{"markup":"\u003C?xml version=\u00221.0\u0022 encoding=\u0022UTF-8\u0022 ?\u003E\n    \u003Chtml version=\u0022HTML+RDFa+MathML 1.1\u0022\n    xmlns:content=\u0022http:\/\/purl.org\/rss\/1.0\/modules\/content\/\u0022\n    xmlns:dc=\u0022http:\/\/purl.org\/dc\/terms\/\u0022\n    xmlns:foaf=\u0022http:\/\/xmlns.com\/foaf\/0.1\/\u0022\n    xmlns:og=\u0022http:\/\/ogp.me\/ns#\u0022\n    xmlns:rdfs=\u0022http:\/\/www.w3.org\/2000\/01\/rdf-schema#\u0022\n    xmlns:sioc=\u0022http:\/\/rdfs.org\/sioc\/ns#\u0022\n    xmlns:sioct=\u0022http:\/\/rdfs.org\/sioc\/types#\u0022\n    xmlns:skos=\u0022http:\/\/www.w3.org\/2004\/02\/skos\/core#\u0022\n    xmlns:xsd=\u0022http:\/\/www.w3.org\/2001\/XMLSchema#\u0022\n    xmlns:mml=\u0022http:\/\/www.w3.org\/1998\/Math\/MathML\u0022\u003E\n  \u003Chead\u003E\u003Cscript\u003E\n\u003C!--\/\/--\u003E\u003C![CDATA[\/\/\u003E\u003C!--\njQuery.extend(Drupal.settings, {\u0022basePath\u0022:\u0022\\\/site\\\/\u0022,\u0022pathPrefix\u0022:\u0022en\\\/\u0022,\u0022setHasJsCookie\u0022:0,\u0022better_exposed_filters\u0022:{\u0022views\u0022:{\u0022biblio_views\u0022:{\u0022displays\u0022:{\u0022block_2\u0022:{\u0022filters\u0022:[]},\u0022block_1\u0022:{\u0022filters\u0022:[]}}}}},\u0022ajaxPageState\u0022:{\u0022js\u0022:{\u0022sites\\\/all\\\/libraries\\\/jquery-focuspoint\\\/js\\\/jquery.focuspoint.min.js\u0022:1}}});\n\/\/--\u003E\u003C!]]\u003E\n\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__OoSVGe59A5vEr_Q8WbDSyFzbnGhy67AvEk1Dt4WQ4mc__avvfGLSi1OXpILN3vu2rqILFNkWom4aVBbb2dR6Gz5g__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003Cnoscript id=\u0022advagg_loadcss_0\u0022\u003E\n\u003Clink type=\u0022text\/css\u0022 rel=\u0022stylesheet\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 \/\u003E\n\u003C\/noscript\u003E\u003Clink type=\u0022text\/css\u0022 rel=\u0022preload\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.css\u0022 media=\u0022all\u0022 as=\u0022style\u0022 onload=\u0022window.advagg_mod_loadcss = function() {if (window.jQuery) {if (jQuery.isFunction(jQuery.holdReady)){jQuery.holdReady(false);}} else {setTimeout(advagg_mod_loadcss, 100);}};setTimeout(advagg_mod_loadcss, 200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-references\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-entity-field pane-node-body no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-_custom_display view-mode-_custom_display\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003ELili White\u003C\/strong\u003E received a BFA from The University of Pennsylvania and is a graduate of the Pennsylvania Academy of Fine Art\u0027s four-year study in painting. White is a practicing artist, experimental filmmaker, media artist, writer, and producer. Her films and selected videos have exhibited with the Shanghai\u2019s Dulotun Museum of Contemporary Art, the American Museum of the Moving Image, the Museum of American Art in Philadelphia, Newhouse Center Of Contemporary Art, Millennium Film Workshop, and The Jersey City Museum.\u003C\/p\u003E\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022panel-separator\u0022\u003E\u003C\/div\u003E\u003Cdiv class=\u0022panel-pane pane-entity-field pane-node-field-references no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Cdiv class=\u0022field field-name-field-references field-type-text-long field-label-hidden view-mode-_custom_display view-mode-_custom_display\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003ELILI WHITE\u00a0 \u2014\u00a0\u00a0 Filmography\u00a0\u00a0 http.\/\/liliwhite.com\u00a0 \u003Ca href=\u0022mailto:info@liliwhite.com\u0022\u003Einfo@liliwhite.com\u003C\/a\u003E\u003Cbr \/\u003ESHORT MOVIES\u003Cbr \/\u003E2019\u003Cbr \/\u003E#52 MOUNTAIN mountain\u003Cbr \/\u003E2019 \u2013 16 \u003Cbr \/\u003EI CHING trigram: MOUNTAIN BOUND; 3.37\u003Cbr \/\u003EI CHING trigram: LAKE MIST; 6.53\u003Cbr \/\u003E8 films from THE HOUSE OF WATER series:\u003Cbr \/\u003E#29 ABYSS: PIT: the dangerous: TRAP; 5.15\u003Cbr \/\u003E#60 NOTCH: measure: LIMIT: ARTICULATING the CROSSINGs: interval; 8.56\u003Cbr \/\u003E#3: SPROUT; TRT- 6.19\u003Cbr \/\u003E#63: COMPLETION (WHITE VERSION) 4.09 \/ (BLACK VERSION) 3.55\u003Cbr \/\u003E#49: HIDE: molting:: revolution: change; 4.38\u003Cbr \/\u003E#55: CITADEL: CANOPY: ABUNDANCE: ZENITH; 4.10\u003Cbr \/\u003E#36: DARKNESS; 10:30\u003Cbr \/\u003E# 7: COLLECTIVE FORCE\/ ARMY; 9.55\u003Cbr \/\u003E2017\u003Cbr \/\u003ECLEAN HANDS 1.20 \u003Cbr \/\u003EREDSHIFT; 1.47 \u003Cbr \/\u003ESISTER of WISDOM; Music: Dalia With; 9:53;\u003Cbr \/\u003EA PHILADELPHIA STORY; 4.27 \u003Cbr \/\u003EDREAMS TRUMP; 13.36\u003Cbr \/\u003E2016\u003Cbr \/\u003EOVerTURE EnD ing; 8.00 \u003Cbr \/\u003E2015 \u2013 17 TRILOGY: \u003Cbr \/\u003EI SNAKE-FOOT; 5.18 .\u003Cbr \/\u003EII-WATER WORKS; 4.20\u003Cbr \/\u003EIII CUMIA; 4.35\u003Cbr \/\u003E2014\u003Cbr \/\u003ESOLDIER\u0027S NECK OR THE CURSE OF COMPETENCY; Music: The Cult; 4.23\u003Cbr \/\u003E2013\u003Cbr \/\u003ETOUCH ME REACH ME; 1.37 \u003Cbr \/\u003ETHE HUNT: CAIN \u0026amp; ABEL; 2:05\u003Cbr \/\u003E2012\u003Cbr \/\u003EPRECEDING DARKNESS; Sound by Fslux; B\u0026amp;W \u0026amp; Color in 3D using red\/cyan glassess; 3.23\u003Cbr \/\u003E2011\u003Cbr \/\u003Eeverything BUT; 3:00 \u003Cbr \/\u003ESTUFF of our DREAMS; Kodachrome Super 8\/digi Video; 3:33\u003Cbr \/\u003E8 HAPPINESSES IN 8 MINUTES IN THE PARK; 5:49 \u003Cbr \/\u003E2010\u003Cbr \/\u003EThe KITCHEN SINK; 11:24 \u003Cbr \/\u003EAScENSION; 9:02\u003Cbr \/\u003ETHE OCTOPUS; 5:54\u003Cbr \/\u003E2009\u003Cbr \/\u003ETURQUOISE BEADS; Sound: BUSHMEAT aka Thomas Stanley; versions: 38.14 \u0026amp; 10.00\u003Cbr \/\u003ES\/tr:w\/EET WALK; 18:51 NTSC \/20:32 PAL\u003Cbr \/\u003ETHIS LITTLE PLANET; 5:33\u003Cbr \/\u003EREVERIE; Music: Theme \u0026amp; Variations For Piano \u0026amp; Orchestra by Yoritsune Matsudaira; 20:36\u003Cbr \/\u003E2008\u003Cbr \/\u003EJEWELS \u0026amp; GEMS; Music: Tigran Martikyan; 6.31 \u003Cbr \/\u003EJEWELS \u0026amp; GEMS; Music: 3 epkano; 9.44 \u003Cbr \/\u003ETHE FUTURE IS YOU 9.17\u003Cbr \/\u003E3 DAYS; 5.30 to 7.00\u003Cbr \/\u003ECURLY Q; 11.24; Salute to jumping white squirrel\u003Cbr \/\u003ECANYONS TO STARS (several versions);\u00a0 2.25 to 6.00\u003Cbr \/\u003EEARTH IS THE GARDEN; 4.58\u003Cbr \/\u003ECRACKED; 3.22\u003Cbr \/\u003EANOTHER TRIP; 2.41\u003Cbr \/\u003E11th HOUR; 2.40 \u003Cbr \/\u003ESTRIKING GOLD; 0.51\u003Cbr \/\u003EFOR SALLY; 2.37\u003Cbr \/\u003ENO FOOL IN\u2019; 2.07 \u003Cbr \/\u003ECRIB WORK; 3.42\u003Cbr \/\u003EPASSAGE; 5.00 \u003Cbr \/\u003EFIREFLY; 3.30 \u0026amp; 9.53 \u003Cbr \/\u003E\u201cS\u201d; 1.10; \u003Cbr \/\u003E2007\u003Cbr \/\u003EGOT\u2019CHA; 4.41\u003Cbr \/\u003ESAILING to BYZANTIUM; 12.05\u003Cbr \/\u003ENO FIT PLACE (part 3 of Triptych); 2.14\u003Cbr \/\u003ESUB ROSA (part 2 of Triptych); 3.53\u003Cbr \/\u003E2006\u003Cbr \/\u003E5 ELEMENTS; EARTH, WATER, WOOD, FIRE; various running times. \u003Cbr \/\u003Een INVIERNO; 5.39\u003Cbr \/\u003ETHE GROUND FROM UNDERNEATH (part 1 of Triptych); 2.18\u003Cbr \/\u003EGOODBYE SKY GOODBYE EARTH; 4.40\u003Cbr \/\u003EAPART; 4.46\u003Cbr \/\u003ENEITHER HERE NOR THERE; 3.36\u003Cbr \/\u003EWORDS on PEACE PIECE; Sound: Thomas Parker Williams; Text: C.G.Jung\u00a0 \u0026amp; Lili White; 1.30; \u003Cbr \/\u003ETREASURE; Sound: Thomas Parker Williams; 3.30 \u00a0\u003Cbr \/\u003E2005\u003Cbr \/\u003EMY SPACE; 6.27\u003Cbr \/\u003EI SEA; 1.18\u003Cbr \/\u003EI SEE CHINA; 1.06\u003Cbr \/\u003ERENASCENCE; 1.15\u003Cbr \/\u003E2003\u003Cbr \/\u003EDEPARTURE; Sound: Lili White \u0026amp; Keith Strand through Brooklyn\u2019s The Outpost Residency; 10.20\u003Cbr \/\u003E2002\u003Cbr \/\u003ESNAKE SCALES or THERE ARE NO STRAIGHT LINES; 13.00; \u003Cbr \/\u003E1999\u003Cbr \/\u003EJUST FOR MY FRIENDS; 7.17\u003Cbr \/\u003E1998\u003Cbr \/\u003EPETALS \u0026amp; THORNS; 9.07\u003Cbr \/\u003E1997\u003Cbr \/\u003ETHE HOUSE OF THE GENTLE; 30.00: 8 flms run from 2 to 10 minutes;\u003Cbr \/\u003E1996\u003Cbr \/\u003EThe GIFT OF THE DREAM prelude; Music: Waymen LaMont Widgens; 10.10\u003C\/p\u003E\n\u003Cp\u003E***************************\u003C\/p\u003E\n\u003Cp\u003EESSAY FILMS\u003Cbr \/\u003E2017\u003Cbr \/\u003EA PHILADELPHIA STORY; 4.27 \u003Cbr \/\u003EDREAMS TRUMP; 13.36\u003Cbr \/\u003E2014\u003Cbr \/\u003EFOOL\u2019S GOLD : CALIFORNIA ROADTRIP IN AN ELECTION YEAR; 67.00\u003Cbr \/\u003E2007\u003Cbr \/\u003EWESTERN; voiceover doc reportage. Margot Niederland; 11.09 or 13.21\u003C\/p\u003E\n\u003Cp\u003E***************************\u003C\/p\u003E\n\u003Cp\u003EEXPERIMENTAL DOCUMENTARY\u003Cbr \/\u003E2014\u003Cbr \/\u003EDavid Medalla: CLOUD CANYONS 11\/6\/14; shot with I phone camera; 12.12\u003Cbr \/\u003ELOVE in the AGE of the EU; featuring the poem: Die Liebe in den Zeiten der EU by Bj\u00f6rn Kuhligk; photos by Reuters; 2.33\u003Cbr \/\u003E2013\u003Cbr \/\u003EMIXED UP with LIFE: COLEEN FITZGIBBON; 7.02\u003Cbr \/\u003ETHE BLUE BALCONY: Color\/10.11\u003Cbr \/\u003E2005-6\u003Cbr \/\u003ENY(see) 68.00\u003Cbr \/\u003E2001\u003Cbr \/\u003ETRAVELING with NEPTUNE: PORTRAIT of my FATHER 8.00\u003C\/p\u003E\n\u003Cp\u003E***************************\u003C\/p\u003E\n\u003Cp\u003EINSTALLATION\u00a0 WORK\u003Cbr \/\u003E2018\u003Cbr \/\u003EWHITE HANDS; 1.20 \u003Cbr \/\u003E2014\u003Cbr \/\u003ETHE SOLDIER\u0027S DREAM (5.00); and within a 2 room Installation using 3D: 15.00 \u003Cbr \/\u003E2010\u003Cbr \/\u003EWHAT CAN\u2019T YOU SEE? ; 4.22; \u003Cbr \/\u003EGOT\u2019CHA; 4.31; Video on TV with collaged intermediate frame; NURTURE ART; BRKYN NY\u003Cbr \/\u003E2009\u003Cbr \/\u003ETURQUOISE BEADS; 16.10; Video projected on assembled objects; Vision Festival; NY\u003Cbr \/\u003E2008\u003Cbr \/\u003E4 COLOR FIELD; 8.44\u003Cbr \/\u003ECLOUD TONDO; 3.10\u003Cbr \/\u003EKALEIDOSCOPE TONDO; 4.04\u003Cbr \/\u003E2007\u003Cbr \/\u003ESTANDING UPRIGHT; 5.00; Painting\/Video environment for dancer Gus Solomons Jr; \u003Cbr \/\u003EAMERICAN DIASPORA 2; 6.00\u003Cbr \/\u003E2006\u003Cbr \/\u003EAMERICAN DIASPORA; 6.00\u003Cbr \/\u003EBALLOON GARDEN; 6.30\u003Cbr \/\u003E2005\u003Cbr \/\u003ECLOUDGATE; 3.07\u003Cbr \/\u003E2004\u003Cbr \/\u003EWATER GODDESS (aka, HOMELESS) 1.30\u003Cbr \/\u003E2003\u003Cbr \/\u003ECORNER PIECE 3.00\u003Cbr \/\u003E2001\u003Cbr \/\u003ETRAVELING with NEPTUNE; Video projected on assembled objects; NEWHOUSE CENTER; SI NY\u003C\/p\u003E\n\u003Cp\u003E*************************** \u00a0\u003C\/p\u003E\n\u003Cp\u003ESUPER-8 FILM\u003Cbr \/\u003E1981 \u003Cbr \/\u003ECAREERING; Music: Public Image Ltd; 4.46\u003Cbr \/\u003E1980 \u003Cbr \/\u003EIG 79 Music: Your Pretty Face is Going to Hell; 5.00\u003Cbr \/\u003EMoving and groovin\u2019 with the grandfather of Punk Rock, Iggy Pop at Philadelphia\u2019s HOT CLUB in 1979\u003Cbr \/\u003E1979 \u003Cbr \/\u003EREVOLVE\/er; 9.14\u003Cbr \/\u003E1978-2006 \u003Cbr \/\u003ESHE DREAMS THE WORLD; Color- re-edited Super-8 Film; Sound: Music: Peace Creeps; 6.00 \u003C\/p\u003E\n\u003Cp\u003E***************************\u003C\/p\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__BYJ_raMsbqFpF1SIDoJghyU-ouurldty3Wm9_bVOXTQ.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}