@article {expcin15981, title = {Zelluloid: Film ohne Kamera = cameraless film}, year = {2010}, pages = {190 pp}, publisher = {Schirn Kunsthalle}, address = {Frankfurt}, abstract = {

"Zelluloid" is dedicated to a particular genre of artistic film, in which the image is generated directly, by physically processing the film strip. Unlike other forms of experimental film, the film material is interpreted as if it were a canvas by using a diverse range of artistic processes: through painting, drawing, collage on the celluloid, scores and scratches in the photographic emulsion, chemical manipulation or the direct lighting of photo-sensitive media. Such were the origins of the cinematic avant-garde, which researches even the material nature of the medium of film and at the same time sounds out its relationship with the visual arts and also with music in ever-changing approaches. The exhibition catalogue contains outstanding examples of "films without a camera" and features approximately 20 international artists and filmmakers from the 1930s to the present day.

Exhibition: Schirn Kunsthalle, Frankfurt (2.06 - 29.08.2010).

Artists featured in the exhibiton: Stan Brakhage, Tony Conrad, Cécile Fontaine, Amy Granat, Ian Helliwell, Hy Hirsh, Takahiko Iimura, Emmanuel Lefrant, Len Lye, Norman McLaren, Bärbel Neubauer, Luis Recoder, Jennifer Reeves, Dieter Roth, Pierre Rovère, Schmelzdahin, José Antonio Sistiaga, Harry Smith, Aldo Tambellini, Marcelle Thirache, Jennifer West.

}, keywords = {Aldo Tambellini, Amy Granat, Bärbel Neubauer, cameraless film, Cécile Fontaine, Dieter Roth, Emmanuel Lefrant, Harry Smith, Hy Hirsh, Ian Helliwell, Jennifer Reeves, Jennifer West, Jos{\'e} Antonio Sistiaga, Len Lye, Luis Recoder, Marcelle Thirache, Norman McLaren, Pierre Rovère, Schmelzdahin, Stan Brakhage, Takahiko Iimura, Tony Conrad}, isbn = {9783866783959}, url = {https://monoskop.org/images/d/dd/Schlicht_Esther_Hollein_Max_eds_Zelluloid_Camera_Less_Film_Film_ohne_Kamera.pdf}, author = {Esther Schlicht and Max Hollein} } @book {expcin16012, title = {An Introduction to the American Underground Film}, year = {1967}, pages = {326 pp}, publisher = {E.P. Dutton \& Co.}, organization = {E.P. Dutton \& Co.}, address = {New York}, keywords = {Andy Warhol, Branaman, Bruce Baillie, Bruce Conner, Carmen D{\textquoteright}Avino, Charles Eames, Dziga Vertov, Ed Emshwiller, Emlen Etting, Experimental film history, George Kuchar, George Landow, Gregory Markopoulos, Hans Richter, Harry Smith, Jack Smith, James Sibley Watson, Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Lawrence Jordan, Len Lye, Man Ray, Marie Menken, Maya Deren, Melville Webber, Mike Kuchar, Peter Emanuel Goldman, Ralph Steiner, Ren{\'e} Clair, Robert, Robert Breer, Robert Nelson, Ron Rice, Sidney Peterson, Stan Brakhage, Stan VanDerBeek, Tony Conrad}, url = {http://archive.org/details/introductiontoam00rena}, author = {Sheldon Renan} } @book {expcin16009, title = {Experiment in the Film}, year = {1949}, pages = {312 pp}, publisher = {Grey Walls Press}, organization = {Grey Walls Press}, address = {London}, keywords = {Abel Gance, Alexandre Alexeieff, American Cinema, Austrian Cinema, Basil Wright, British Cinema, Carl Dreyer, Cavalcanti, Chester Kessler, David Lean, Ernoe Metzner, Fernand L{\'e}ger, French Cinema, Germaine Dulac, German Cinema, Grahame Tharp, Hans Richter, Jacques Pr{\'e}vert, James Broughton, Jean Epstein, Jean Painlev{\'e}, Jean Renoir, Jean Vigo, Len Lye, Lewis Jacobs, Louis Delluc, Louis Feuillade, Lu{\'\i}s Bu{\~n}uel, Marcel L{\textquoteright}herbier, Maya Deren, Melville Webber, Oskar Fischinger, Paul Rotha, Percy Smith, Pierre Pr{\'e}vert, Ralph Steiner, Ren{\'e} Clair, Robert Florey, Russian Cinema, Sara Arledge, Scientific Cinema, Sidney Peterson, Slavko Vorkapich, Walther Ruttmann}, url = {https://archive.org/details/experimentinfilm00unse}, author = {Jacques B. Brunius and Lewis Jacobs and Grigori Roshal and Roman Karmen and Ernst Iros and Hans Richter and Edgar Anstey and John Maddison}, editor = {Roger Manvell} }