage\/\u0022\u003Efound footage\u003C\/a\u003E.\u003C\/p\u003E\n\u003Cp\u003EHe coined the term \u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/paracinema\/\u0022\u003Eparacinema\u003C\/a\u003E\u003C\/em\u003E in the early 1970s, referring to cinema experiences provided by means outside of standard cinema technology. He was an influential teacher of Art Spiegelman, former painting student of Hans Hoffman, and in 1969 with \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Larry_Gottheim\/\u0022\u003ELarry Gottheim\u003C\/a\u003E started the Cinema dept. at Harpur College (now Binghamton University), providing arts education and tools of critical thinking to students until his retirement in 2003 as a Distinguished Professor of Cinema. He resides in New York City.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EVideography\u003C\/strong\u003E \u003Cem\u003E2009 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/What_Happened_on_23rd_Street_in_1901\/\u0022\u003EWhat Happened on 23rd Street in 1901\u003C\/a\u003E \u003C\/em\u003E2009 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Hot_Dogs_At_The_Met\/\u0022\u003EHot Dogs At The Met\u003C\/a\u003E \u003Cem\u003E2008 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_Scenic_Route\/\u0022\u003EThe Scenic Route\u003C\/a\u003E \u003C\/em\u003E2008 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/His_Favorite_Wife_Improved\/\u0022\u003EHis Favorite Wife Improved\u003C\/a\u003E \u003Cem\u003E2008 \u003C\/em\u003E2007 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/We_Are_Charming\/\u0022\u003EWe Are Charming\u003C\/a\u003E \u003Cem\u003E2007 \u003C\/em\u003E2007 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Nymph\/\u0022\u003ENymph\u003C\/a\u003E \u003Cem\u003E2007 \u003C\/em\u003E2006 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_Surging_Sea_of_Humanity\/\u0022\u003EThe Surging Sea of Humanity\u003C\/a\u003E \u003Cem\u003E2006 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Pushcarts_of_Eternity_Street\/\u0022\u003EPushcarts of Eternity Street\u003C\/a\u003E \u003C\/em\u003E2006 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Hanky_Panky_January_1902\/\u0022\u003EHanky Panky January 1902\u003C\/a\u003E \u003Cem\u003E2005 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Let_There_Be_Whistle_Blowers\/\u0022\u003ELet There Be Whistle Blowers\u003C\/a\u003E \u003C\/em\u003E2005 \u003Cem\u003E2005 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Krypton_is_Doomed\/\u0022\u003EKrypton is Doomed\u003C\/a\u003E \u003C\/em\u003E2005 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Insistent_Clamor\/\u0022\u003EInsistent Clamor\u003C\/a\u003E \u003Cem\u003E2004 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Mountaineer_spinning\/\u0022\u003EMountaineer spinning\u003C\/a\u003E (26 min., colour, music by Rick Reed) \u003C\/em\u003E2004 (108 min., colour, music by John Zorn asst. by Ikue Mori) \u003Cem\u003E2003 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Keeping_an_eye_on_Stan\/\u0022\u003EKeeping an eye on Stan\u003C\/a\u003E (117 min., colour, sound, video) \u003C\/em\u003E2003 \u003Cem\u003E2002 (114 min., colour, sound, video) \u003C\/em\u003E2002 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/A_Tom_Tom_chaser\/\u0022\u003EA Tom Tom chaser\u003C\/a\u003E (10-1\/2 min., b\/w, silent, digital computer work) *1999 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Flo_rounds_a_corner\/\u0022\u003EFlo rounds a corner\u003C\/a\u003E (6 min., colour, silent, digital computer work)\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003ETheater Works\u003C\/strong\u003E All these involved shadow play or film (all approx. 90 min.)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E1982 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Audio-visual_vaudeville\/\u0022\u003EAudio-visual vaudeville\u003C\/a\u003E (2 and 3-Dimensional shadow play, played again 1994, 2000) \u003C\/em\u003E1979 Ken Jacobs At The Console Performing \u003Cem\u003E1977 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Air_of_inconsequence\/\u0022\u003EAir of inconsequence\u003C\/a\u003E (3-Dimensional shadow play) \u003C\/em\u003E1975 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_boxer_rebellion\/\u0022\u003EThe boxer rebellion\u003C\/a\u003E (2 and 3-Dimensional shadow play) \u003Cem\u003E1974 \u003C\/em\u003E1974 (2 and 3-Dimensional shadow play (played again in MUMOK, Vienna, 2004) \u003Cem\u003E1972 \u003C\/em\u003E1970 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Restful_moments\/\u0022\u003ERestful moments\u003C\/a\u003E (2 and 3-Dimensional shadow play) *1965\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EFilm\/Performances\u003C\/strong\u003E (\u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_nervous_system\/\u0022\u003EThe nervous system\u003C\/a\u003E\u003C\/em\u003E; a unique double-analysis projector set-up, deriving 3-D from standard 2-D film, most often archival and other found footage) (all approximate time)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E1998 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Un_petit_train_de_plaisir\/\u0022\u003EUn petit train de plaisir\u003C\/a\u003E (25 min.) \u003C\/em\u003E1997 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Ontic_Antics_starring_Laurel_and_Hardy\/\u0022\u003EOntic Antics starring Laurel and Hardy\u003C\/a\u003E (1 hr.) \u003Cem\u003E1997 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/New_York_Street_trolleys_1900\/\u0022\u003ENew York Street trolleys 1900\u003C\/a\u003E (25 min.) \u003C\/em\u003E1996 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Loco_motion\/\u0022\u003ELoco motion\u003C\/a\u003E ((25 min.) \u003Cem\u003E1996 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/From_Muybridge_to_Brooklyn_Bridge\/\u0022\u003EFrom Muybridge to Brooklyn Bridge\u003C\/a\u003E (includes \u0027Muybridge On Wheels\u0027 (animated slides), \u0027The Georgetown Loop\u0027 (film), \u0027Loco Motion\u0027 (Nervous System work), \u0027Disorient Express\u0027 (film), \u0027On The Bridge\u0027 (Nervous System work) \u003C\/em\u003E1996 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Coupling\/\u0022\u003ECoupling\u003C\/a\u003E (1 hr.) \u003Cem\u003E1995 (90 min.) \u003C\/em\u003E1994 ((90 min.) \u003Cem\u003E1993 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/New_York_ghetto_fishmarket_1903\/\u0022\u003ENew York ghetto fishmarket 1903\u003C\/a\u003E (90 min.) \u003C\/em\u003E1990 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_subcinema\/\u0022\u003EThe subcinema\u003C\/a\u003E ((2 hrs.) \u003Cem\u003E1989 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Two_wrenching_departures\/\u0022\u003ETwo wrenching departures\u003C\/a\u003E ((2 hrs.) \u003C\/em\u003E1983 ((90 min.) \u003Cem\u003E1982 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_whole_shebang\/\u0022\u003EThe whole shebang\u003C\/a\u003E ((70 min.) \u003C\/em\u003E1981 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Ken_Jacobs_Theater_Of_Unconscionable_Stupidity_presents_Camera_thrills_of_the_war\/\u0022\u003EKen Jacobs Theater Of Unconscionable Stupidity presents Camera thrills of the war\u003C\/a\u003E ((90 min.) \u003Cem\u003E1980 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/XCXHXEXRXRXIXEXSX\/\u0022\u003EXCXHXEXRXRXIXEXSX\u003C\/a\u003E ((90 min.) \u003C\/em\u003E1980 ((25 min.) \u003Cem\u003E1980 ((1 hr.) \u003C\/em\u003E1980 ((7 min.) \u003Cem\u003E1979 ((11 min.) \u003C\/em\u003E1975 ((1 hr.)\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EPerformances\u003C\/strong\u003E (\u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/The_nervous_magic_lantern\/\u0022\u003EThe nervous magic lantern\u003C\/a\u003E\u003C\/em\u003E; single projector utilizing neither film nor video)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E2005 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Interstellar_Lower_East_Side_ramble\/\u0022\u003EInterstellar Lower East Side ramble\u003C\/a\u003E (music by John Zorn assisted by Ikue Mori, January 2005, (1 hr) \u003C\/em\u003E2004 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Seeing_is_believing\/\u0022\u003ESeeing is believing\u003C\/a\u003E (music by Rick Reed, September 2004, 1 hr.) \u003Cem\u003E2004 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Salvaging_noise\/\u0022\u003ESalvaging noise\u003C\/a\u003E (music by John Zorn assisted by Ikue Mori, October 2004, 1 hr.) \u003C\/em\u003E2004 (March 2004 (1 hr.) \u003Cem\u003E2004 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Celestial_subway\/\u0022\u003ECelestial subway\u003C\/a\u003E (music by John Zorn assisted by Ikue Mori, May 2004, 45 min.) \u003C\/em\u003E2004 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Celestial_subway_Last_Stop_All_Out\/\u0022\u003ECelestial subway Last Stop All Out\u003C\/a\u003E (music by Black Dice, March 2004, 1 hr.) \u003Cem\u003E2003 (April 2003, 1 hr.) \u003C\/em\u003E2002 \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/A_place_where_there_is_no_trouble\/\u0022\u003EA place where there is no trouble\u003C\/a\u003E (2002, 1 hr.) *2000 (40 min.)\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EUnited States\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}