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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-13969\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/kennethanger.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-13969-e8pM4dJW7Og\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/kennethanger.jpg?itok=mbY2DPSS\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EKenneth Anger\u003C\/strong\u003E (born \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/February_3\/\u0022\u003EFebruary 3\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/1927\/\u0022\u003E1927\u003C\/a\u003E) is an American and author.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EEarly life\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EKenneth Anger was born in as \u003Cstrong\u003EKenneth Wilbur Anglemyer\u003C\/strong\u003E and attended the Maurice Kossloff Dancing School with \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Shirley_Temple\/\u0022\u003EShirley Temple\u003C\/a\u003E. He gained fame and notoriety from the publication of the version of \u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Hollywood_Babylon\/\u0022\u003EHollywood Babylon\u003C\/a\u003E\u003C\/em\u003E in \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Paris\/\u0022\u003EParis\u003C\/a\u003E in 1959, a tell-all book of the scandals of \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Hollywood\/\u0022\u003EHollywood\u003C\/a\u003E\u0027s rich and famous. A pirated (and incomplete) version was first published in the U.S. in 1965. The official U.S. version was not published until 1974.\u003C\/p\u003E\n\u003Cp\u003EHe became fascinated with the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/supernatural\/\u0022\u003Esupernatural\u003C\/a\u003E and \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Aleister_Crowley\/\u0022\u003EAleister Crowley\u003C\/a\u003E, as well as becoming an adherent of Crowley\u0027s religion of \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Thelema\/\u0022\u003EThelema\u003C\/a\u003E, sometime in his late teens. Many of his films reflect \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/occult\/\u0022\u003Eoccult\u003C\/a\u003E themes.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003ECareer\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EHe began making films around age nine, but his early films are now lost. His first film to see distribution was \u003Cem\u003E,\u003C\/em\u003E filmed in \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Los_Angeles\/\u0022\u003ELos Angeles\u003C\/a\u003E in 1947, which gained the attention of \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Jean_Cocteau\/\u0022\u003EJean Cocteau\u003C\/a\u003E, who then invited him to go to Paris. In 1949, Anger directed \u003Cem\u003EThe Love That Whirls\u003C\/em\u003E which according to the 1972 book \u003Cem\u003EExperimental Cinema\u003C\/em\u003E contained (faked) nudity, and was thus confiscated by the film lab. While most of his films are short subject (ranging from 3.5 minutes to 30 minutes) mood pieces, in 1955 he made a \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/documentary_film\/\u0022\u003Edocumentary film\u003C\/a\u003E of the ruins of Crowley\u0027s in \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Cefal\u00f9\/\u0022\u003ECefal\u00f9\u003C\/a\u003E, \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Sicily\/\u0022\u003ESicily\u003C\/a\u003E, which is now considered a \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/lost_film\/\u0022\u003Elost film\u003C\/a\u003E.\u003C\/p\u003E\n\u003Cp\u003EHe developed a close friendship with Dr. \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Alfred_Kinsey\/\u0022\u003EAlfred Kinsey\u003C\/a\u003E of the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Institute_for_Sex_Research\/\u0022\u003EInstitute for Sex Research\u003C\/a\u003E. Anger would later recall that Kinsey was his first customer after Kinsey purchased a copy of \u003Cem\u003EFireworks\u003C\/em\u003E when they first met in 1947. Anger eventually helped Kinsey build his film archive. The Anger Collection includes correspondence between the two men, as well as letters to and from former Institute director John Bancroft. Anger would later speak openly of his participation in Kinsey\u0027s research, including being filmed masturbating.\u003C\/p\u003E\n\u003Cp\u003EDuring the late 1960s he associated with \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/The_Rolling_Stones\/\u0022\u003EThe Rolling Stones\u003C\/a\u003E, as well as \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Bobby_Beausoleil\/\u0022\u003EBobby Beausoleil\u003C\/a\u003E (before he gained notoriety as an associate of the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Charles_Manson\/\u0022\u003ECharles Manson\u003C\/a\u003E family). Beausoleil, a musician who had played with \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Arthur_Lee\/\u0022\u003EArthur Lee\u003C\/a\u003E, was cast as Lucifer in Anger\u0027s proposed film, . Beausoleil and Anger had a falling out and Beausoleil left, taking most of the completed film with him \u003Ca href=\u0022http:\/\/www.illuminati-news.com\/art-and-mc\/lucifer-rising.htm\u0022\u003E Illuminati News \u0027I Sold My Soul to Rock \u0026amp; Roll \u0026amp; Mind Control: Anger Rising\u0027\u003C\/a\u003E (Beausoleil is also rumored to have buried the film\u0027s negative in the desert at one of Manson\u0027s former hangouts.) British singer \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Marianne_Faithfull\/\u0022\u003EMarianne Faithfull\u003C\/a\u003E later appeared in Anger\u0027s re-shot version of the film. Some footage from the earlier version of \u003Cem\u003ELucifer Rising\u003C\/em\u003E (including Beausoleil) ended up in Anger\u0027s \u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/The_Invocation_of_My_Demon_Brother\/\u0022\u003EThe Invocation of My Demon Brother\u003C\/a\u003E\u003C\/em\u003E.\u003C\/p\u003E\n\u003Cp\u003EKenneth Anger had a widely publicized spat with \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Led_Zeppelin\/\u0022\u003ELed Zeppelin\u003C\/a\u003E guitarist \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Jimmy_Page\/\u0022\u003EJimmy Page\u003C\/a\u003E over the soundtrack. Chris Salewicz, \u003Ca href=\u0022http:\/\/www.rocksbackpages.com\/article.html?ArticleID=4544\u0022\u003EAnger Rising: Jimmy Page and Kenneth\u0027s Lucifer\u003C\/a\u003E; \u003Cem\u003ENME\u003C\/em\u003E, 1977. \u003Ca href=\u0022http:\/\/victorian.fortunecity.com\/updike\/723\/page.html\u0022\u003EAnger Rising\u003C\/a\u003E Anger claimed Page took three years to deliver the music, and the final product was only 25 minutes of droning and was useless. Anger also accused Page of \u0027having an affair with the White Lady\u0027 and being too strung out on drugs to complete the project. Page countered claiming he had fulfilled all his obligations, even going so far as to lend Anger his own film editing equipment to help him finish the project. Page\u0027s music was dumped eventually and replaced in 1979 by music written and recorded by Bobby Beausoleil - the only movie soundtrack in history recorded inside a prison.\u003C\/p\u003E\n\u003Cp\u003EIn the mid-1980s, Anger sold a 16mm print of the incomplete , containing the Page soundtrack, to \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Christopher_Dietler\/\u0022\u003EChristopher Dietler\u003C\/a\u003E, who eventually released the soundtrack taken from film on an album titled \u003Cem\u003EKenneth Anger\u0027s Lucifer Rising Jimmy Page Soundtrack\u003C\/em\u003E. Barton, David \u003Ca href=\u0022http:\/\/www.lashtal.com\/nuke\/module-subjects-viewpage-pageid-127.phtml\u0022\u003ECarmichael Man Delves Into Led Zeppelin Star\u0027s Past\u003C\/a\u003E \u003Cem\u003EThe Sacramento Bee\u003C\/em\u003E, May 24, 1987 Anger filed a \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/lawsuit\/\u0022\u003Elawsuit\u003C\/a\u003E and won an \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/injunction\/\u0022\u003Einjunction\u003C\/a\u003E against Dietler who turned over the digitally enhanced master and agreed not to press or sell anymore record albums.\u003C\/p\u003E\n\u003Cp\u003EAnger\u0027s lifelong interest in the occult brought him into contact with a variety of groups and individuals. He was a lifelong friend of \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Anton_Szandor_LaVey\/\u0022\u003EAnton Szandor LaVey\u003C\/a\u003E, both before and after the founding of the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Church_of_Satan\/\u0022\u003EChurch of Satan\u003C\/a\u003E in the 1960s, and lived with LaVey and his family during the 1980s. In more recent years Anger accepted initiation into the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Ordo_Templi_Orientis\/\u0022\u003EOrdo Templi Orientis\u003C\/a\u003E in a semi-honorary fashion. For 20 years from the early eighties, Anger released no new material. In the new millennium he has since returned to filmmaking.\u003C\/p\u003E\n\u003Cp\u003EAnger makes an appearance in the 2008 feature documentary by Nik Sheehan about \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Brion_Gysin\/\u0022\u003EBrion Gysin\u003C\/a\u003E and the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Dreamachine\/\u0022\u003EDreamachine\u003C\/a\u003E entitled \u003Cem\u003EFLicKeR\u003C\/em\u003E.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EEnlaces externos\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Cem\u003EKenneth Anger on \u003Ca href=\u0022http:\/\/www.imdb.com\/name\/nm0001910\/\u0022\u003EIMDB\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.glbtq.com\/arts\/anger_k.html\u0022\u003EAnger, Kenneth\u003C\/a\u003E on \u003Cem\u003E\u003Ca href=\u0022http:\/\/www.geocities.com\/Hollywood\/Lot\/1162\/HCAngerBio_html.html\u0022\u003EBiography by Robert Haller\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.mysticfire.com\/ntsc\/archives\/bios\/NIAnger.html\u0022\u003EBiography by Mystic Fire\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/observer.guardian.co.uk\/magazine\/story\/0,11913,1287683,00.html\u0022\u003EThe Observer: Look Back at Anger\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.sensesofcinema.com\/contents\/directors\/03\/anger.html\u0022\u003ESenses of Cinema: Great Directors Critical Database\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.ratso.net\/anger.html\u0022\u003EInterview: Ratso.net\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.reel.com\/reel.asp?node=features\/interviews\/anger\u0022\u003EInterview: Reel.com\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.sfbg.com\/AandE\/35\/05\/kenneth.html\u0022\u003EInterview: San Francisco Bay Guardian\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.weeklywire.com\/ww\/11-17-97\/austin_screens_feature2.html\u0022\u003EInterview: The Austin Chronicle\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.chaosmatrix.org\/library\/chaos\/topy\/angerris.txt\u0022\u003EInterview: T.O.P.Y. Chaos\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.greylodge.org\/occultreview\/glor_014\/anger.htm\u0022\u003EInterview: ARTE (QuickTime)\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.nowtoronto.com\/issues\/2006-10-12\/movie_interview.php\u0022\u003EInterview: NOW Magazine\u003C\/a\u003E, October 2006 \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.kinseyinstitute.org\/publications\/newsletterFall2004.htm\u0022\u003EKinsey Institute article on Kenneth Anger\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.subcin.com\/anger.html\u0022\u003EMagick Lantern Cycle: Images \u0026amp; Synopses\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.filmsinreview.com\/Features\/CampDavid\/campdavid4_nov.htm\u0022\u003EKenneth Anger anecdote: Films in Review\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.phinnweb.org\/links\/cinema\/underground\/anger\/\u0022\u003EKenneth Anger @ pHinnWeb\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.thefilmjournal.com\/issue12\/anger.html\u0022\u003EReview of Alice Hutchison\u0027s book on Anger\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.nndb.com\/people\/195\/000112856\/\u0022\u003ENNDb profile\u003C\/a\u003E\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EUnited States\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}