@article {expcin15982, title = {film{\textthreesuperior} [{\textquoteleft}kju:bIk fIlm]: New Cubic Films from the Netherlands}, year = {2010}, pages = {392 pp}, publisher = {Amsterdam University Press}, address = {Amsterdam}, abstract = {

In 2004 the Filmbank and the Filmmuseum in Amsterdam published mm2: Experimental Film in the Netherlands, a survey of the classical avant-garde film in the Netherlands. Since then, the media landscape has undergone major changes, and a generation of directors offering fresh perspectives and innovative techniques has emerged. These new developments are the motivation behindfilm3. The editors bring together eleven in-depth interviews with young Dutch visual artists in which they discuss their work and motivation, examine avant-garde filmmaking in the Netherlands during the past decade, and forecast the future of the genre.

}, keywords = {Dutch Film}, isbn = {9789089641991}, author = {Anna Abrahams and Claartje Opdam and Mariska Graveland} } @book {expcin15993, title = {F.I.L.M. A magyar avantgarde film t{\"o}rt{\'e}nete {\'e}s dokumentumai}, year = {1991}, pages = {351 pp}, publisher = {Jelenkor}, organization = {Jelenkor}, address = {Budapest}, keywords = {Hungarian Cinema}, isbn = {9789633365519}, url = {http://catalog.c3.hu/mediatortenet/PDF/FILM.pdf}, editor = {Mikl{\'o}s Petern{\'a}k} } @book {expcin16111, title = {Film at Wit{\textquoteright}s End: Eight Avant-garde Filmmakers}, year = {1989}, pages = {183 pp}, publisher = {Documentext}, organization = {Documentext}, address = {Kingston, New York}, abstract = {}, keywords = {Bruce Conner, Christopher MacLaine, James Broughton, Jerome Hill, Ken Jacobs, Marie Menken, Maya Deren, Sidney Peterson}, isbn = {9780914232995}, author = {Stan Brakhage} } @article {expcin15971, title = {Film/m{\H u}v{\'e}szet (a magyar k{\'\i}s{\'e}rleti film t{\"o}rt{\'e}nete)}, year = {1983}, pages = {56 pp}, publisher = {Budapest Gal{\'e}ria}, address = {Budapest}, abstract = {

Catalogue for the exhibition held at the Budapest History Museum (February 25-March 18, 1983). Both the catalogue and the exhibition were put together by Mikl{\'o}s Petern{\'a}k.

}, keywords = {Hungarian Cinema}, url = {http://catalog.c3.hu/mediatortenet/PDF/FILMMUVESZET_WEB.pdf}, author = {Mikl{\'o}s Petern{\'a}k} } @article {expcin15908, title = {Film as Film: Formal Experiment in Film 1910-1975}, year = {1979}, pages = {152 pp}, publisher = {Arts Council of Great Britain}, address = {London}, abstract = {

Catalogue for an exhibition held at Hayward Gallery, London, in May-June 1979, derived from a project originally conceived by Birgit Hein and Wulf Herzogenrath and shown at the Kunstverein in Cologne in the previous year.

With texts by Phillip Drummond, A.L. Rees, Birgit Hein, Wulf Herzogenrath, Malcolm Le Grice, Ian Christie, Peter Weibel, Deke Dusinberre and William Moritz.

}, keywords = {Experimental film history}, isbn = {0728702002}, url = {http://monoskop.org/log/?p=10154}, author = {Birgit Hein and A. L. Rees and Deke Dusinberre and Ian Christie and Malcolm Le Grice and Peter Weibel and Phillip Drummond and William Moritz and Wulf Herzogenrath}, editor = {David Curtis and Richard Francis} } @article {expcin15909, title = {Film als Film: 1910 bis heute}, year = {1977}, pages = {300 pp}, publisher = {Gerd Hatje Verlag, K{\"o}lnischer Kunstverein \& Museum Folkwang}, address = {Stuttgart}, abstract = {

Comprehensive catalogue/book by Birgit Hein and Wulf Herzogenrath of works by the main avant-garde filmmakers in Eastern and Western Europe, North America and Britain. Includes full notes on the films, historical essays on areas and movements {\textendash} Polish, French, British, Fluxus, West Coast, New York underground, Structural-Materialist, Expanded, etc.

}, keywords = {Experimental film history}, isbn = {9783775701259}, author = {Birgit Hein and Wulf Herzogenrath} } @book {expcin16085, title = {Film is ...: The International Free Cinema}, year = {1975}, pages = {268 pp}, publisher = {Peter Owen Publishers}, organization = {Peter Owen Publishers}, address = {London}, keywords = {Experimental film history}, isbn = {9780720692013}, author = {Stephen Dwoskin} } @book {expcin16080, title = {Film as a Subversive Art}, year = {1974}, pages = {336 pp}, publisher = {C. T. Editions}, organization = {C. T. Editions}, isbn = {9780394490786}, url = {https://monoskop.org/images/8/87/Vogel_Amos_Film_as_a_Subversive_Art.pdf}, author = {Amos Vogel} } @book {expcin16038, title = {Film im Underground. Von seinen Anfangen bis zum Unabhangigen Kino}, year = {1971}, pages = {239 pp}, publisher = {Ullstein}, organization = {Ullstein}, address = {Frankfurt/Berlin/Vienna}, keywords = {Andy Warhol, Bruce Baillie, Bruce Conner, Ed Emshwiller, Expanded cinema, Experimental film history, George Kuchar, Gergory Markopoulos, Harry Smith, Jack Smith, James Whitney, John Whitney Jr., Jonas Mekas, Jordan Belson, Ken Jacobs, Kenneth Anger, Knokke Experimental Film Festival, Mike Kuchar, Robert Breer, Robert Nelson, Ron Rice, Stan Brakhage, Stan VanDerBeek}, issn = {9783548028170}, author = {Birgit Hein} } @article {expcin16010, title = {Film Culture 30: Metaphors on Vision}, year = {1963}, abstract = {

{\textquotedblleft}Metaphors on Vision is a collection of writings on the film and, in particular, on the film as Stan Brakhage sees and makes it. Yet more significantly it is a testament of what makes mythopoeic art. Mythopoeia is the often attempted and seldom achieved result of making a myth new or making a new myth.{\textquotedblright} (from the Introduction)

Edited with an Introduction by P. Adams Sitney
Book design by George Maciunas

}, keywords = {Jane Brakhage, Stan Brakhage}, url = {https://monoskop.org/log/?p=7736}, author = {Stan Brakhage and Jane Brakhage and P.Adams Sitney} }