{"markup":"\u003C?xml version=\u00221.0\u0022 encoding=\u0022UTF-8\u0022 ?\u003E\n    \u003Chtml version=\u0022HTML+RDFa+MathML 1.1\u0022\n    xmlns:content=\u0022http:\/\/purl.org\/rss\/1.0\/modules\/content\/\u0022\n    xmlns:dc=\u0022http:\/\/purl.org\/dc\/terms\/\u0022\n    xmlns:foaf=\u0022http:\/\/xmlns.com\/foaf\/0.1\/\u0022\n    xmlns:og=\u0022http:\/\/ogp.me\/ns#\u0022\n    xmlns:rdfs=\u0022http:\/\/www.w3.org\/2000\/01\/rdf-schema#\u0022\n    xmlns:sioc=\u0022http:\/\/rdfs.org\/sioc\/ns#\u0022\n    xmlns:sioct=\u0022http:\/\/rdfs.org\/sioc\/types#\u0022\n    xmlns:skos=\u0022http:\/\/www.w3.org\/2004\/02\/skos\/core#\u0022\n    xmlns:xsd=\u0022http:\/\/www.w3.org\/2001\/XMLSchema#\u0022\n    xmlns:mml=\u0022http:\/\/www.w3.org\/1998\/Math\/MathML\u0022\u003E\n  \u003Chead\u003E\u003Cscript\u003E\n\u003C!--\/\/--\u003E\u003C![CDATA[\/\/\u003E\u003C!--\njQuery.extend(Drupal.settings, 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href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 \/\u003E\n\u003C\/noscript\u003E\u003Clink type=\u0022text\/css\u0022 rel=\u0022preload\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 as=\u0022style\u0022 onload=\u0022window.advagg_mod_loadcss = function() {if (window.jQuery) {if (jQuery.isFunction(jQuery.holdReady)){jQuery.holdReady(false);}} else {setTimeout(advagg_mod_loadcss, 100);}};setTimeout(advagg_mod_loadcss, 200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-references\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-entity-field pane-node-field-featured-image no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-_custom_display view-mode-_custom_display\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/barrygerson.jpg\u0022 title=\u0022Barry Gerson\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-14864-9ynToEAasvU\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-medium\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/medium\/public\/barrygerson.jpg?itok=cb0n65nc\u0022 width=\u0022220\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                                                    \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022panel-separator\u0022\u003E\u003C\/div\u003E\u003Cdiv class=\u0022panel-pane pane-entity-field pane-node-body no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-_custom_display view-mode-_custom_display\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EBarry Gerson\u003C\/strong\u003E (b.July 3, 1939, Philadelphia, PA) is an artist-filmmaker who has made films, sculptures, photographic constructions, digital film installations, and mixed painting\/photo works.\u00a0\u003C\/p\u003E\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022panel-separator\u0022\u003E\u003C\/div\u003E\u003Cdiv class=\u0022panel-pane pane-entity-field pane-node-field-references no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022field field-name-field-references field-type-text-long field-label-hidden view-mode-_custom_display view-mode-_custom_display\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EInterviews:\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022\/site\/en\/wiki\/artist\/m%C3%B3nica-savir%C3%B3n\u0022\u003EM\u00f3nica Savir\u00f3n\u003C\/a\u003E in conversation with Barry Gerson\u003C\/em\u003E, \u003Ca href=\u0022http:\/\/www.lafuriaumana.it\/index.php\/56-archive\/lfu-23\/330-monica-saviron-episodes-from-the-secret-life-a-selection-of-films-by-barry-gers\u0022 target=\u0022_blank\u0022\u003ELa Furia Umana 23\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003EBannon, Tony. \u201cInterview with Barry Gerson\u201d The Buffalo Evening News, May 1975.\u003C\/li\u003E\n\u003Cli\u003EHanhardt, John. \u201c\u003Ca href=\u0022http:\/\/making-light-of-it.blogspot.com.es\/2012\/12\/barry-gerson-interview.html\u0022 target=\u0022_blank\u0022\u003EInterview with Barry Gerson.\u003C\/a\u003E\u201d \u00a0Film Culture, No. 63, 64, 1977.\u00a0\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003Cp\u003E\u003Cstrong\u003ECatalogues\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003EExhibition catalog: documenta 5. questioning of reality - image worlds today; Catalog (as a file folder) Volume 1: (material); Volume 2: (exhibit list); Kassel in 1972\u003C\/li\u003E\n\u003Cli\u003Edocumenta Archive (ed.); resubmission d5 - A survey of the archive to the documenta in 1972; Kassel \/ Ostfildern 2001. ISBN 3-7757-1121-X\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EThe Vancouver Art Gallery with Talon Books, Form and Structure in Recent Film, texts by Michael Snow, Joyce Weiland, Andrew Noren and Barry Gerson, Dennis Wheeler, editor. Exhibition Catalogue,1972.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EThe American Federation of the Arts, A History of the American Avant-Garde Cinema, texts by Marilyn Singer and Ellen Feldman, Exhibition Catalogue, 1976.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EThe Queens Museum. By The Sea, text by Deborah Silverfine, Exhibtion Catalogue. 1979.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EModerna Museet, Stockholm. The Pleasure Dome. American Experimental Film 1939-1979, 16 Feb - 4 April 1980, text by Jonas Mekas and P. Adams Sitney.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EWhitney Museum of American Art, 1981 Biennial Exhibition Catalogue 1981\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ECollective for The Living Cinema, 10 Years of Living Cinema, text by Stuart Liebman, 1982\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EWhitney Museum of American Art, 1983 Biennial Exhibition Catalogue 1983\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003E2003 Toronto International Film Festival, Wavelengths, text by Susan Oxtoby, Program, September, 2003.\u003C\/span\u003E\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003Cp\u003E\u003Cstrong\u003EBooks\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Cspan\u003ERenan, Sheldon, An Introduction to the American Underground Film, E.P. Dutton \u0026amp; Co. Inc., 1967. pg. 103\u00a0\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u00a0Movie Journal, The Rise of a New American Cinema, 1959-1971.\u00a0\u003C\/span\u003E\u003Cspan\u003ECollier Books, 1972, pgs. 179, 375.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ETurim, Maureen Cheryn, Abstraction In Avant-Garde Film, UMI Research Press, 1985.\u003C\/span\u003E\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003Cp\u003E\u003Cstrong\u003EArticles\/Reviews\u00a0\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Cspan\u003ESmart, Paul, \u0022Film Sculptures and Moving Paintings: New Barry Gerson Works shown at Hudson\u0027s BCB Gallery\u0022 Woodstock Times, May 27, 2004.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EBanks, Wendy \u201cEdgy Experiments\u201d \u00a0Now Toronto, Sept. 4, 2003.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EClothier, Peter \u00a0\u201cA Passage Repeated\u201d at The Long Beach Museum of Art. LA Weekly, October, 1985.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EKruger, Barbara \u201c1983 Biennial Exhibition, The Whitney Museum of American Art; Film\u201d Artforum, September 1983.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ESilverthorne, Jeanne. \u201cBarry Gerson, P.S. 1\u201d \u00a0Artforum, March 1982.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EBannon, Tony \u00a0\u201cGerson\u2019s 3 Film Poems Apply Subtle Geometry,\u201d The Buffalo Evening News, March 30, 1978.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas \u00a0\u201cMovie Journal\u201d The Soho Weekly News, March 30, 1977.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas \u00a0\u201cMovie Journal\u201d The Soho Weekly News, June 9, 1977.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ECarroll, Noel \u201cMove-Around Moving Pictures\u201d The Soho Weekly News, Dec. 1, 1977.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ECown, Bob \u201cNotes From the New Cinema, Dreamlike and Mysterious,\u201d Take One, 50th Issue, Volume 5. No. 2.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EWeiler, A.H. \u201cA Program of Three Films by Barry Gerson:\u201d The New York Times, Jan. 22, 1976.\u00a0\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EAnker, Steve \u201cOn Film\u201d The Soho Weekly News, March 18, 1976.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas \u00a0\u201cMovie Journal\u201d The Soho Weekly News, March 18, 1976.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u201cMovie Journal,\u201d The Village Voice. March, 1975\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u201cMovie Journal,\u201d The Village Voice. October 18, 1973.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u201cMovie Journal,\u201d The Village Voice. December 15, 1973.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EThompson, Howard \u201cFilm Review\u201d The New York Times, March 25, 1972.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ESimon, Bill \u201cNew Forms in Film,\u201d Artforum, Vol. XI, #2, October, 1972.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u201cMovie Journal,\u201d The Village Voice. February, 26, 1970.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003ECowan, Bob. \u201cLetter From New York\u201d Take One, Vol. 2 , #7 , September, 1970.\u003C\/span\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cspan\u003EMekas, Jonas, \u201cMovie Journal,\u201d The Village Voice. February, 18, 1965.\u003C\/span\u003E\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003Cp\u003E\u003Cstrong\u003E\u003Cspan\u003EOther links:\u003C\/span\u003E\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.roberthaller.com\/firstlight\/gerson.html\u0022 target=\u0022_blank\u0022\u003EProfile\u003C\/a\u003E\u00a0at Robert Haller\u0027s website.\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022panel-separator\u0022\u003E\u003C\/div\u003E\u003Csection class=\u0022panel-pane pane-views pane-biblio-views block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n              \u003Ch2 class=\u0022pane-title block-title\u0022\u003ETexts about Barry Gerson\u003C\/h2\u003E\n        \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022view view-biblio-views view-id-biblio_views view-display-id-block_1 view-dom-id-9d977fc2750dfe95aaf55693d406e18b\u0022\u003E\n        \n  \n  \n      \u003Cdiv class=\u0022view-content\u0022\u003E\n      \u003Cdiv class=\u0022item-list\u0022\u003E    \u003Cul\u003E          \u003Cli class=\u0022views-row views-row-1 views-row-odd views-row-first views-row-last\u0022\u003E  \n  \u003Cdiv class=\u0022views-field views-field-citation\u0022\u003E        \u003Cspan class=\u0022field-content\u0022\u003E\u003Cspan class=\u0022biblio-authors\u0022\u003E\u003Ca href=\u0022\/site\/en\/biblio?f%5Bauthor%5D=252\u0022 rel=\u0022nofollow\u0022\u003ETurim MC\u003C\/a\u003E.\u003C\/span\u003E \u003Cspan class=\u0022biblio-title-vancouver\u0022\u003E\u003Ca href=\u0022\/site\/en\/biblio\/book\/abstraction-avant-garde-films\u0022\u003EAbstraction in Avant-garde Films\u003C\/a\u003E\u003C\/span\u003E. Vol 32. Ann Arbor: UMI Research Press; 1985.\u003Cspan class=\u0022Z3988\u0022 title=\u0022ctx_ver=Z39.88-2004\u0026amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook\u0026amp;rft.title=Abstraction+in+Avant-garde+Films\u0026amp;rft.btitle=Studies+in+Cinema\u0026amp;rft.isbn=9780835716291\u0026amp;rft.date=1985\u0026amp;rft.volume=32\u0026amp;rft.tpages=165\u0026amp;rft.aulast=Turim\u0026amp;rft.aufirst=Maureen\u0026amp;rft.pub=UMI+Research+Press\u0026amp;rft.place=Ann+Arbor\u0022\u003E\u003C\/span\u003E\u003Cul class=\u0022biblio-export-buttons\u0022\u003E\u003Cli class=\u0022biblio_google_scholar first\u0022\u003E\u003Ca href=\u0022http:\/\/scholar.google.com\/scholar?btnG=Search%2BScholar\u0026amp;as_q=%22Abstraction%2Bin%2BAvant-garde%2BFilms%22\u0026amp;as_sauthors=Turim\u0026amp;as_occt=any\u0026amp;as_epq=\u0026amp;as_oq=\u0026amp;as_eq=\u0026amp;as_publication=\u0026amp;as_ylo=\u0026amp;as_yhi=\u0026amp;as_sdtAAP=1\u0026amp;as_sdtp=1\u0022 title=\u0022Click to search Google Scholar for this entry\u0022 rel=\u0022nofollow\u0022\u003EGoogle Scholar\u003C\/a\u003E\u003C\/li\u003E\u003Cli class=\u0022biblio_bibtex\u0022\u003E\u003Ca href=\u0022\/site\/en\/biblio\/export\/bibtex\/16105\u0022 title=\u0022Click to download the BibTeX formatted file\u0022 rel=\u0022nofollow\u0022\u003EBibTeX\u003C\/a\u003E\u003C\/li\u003E\u003Cli class=\u0022biblio_rtf last\u0022\u003E\u003Ca href=\u0022\/site\/en\/biblio\/export\/rtf\/16105\u0022 title=\u0022Click to download the RTF formatted file\u0022 rel=\u0022nofollow\u0022\u003ERTF\u003C\/a\u003E\u003C\/li\u003E\u003C\/ul\u003E\u003C\/span\u003E  \u003C\/div\u003E\u003C\/li\u003E\n      \u003C\/ul\u003E\u003C\/div\u003E    \u003C\/div\u003E\n  \n  \n  \n  \n  \n  \n\u003C\/div\u003E    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/section\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}