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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-11230\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/matthiasmuller.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-11230-HauzAEN4QnY\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/matthiasmuller.jpg?itok=BUWsCoOd\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EMatthias M\u00fcller\u003C\/strong\u003E (alternative spelling Matthias Mueller) (born 1961) is a German experimental filmmaker and curator, often working in the field of \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/found_footage\/\u0022\u003Efound footage\u003C\/a\u003E films. From 1994 to 1997 he worked as Guest Professor at the Johann Wolfgang Goethe University Frankfurt am Main (Germany), and from 1998 to 1999 at the Dortmund Fachhochschule. Since 2003 he is Professor for Experimental Film at the Academy of Media Arts (KHM), Cologne, Germany. For his films he has received numerous awards from many international festivals, including the American Federation of Arts Experimental Film Award in 1988, the Golden Gate Award at the San Francisco International Film Festival in 1996, the main award at the Internationale Kurzfilmtage Oberhausen in 1999, the Ken Burns \u201cBest of the Festival\u201c Award at the \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Ann_Arbor_Film_Festival\/\u0022\u003EAnn Arbor Film Festival\u003C\/a\u003E in 2003, and the German Short Film Prize for Animation in 2006.\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E\u0027His works can be read as an unwritten history of experimental cinema in Germany. He has been known in the film world for decades due to his presence in numerous short and experimental film festivals in Germany and worldwide and in communal cinemas. Furthermore, in recent years, he has made a name for himself in the art world as well with his video installations and photography. From the Super 8 movement in the eighties as well as the genre-crossing work with found footage, through the mutual interweaving of analogue and digital image media up to the cinematographic installation: In M\u00fcller\u2019s biography as an artist and in his film aesthetics, Hollywood, avant-garde film and queer cinema meet, as well as the radical changes in media and representation technologies in the eighties and nineties \u2013 together with the resulting changes in the cinematic landscape, which for him too have opened up to include the art spaces.\u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003E\u0027M\u00fcller\u0027s determined interest in questions of memory, traces of the past and the historical body makes his films, videos and installations the central point for a vast array of interrelated approaches.\u003C\/em\u003E\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EGermany\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}