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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-15005\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/markopoulos_hiler-portrait.jpg\u0022 title=\u0022Gregory J.Markopoulos, portrait by Hiler\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-15005-ArgsFhZ5F1g\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;Gregory J.Markopoulos, portrait by Hiler\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/markopoulos_hiler-portrait.jpg?itok=4bmAmj6n\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022Gregory J.Markopoulos, portrait by Hiler\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EGregory J. Markopoulos\u003C\/strong\u003E (March 12, 1928 - November 12, 1992) was an American experimental filmmaker. Born in Toledo, Ohio to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940s, and went on to become a co-founder \u2014 with Jonas Mekas, Shirley Clarke, Stan Brakhage and others \u2014 of the New American Cinema movement. He was as well a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago.\u003C\/p\u003E\n\u003Cp\u003EIn 1967, he and his partner \u003Ca href=\u0022\/site\/en\/wiki\/artist\/robert-beavers\u0022\u003ERobert Beavers\u003C\/a\u003E left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the second edition of Visionary Film, P. Adams Sitney\u0027s seminal study of American avant-garde cinema. While he continued to make films, his work went largely unseen for almost 30 years.\u003C\/p\u003E\n\u003Cp\u003E\u0022[Markopoulos] was the son of Greek immigrants from the Peloponnesus and spoke only Greek until the age of six. The ancient legends and orthodox spirituality of that tradition would prove a grounding matrix for the rest of his life. The concomitant isolation and displacement he surely felt, being homosexual and son of foreigners marooned in the vast American heartland was equally important to his aesthetic evolution. He could sense the world as a \u201aheap of fragments\u2019, intuit life as a \u201aperrenial exile.\u2019 Having produced his first 8mm film at the age of twelve, as a brilliant young high school student he considered pursuing medical training, with an eye to surgery, but applied instead to several film production schools, even one in Russia, finally enrolling at the University of Southern California, Los Angeles, just at the end of WWII. There, he attended the master classes of Josef von Sternberg and was a student-observer to studio productions directed by emigr\u00e9s Lang, Hitchcock, Curtiz and Korda. He also met future Sci-Fi director Curtis Harrington at this time, sharing with him an interest in the uses of exotic color and the hypnagogic literature of the \u201apoetes maudits\u2019. He was fascinated by the idea of synesthesia, the confusion and correspondence between impressions of different senses that had pre-occupied many Romantic artists, among them Wagner, Rimbaud and Scriabin.\u0022 - Kirk Alan Winslow\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EUnited States\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}