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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-11842\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/valieexport.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-11842-87FGRxVtvz0\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/valieexport.jpg?itok=pHrwXkfO\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EVALIE EXPORT\u003C\/strong\u003E (born May 17 1940 in Linz as \u003Cstrong\u003EWaltraud Lehner\u003C\/strong\u003E) is an Austrian artist. Her artistic work includes \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/video_installations\/\u0022\u003Evideo installations\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/body_performances\/\u0022\u003Ebody performances\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/expanded_cinema\/\u0022\u003Eexpanded cinema\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/computer_animations\/\u0022\u003Ecomputer animations\u003C\/a\u003E, photography, sculptures and publications covering contemporary arts.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EBiography\u003C\/strong\u003E Educated in a convent until the age of 14, EXPORT had artistic training at the at the School of Art and Crafts in Linz, and studied painting, drawing, and design at the National School for Textile Industry in Vienna, and briefly worked in the film industry as a script girl, editor, and extra. She married and had two children, but later divorced her husband and returned to art school. In 1967, she changed her name to VALIE EXPORT\u2014written in uppercase letters, like an artistic logo\u2014shedding her father\u2019s and husband\u2019s names and appropriating her new surname from a popular brand of cigarettes. With this gesture of self-determination, EXPORT emphatically asserted her identity within the Viennese art scene, which was then dominated by the taboo-breaking performance art of Viennese actionists such as \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Hermann_Nitsch\/\u0022\u003EHermann Nitsch\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/G\u00fcnter_Brus\/\u0022\u003EG\u00fcnter Brus\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Otto_M\u00fchl\/\u0022\u003EOtto M\u00fchl\u003C\/a\u003E, and \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Rudolf_Schwarzkogler\/\u0022\u003ERudolf Schwarzkogler\u003C\/a\u003E. Like her male contemporaries, she subjected her body to pain and danger in actions designed to confront the growing complacency and conformism of postwar Austrian culture. But her examination of the ways in which the power relations inherent in media representations inscribe women\u2019s bodies and consciousness distinguishes EXPORT\u2019s project as unequivocally feminist.\u003C\/p\u003E\n\u003Cp\u003EEXPORT\u2019s early guerilla performances have attained an iconic status in feminist art history. \u003Cem\u003ETapp- und Tast-Kino\u003C\/em\u003E (\u0027Tap and Touch Cinema\u0027) was performed in ten European cities in 1968-1971. In this avowedly revolutionary work, EXPORT wore a tiny \u0027movie theater\u0027 around her naked upper body, so that her body could not be seen but could be touched by anyone reaching through the curtained front of the \u0027theater.\u0027 She then went into the street and invited men, women, and children to come and touch her.\u003C\/p\u003E\n\u003Cp\u003EIn her 1969 performance \u003Cem\u003EAktionshose:Genitalpanik\u003C\/em\u003E (Action Pants: Genital Panic), EXPORT entered a porn cinema in Munich with her hair in disarray, wearing crotchless pants, and carrying a machine gun. Striding up and down the rows of theatregoers, she brandished the weapon and challenged the male audience to engage with a \u0027real woman\u0027 instead of with an images on a screen. Through these acts of artistic daring, EXPORT challenged the objectification of the female form by confronting voyeurs with a body that returned the gaze.\u003C\/p\u003E\n\u003Cp\u003EThe contrast with what is usually called \u0027cinema\u0027 is obvious, and is crucial to the message. In EXPORT\u0027s performance, the female body is not packaged and sold by male directors and producers, but is controlled and offered freely by the woman herself, in defiance of social rules and state precepts. Also, the ordinary state-approved cinema is an essentially voyeuristic experience, whereas in EXPORT\u0027s performance, the \u0027audience\u0027 not only has a very direct, tactile contact with another person, but does so in the full view of EXPORT and bystanders.\u003C\/p\u003E\n\u003Cp\u003EEXPORT\u0027s groundbreaking video piece, \u0027Facing a Family\u0027 (1971) was one of the first instances of \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/television\/\u0022\u003Etelevision\u003C\/a\u003E intervention and \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/broadcasting\/\u0022\u003Ebroadcasting\u003C\/a\u003E \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/video_art\/\u0022\u003Evideo art\u003C\/a\u003E. The video, broadcast on the Austrian television program \u0027Kontakte\u0027, shows a \u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/bourgeois\/\u0022\u003Ebourgeois\u003C\/a\u003E Austrian family watching TV while eating dinner. When other middle class families watched this program on TV, the television would be holding a mirror up to their experience and complicating the relationship between subject, spectator, and television.\u003C\/p\u003E\n\u003Cp\u003ESince 1995\/1996 EXPORT has held a professorship for multimedia performance at the \u003Cem\u003EAcademy of Media Arts|Kunsthochschule f\u00fcr Medien\u003C\/em\u003E in Cologne, Germany.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EAwards\u003C\/strong\u003E *\u003Ca class=\u0022wikilink\u0022 href=\u0022\/wiki\/work\/Oskar_Kokoschka\/\u0022\u003EOskar Kokoschka\u003C\/a\u003E-Award, 2000\u003C\/p\u003E\n\u003Cp\u003E\u00a0\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EAustria\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}