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href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.css\u0022 media=\u0022all\u0022 as=\u0022style\u0022 onload=\u0022window.advagg_mod_loadcss = function() {if (window.jQuery) {if (jQuery.isFunction(jQuery.holdReady)){jQuery.holdReady(false);}} else {setTimeout(advagg_mod_loadcss, 100);}};setTimeout(advagg_mod_loadcss, 200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-12919\u0022 class=\u0022node node-artist article odd node-lang-es node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/kennethanger.jpg\u0022 title=\u0022\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-12919-Oel3xXKhfhQ\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/kennethanger.jpg?itok=mbY2DPSS\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u003Cstrong\u003EKenneth Anger\u003C\/strong\u003E (nacido el 3 de febrero de 1927) es un cineasta estadounidense.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EVida temprana\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EKenneth Anger naci\u00f3 como Kenneth Wilbur Anglemyer y asisti\u00f3 a la Escuela de Baile Maurice Kossloff con Shirley Temple. Gan\u00f3 fama y notoriedad a partir de la publicaci\u00f3n de la versi\u00f3n de \u003Cem\u003EHollywood Babilonia\u003C\/em\u003E en Par\u00eds en 1959, un libro en que narraba los esc\u00e1ndalos de Hollywood de ricos y famosos. Una versi\u00f3n pirata (e incompleta) se public\u00f3 por primera vez en los EE.UU. en 1965. La versi\u00f3n oficial de Estados Unidos no se public\u00f3 hasta 1974.\u003C\/p\u003E\n\u003Cp\u003EAnger estaba fascinado con lo sobrenatural y Aleister Crowley, adem\u00e1s de convertirse en un seguidor de la religi\u00f3n de Crowley de Thelema, en alg\u00fan momento de su adolescencia. Muchas de sus pel\u00edculas reflejan temas ocultos.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003ECarrera\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EComenz\u00f3 a hacer pel\u00edculas sobre los nueve a\u00f1os de edad, pero sus primeras pel\u00edculas se han perdido. Su primera pel\u00edcula filmada para distribuci\u00f3n fue \u003Cem\u003EFireworks\u003C\/em\u003E, filmado en Los \u00c1ngeles en 1947, lo que llam\u00f3 la atenci\u00f3n de Jean Cocteau, quien lo invit\u00f3 a ir a Par\u00eds. En 1949, Anger dirige \u003Cem\u003EThe Love That Whirls\u003C\/em\u003E, que seg\u00fan el libro de 1972\u00a0\u003Cspan\u003EExperimental\u003C\/span\u003E\u003Cspan\u003E\u00a0Cinema \u00a0conten\u00eda (falsa) desnudez, y fue confiscada por el laboratorio de la pel\u00edcula. Mientras que la mayor\u00eda de sus pel\u00edculas son cortos (que van desde 3,5 a los 30 minutos), en 1955 se hizo una pel\u00edcula documental de las ruinas de la casa de Crowley en Cefal\u00fa, Sicilia, que ahora se considera una pel\u00edcula perdida.\u003C\/span\u003E\u003C\/p\u003E\n\u003Cp\u003EDesarroll\u00f3 una estrecha amistad con el Dr. Alfred Kinsey, del Instituto de Investigaci\u00f3n Sexual. Anger recordar\u00eda m\u00e1s tarde que Kinsey fue su primer cliente al comprar una copia de Fireworks cuando se conocieron en 1947. Anger finalmente ayud\u00f3 a Kinsey a construir su archivo f\u00edlmico. La Anger Collection incluye la correspondencia entre los dos hombres, as\u00ed como cartas desde y hacia el ex director del Instituto John Bancroft. Anger m\u00e1s tarde hablar\u00eda abiertamente de su participaci\u00f3n en la investigaci\u00f3n de Kinsey, incluyendo ser filmado mientras se masturbaba.\u003C\/p\u003E\n\u003Cp\u003EDuring the late 1960s he associated with The Rolling Stones, as well as Bobby Beausoleil (before he gained notoriety as an associate of the Charles Manson family). Beausoleil, a musician who had played with Arthur Lee, was cast as Lucifer in Anger\u0027s proposed film, . Beausoleil and Anger had a falling out and Beausoleil left, taking most of the completed film with him Illuminati News \u0027I Sold My Soul to Rock \u0026amp; Roll \u0026amp; Mind Control: Anger Rising\u0027 (Beausoleil is also rumored to have buried the film\u0027s negative in the desert at one of Manson\u0027s former hangouts.) British singer Marianne Faithfull later appeared in Anger\u0027s re-shot version of the film. Some footage from the earlier version of \u003Cem\u003ELucifer Rising\u003C\/em\u003E (including Beausoleil) ended up in Anger\u0027s \u003Cem\u003E\u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/The_Invocation_of_My_Demon_Brother\/\u0022\u003EThe Invocation of My Demon Brother\u003C\/a\u003E\u003C\/em\u003E.\u003C\/p\u003E\n\u003Cp\u003EKenneth Anger had a widely publicized spat with \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Led_Zeppelin\/\u0022\u003ELed Zeppelin\u003C\/a\u003E guitarist \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Jimmy_Page\/\u0022\u003EJimmy Page\u003C\/a\u003E over the soundtrack. Chris Salewicz, \u003Ca href=\u0022http:\/\/www.rocksbackpages.com\/article.html?ArticleID=4544\u0022\u003EAnger Rising: Jimmy Page and Kenneth\u0027s Lucifer\u003C\/a\u003E; \u003Cem\u003ENME\u003C\/em\u003E, 1977. \u003Ca href=\u0022http:\/\/victorian.fortunecity.com\/updike\/723\/page.html\u0022\u003EAnger Rising\u003C\/a\u003E Anger claimed Page took three years to deliver the music, and the final product was only 25 minutes of droning and was useless. Anger also accused Page of \u0027having an affair with the White Lady\u0027 and being too strung out on drugs to complete the project. Page countered claiming he had fulfilled all his obligations, even going so far as to lend Anger his own film editing equipment to help him finish the project. Page\u0027s music was dumped eventually and replaced in 1979 by music written and recorded by Bobby Beausoleil - the only movie soundtrack in history recorded inside a prison.\u003C\/p\u003E\n\u003Cp\u003EIn the mid-1980s, Anger sold a 16mm print of the incomplete , containing the Page soundtrack, to \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Christopher_Dietler\/\u0022\u003EChristopher Dietler\u003C\/a\u003E, who eventually released the soundtrack taken from film on an album titled \u003Cem\u003EKenneth Anger\u0027s Lucifer Rising Jimmy Page Soundtrack\u003C\/em\u003E. Barton, David \u003Ca href=\u0022http:\/\/www.lashtal.com\/nuke\/module-subjects-viewpage-pageid-127.phtml\u0022\u003ECarmichael Man Delves Into Led Zeppelin Star\u0027s Past\u003C\/a\u003E \u003Cem\u003EThe Sacramento Bee\u003C\/em\u003E, May 24, 1987 Anger filed a \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/lawsuit\/\u0022\u003Elawsuit\u003C\/a\u003E and won an \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/injunction\/\u0022\u003Einjunction\u003C\/a\u003E against Dietler who turned over the digitally enhanced master and agreed not to press or sell anymore record albums.\u003C\/p\u003E\n\u003Cp\u003EAnger\u0027s lifelong interest in the occult brought him into contact with a variety of groups and individuals. He was a lifelong friend of \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Anton_Szandor_LaVey\/\u0022\u003EAnton Szandor LaVey\u003C\/a\u003E, both before and after the founding of the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Church_of_Satan\/\u0022\u003EChurch of Satan\u003C\/a\u003E in the 1960s, and lived with LaVey and his family during the 1980s. In more recent years Anger accepted initiation into the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Ordo_Templi_Orientis\/\u0022\u003EOrdo Templi Orientis\u003C\/a\u003E in a semi-honorary fashion. For 20 years from the early eighties, Anger released no new material. In the new millennium he has since returned to filmmaking.\u003C\/p\u003E\n\u003Cp\u003EAnger makes an appearance in the 2008 feature documentary by Nik Sheehan about \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Brion_Gysin\/\u0022\u003EBrion Gysin\u003C\/a\u003E and the \u003Ca class=\u0022wikilink\u0022 href=\u0022..\/work\/Dreamachine\/\u0022\u003EDreamachine\u003C\/a\u003E entitled \u003Cem\u003EFLicKeR\u003C\/em\u003E.\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003EExternal links\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cul\u003E\n\u003Cli\u003E\u003Cem\u003EKenneth Anger on \u003Ca href=\u0022http:\/\/www.imdb.com\/name\/nm001910\/\u0022\u003EIMDB\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.glbtq.com\/arts\/anger_k.html\u0022\u003EAnger, Kenneth\u003C\/a\u003E on \u003Cem\u003E\u003Ca href=\u0022http:\/\/www.geocities.com\/Hollywood\/Lot\/1162\/HCAngerBio_html.html\u0022\u003EBiography by Robert Haller\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.mysticfire.com\/ntsc\/archives\/bios\/NIAnger.html\u0022\u003EBiography by Mystic Fire\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/observer.guardian.co.uk\/magazine\/story\/0,11913,1287683,00.html\u0022\u003EThe Observer: Look Back at Anger\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.sensesofcinema.com\/contents\/directors\/03\/anger.html\u0022\u003ESenses of Cinema: Great Directors Critical Database\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.ratso.net\/anger.html\u0022\u003EInterview: Ratso.net\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.reel.com\/reel.asp?node=features\/interviews\/anger\u0022\u003EInterview: Reel.com\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.sfbg.com\/AandE\/35\/05\/kenneth.html\u0022\u003EInterview: San Francisco Bay Guardian\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.weeklywire.com\/ww\/11-17-97\/austin_screens_feature2.html\u0022\u003EInterview: The Austin Chronicle\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.chaosmatrix.org\/library\/chaos\/topy\/angerris.txt\u0022\u003EInterview: T.O.P.Y. Chaos\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.greylodge.org\/occultreview\/glor_014\/anger.htm\u0022\u003EInterview: ARTE (QuickTime)\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.nowtoronto.com\/issues\/2006-10-12\/movie_interview.php\u0022\u003EInterview: NOW Magazine\u003C\/a\u003E, October 2006 \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.kinseyinstitute.org\/publications\/newsletterFall2004.htm\u0022\u003EKinsey Institute article on Kenneth Anger\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.subcin.com\/anger.html\u0022\u003EMagick Lantern Cycle: Images \u0026amp; Synopses\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/www.filmsinreview.com\/Features\/CampDavid\/campdavid4_nov.htm\u0022\u003EKenneth Anger anecdote: Films in Review\u003C\/a\u003E \u003C\/em\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.phinnweb.org\/links\/cinema\/underground\/anger\/\u0022\u003EKenneth Anger @ pHinnWeb\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.thefilmjournal.com\/issue12\/anger.html\u0022\u003EReview of Alice Hutchison\u0027s book on Anger\u003C\/a\u003E\u003C\/li\u003E\n\u003Cli\u003E\u003Ca href=\u0022http:\/\/www.nndb.com\/people\/195\/000112856\/\u0022\u003ENNDb profile\u003C\/a\u003E\u003C\/li\u003E\n\u003C\/ul\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENacionalidad:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EEstados Unidos\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}