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200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-18347\u0022 class=\u0022node node-artist article odd node-lang-en node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/pmg2.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-18347-cbMojhUBJ00\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/pmg2.jpg?itok=TJCZMifB\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp class=\u0022font_8\u0022\u003E\u003Cstrong\u003EPablo Molina Guerrero \u003C\/strong\u003E(Conc\u00f3n, Chile, 1989) is a Filmmaker, Film and Culture Columnist and Film Programmer, currently resides in Valpara\u00edso, Chile. He studied Audiovisual Communication and studied History and Aesthetics of Cinema at the Escuela de Cine de Chile. He has taken courses and workshops given by artists, academics and filmmakers such as Patricio Guzm\u00e1n, Andr\u00e9s Di Tella, Iv\u00e1n Pinto, Victor Kossakovsky, Udo Jacobsen, Benjam\u00edn Ellenberger, CEIS 8 collective, among others.\u003C\/p\u003E\n\u003Cp\u003E He has made fictions, animations, documentaries, music videos and mainly experimental appropriation videos. His videos and films have been shown in festivals, art biennials and museums, such as FONLAD (PT), IVAHM (ES), ULTRAcinema (MX), FESANCOR (CL), Flux Factory (USA), Bienal de Artes Mediales (CL), Aichi Triennale (JP), Proceso de Error (CL), MAM (CL), Grand Illusion Cinema (USA) or in Mex-Parismental (FR). So far his work has been exhibited in Portugal, Greece, Brazil, Italy, Spain, Peru, Mexico, Colombia, Argentina, USA, Bolivia, Serbia, France, Japan, Germany, New Zealand, Ecuador, Uruguay and of course, in Chile.\u003C\/p\u003E\n\u003Cp\u003E He has written chronicles, interviews, transcriptions, reviews and essays for different magazines or film and culture websites such as \u003Ca href=\u0022http:\/\/cinechile.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/cinechile.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003ECinechile\u003C\/span\u003E\u003C\/a\u003E, \u003Ca href=\u0022http:\/\/www.sangria.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/www.sangria.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003ESangr\u00eda\u003C\/span\u003E\u003C\/a\u003E, \u003Ca href=\u0022http:\/\/lafuga.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/lafuga.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003ELa Fuga\u003C\/span\u003E\u003C\/a\u003E, \u003Cspan\u003E\u003Ca href=\u0022http:\/\/www.revista.escuelacine.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/www.revista.escuelacine.cl\/\u0022 data-type=\u0022external\u0022\u003ERCB\u003C\/a\u003E \u003C\/span\u003E and \u003Ca href=\u0022http:\/\/elagentecine.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/elagentecine.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003EEl Agente Cine\u003C\/span\u003E\u003C\/a\u003E. Between 2014 and 2017 he was Editor and Columnist of the film magazine \u003Ca href=\u0022http:\/\/valpovisual.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/valpovisual.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003EValpovisual\u003C\/span\u003E\u003C\/a\u003E. He recently writes in \u003Cspan\u003ERAM, Revista Archivo Manoseado\u003C\/span\u003E, whose main objective is the discussion around the archives and the appropriation, of which he is Co-Editor since the second number.\u003C\/p\u003E\n\u003Cp\u003E\u003Cspan class=\u0022wixGuard\u0022\u003E\u200b\u003C\/span\u003ESince 2016 he becomes part of \u003Ca href=\u0022http:\/\/inve.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/inve.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003EINVE,\u003C\/span\u003E\u003C\/a\u003E \u003Ca href=\u0022http:\/\/inve.cl\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/inve.cl\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003EPlataforma Experimental de Artes\u003C\/span\u003E\u003C\/a\u003E, with whom he had already collaborated. He works as Curator and Programmer with Daniela Lillo of the International Festival of Experimental Video \u003Ca href=\u0022http:\/\/inve.cl\/proceso-de-error\/\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/inve.cl\/proceso-de-error\/\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003EProceso de Error\u003C\/span\u003E\u003C\/a\u003E (CNCA Fund 2015-2019), of the Residence \u003Cspan\u003EExperimento INVE \u003C\/span\u003Eassociated with the Festival and of the Experimental Video Lab \u003Cspan\u003EV\u00f3rtice \u003C\/span\u003E(CNCA Fund 2014-2016-2017), among other projects.\u003C\/p\u003E\n\u003Cp\u003E He was Screenwriter, Assistant Director and Co-Editor of the autobiographical documentary film \u003Ca href=\u0022http:\/\/www.chiledoc.cl\/?p=18069\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/www.chiledoc.cl\/?p=18069\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003E\u201cSALEIA, horizontes perdidos\u201d \u003C\/span\u003E\u003C\/a\u003E(2015) by Roberto Mathews. He is one of the directors of the experimental collective film \u003Ca href=\u0022http:\/\/excinemaseattle.blogspot.com\/p\/exquisite-corpse-cinema.html\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022http:\/\/excinemaseattle.blogspot.com\/p\/exquisite-corpse-cinema.html\u0022 data-type=\u0022external\u0022\u003E\u003Cspan\u003E\u201cThe Spaces Between Cities\u201d \u003C\/span\u003E\u003C\/a\u003E(2015), organized by the Seattle EXcinema group. Co-Director with Roberto Mathews of the short documentary \u003Ca href=\u0022https:\/\/www.pablomolinaguerrero.com\/el-eterno-retorno\u0022 target=\u0022_self\u0022\u003E\u003Cspan\u003E\u201cEl Eterno Retorno\u201d\u003C\/span\u003E\u003C\/a\u003E (CNCA Fund 2016), which was awarded as \u003Cspan\u003EBest National Experimental Short Film\u003C\/span\u003E at FESANCOR 2017. Assistant Director and Researcher of the eight-episode documentary series \u003Cspan\u003E\u003Ca href=\u0022https:\/\/www.youtube.com\/channel\/UCq83Da1q185PI4-aOsFPZ-w\/videos\u0022 rel=\u0022undefined\u0022 target=\u0022_blank\u0022 data-content=\u0022https:\/\/www.youtube.com\/channel\/UCq83Da1q185PI4-aOsFPZ-w\/videos\u0022 data-type=\u0022external\u0022\u003E\u201cLa Oruga, los guionistas detr\u00e1s de las pel\u00edculas chilenas\u201d\u003C\/a\u003E\u003C\/span\u003E (CNCA Fund 2016) by Patricio Loutit.\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E\u003Cstrong\u003EFILMOGRAPHY (sellection)\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E2017 \u003Cstrong\u003ECarta a Nicole\u003C\/strong\u003E (4 min)\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E2016 \u003Cstrong\u003EEl Eterno Retorno\u003C\/strong\u003E (28 min, co-directed with Roberto Mathews)\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E2015 \u003Cstrong\u003ECarta a Boris\u003C\/strong\u003E (8 min)\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E2014 \u003Cstrong\u003EChildren\u0027s playground\u003C\/strong\u003E (9 min)\u003C\/p\u003E\n\u003Cp class=\u0022font_8\u0022\u003E2012 \u003Cstrong\u003EAn\u00e1l-isis callejero\u003C\/strong\u003E (9 min)\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENationality:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EChile\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}