{"markup":"\u003C?xml version=\u00221.0\u0022 encoding=\u0022UTF-8\u0022 ?\u003E\n    \u003Chtml version=\u0022HTML+RDFa+MathML 1.1\u0022\n    xmlns:content=\u0022http:\/\/purl.org\/rss\/1.0\/modules\/content\/\u0022\n    xmlns:dc=\u0022http:\/\/purl.org\/dc\/terms\/\u0022\n    xmlns:foaf=\u0022http:\/\/xmlns.com\/foaf\/0.1\/\u0022\n    xmlns:og=\u0022http:\/\/ogp.me\/ns#\u0022\n    xmlns:rdfs=\u0022http:\/\/www.w3.org\/2000\/01\/rdf-schema#\u0022\n    xmlns:sioc=\u0022http:\/\/rdfs.org\/sioc\/ns#\u0022\n    xmlns:sioct=\u0022http:\/\/rdfs.org\/sioc\/types#\u0022\n    xmlns:skos=\u0022http:\/\/www.w3.org\/2004\/02\/skos\/core#\u0022\n    xmlns:xsd=\u0022http:\/\/www.w3.org\/2001\/XMLSchema#\u0022\n    xmlns:mml=\u0022http:\/\/www.w3.org\/1998\/Math\/MathML\u0022\u003E\n  \u003Chead\u003E\u003Cscript\u003E\n\u003C!--\/\/--\u003E\u003C![CDATA[\/\/\u003E\u003C!--\njQuery.extend(Drupal.settings, {\u0022basePath\u0022:\u0022\\\/site\\\/\u0022,\u0022pathPrefix\u0022:\u0022es\\\/\u0022,\u0022setHasJsCookie\u0022:0,\u0022field_group\u0022:{\u0022hidden\u0022:\u0022full\u0022},\u0022ajaxPageState\u0022:{\u0022js\u0022:{\u0022public:\\\/\\\/languages\\\/es_iNGWb1frdM7D4y53Sd6-iZfZk-NOi89fph85Jhq7AcE.js\u0022:1,\u0022sites\\\/all\\\/libraries\\\/jquery-focuspoint\\\/js\\\/jquery.focuspoint.min.js\u0022:1,\u0022sites\\\/all\\\/modules\\\/field_group\\\/field_group.js\u0022:1}}});\n\/\/--\u003E\u003C!]]\u003E\n\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__uivuhI3bl0DgA0QvdBIrsW-8XOjxxit571GUl9ajshY__R-06elJQIQ0Ah0u2UnkMyZ4uKg1Ek9dVgVXS6TLHDmA__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.js\u0022\u003E\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__OoSVGe59A5vEr_Q8WbDSyFzbnGhy67AvEk1Dt4WQ4mc__avvfGLSi1OXpILN3vu2rqILFNkWom4aVBbb2dR6Gz5g__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.js\u0022\u003E\u003C\/script\u003E\n\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__mj2TlWhks9oJxPMS-NZeTpU46WwFVlMGEIo6S9H_Qx8__BsaKROlqVoH1U-25O4BHSOvj0FOd9mpaW6cDEgy8HfE__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.js\u0022\u003E\u003C\/script\u003E\n\u003Cnoscript id=\u0022advagg_loadcss_0\u0022\u003E\n\u003Clink type=\u0022text\/css\u0022 rel=\u0022stylesheet\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.css\u0022 media=\u0022all\u0022 \/\u003E\n\u003C\/noscript\u003E\u003Clink type=\u0022text\/css\u0022 rel=\u0022preload\u0022 href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_css\/css__RviKndHbuvjkxKlPZ8_QxqI8OCl99KOh1w0yQDxs7Jk__ZfZydszBKQmlThqBMtwMGAvuPweJ3IqpqXUI3iB0FUY__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.css\u0022 media=\u0022all\u0022 as=\u0022style\u0022 onload=\u0022window.advagg_mod_loadcss = function() {if (window.jQuery) {if (jQuery.isFunction(jQuery.holdReady)){jQuery.holdReady(false);}} else {setTimeout(advagg_mod_loadcss, 100);}};setTimeout(advagg_mod_loadcss, 200);this.onload=null;this.rel=\u0026#039;stylesheet\u0026#039;\u0022 \/\u003E\n\u003C\/head\u003E\u003Cbody\u003E\u003Cdiv class=\u0022panels-ajax-tab-panel panels-ajax-tab-panel-profile\u0022\u003E\u003Cdiv class=\u0022one-column at-panel panel-display clearfix\u0022 \u003E\n  \u003Cdiv class=\u0022region region-one-main\u0022\u003E\n    \u003Cdiv class=\u0022region-inner clearfix\u0022\u003E\n      \u003Cdiv class=\u0022panel-pane pane-node-content no-title block\u0022\u003E\n  \u003Cdiv class=\u0022block-inner clearfix\u0022\u003E\n    \n            \n    \n    \u003Cdiv class=\u0022block-content\u0022\u003E\n      \u003Carticle id=\u0022article-17901\u0022 class=\u0022node node-artist article odd node-lang-es node-full 1 ia-r clearfix\u0022 role=\u0022article\u0022\u003E\n  \u003Cdiv class=\u0022article-inner\u0022\u003E\n\n    \n    \u003C!----\u003E\n\n    \n    \n    \u003Cdiv class=\u0022node-content\u0022\u003E\n    \u003Cdiv class=\u0022field field-name-field-featured-image field-type-image field-label-hidden view-mode-full view-mode-full\u0022\u003E\n    \u003Cdiv class=\u0022field-items\u0022\u003E\n          \u003Cfigure class=\u0022field-item\u0022\u003E\n        \u003Ca href=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/Frame%20Revem.jpg\u0022 title=\u0022\u0416\u0022 class=\u0022colorbox\u0022 data-colorbox-gallery=\u0022gallery-node-17901-grwU7m-vCgg\u0022 data-cbox-img-attrs=\u0022{\u0026quot;title\u0026quot;: \u0026quot;\u0416\u0026quot;, \u0026quot;alt\u0026quot;: \u0026quot;\u0416\u0026quot;}\u0022\u003E\u003Cimg class=\u0022image-style-wiki-profile\u0022 src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/styles\/wiki_profile\/public\/Frame%20Revem.jpg?itok=fzbY_-4w\u0022 width=\u0022360\u0022 height=\u0022360\u0022 alt=\u0022\u0416\u0022 title=\u0022\u0416\u0022 \/\u003E\u003C\/a\u003E                   \n               \n              \u003Cfigcaption class=\u0022caption full-caption\u0022\u003E\u0416\u003C\/figcaption\u003E\n                                                        \u003C\/figure\u003E\n      \u003C\/div\u003E\n\u003C\/div\u003E\n\u003Cdiv class=\u0022field field-name-body field-type-text-with-summary field-label-hidden view-mode-full view-mode-full\u0022\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003E\u003Cp\u003E\u0416 (S\u00e3o Paulo, 198-) film-designer, programmer, educator, editor\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003E_Small statement \u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EHas a non-specialized \u0026amp; situated artistic\/cultural practice that investigates the energetic, materialistic, economical, political and libidinal fluxes and cycles of (semio)capitalism. It embraces different strategies, materials, propositions, and medias to uncover its effects in perception, memory, subjectivity in our present ecological collapse. His projects took the form of films, video-spaces, counter-spaces, texts, performances, and public spaces interactions that oriented a sense of the reinsertion of artistic practice in specific social-political contexts.\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u003Cstrong\u003E_Selected exhibitions \u0026amp; screenings\u003C\/strong\u003E (solo) \/ Mostras e proje\u00e7\u00f5es (solo) \u003Cstrong\u003E\u00a0\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EConsider (\u0648\u0645\u064a\u0636\u003C\/em\u003E )- videospace \u2013 Ghorfa- \u003Cstrong\u003EDarat al Funun \u003C\/strong\u003E\u2013 Amann, Jordan (2024)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EUBERAMA- from ready made artist to app-artist\u003C\/em\u003E .txt texto de cinema (Carla Lombardo \u0026amp;\u00a0\u0416) Ocupa\u00e7\u00e3o cheio-vazio- \u003Cstrong\u003EMUnA \u2013 Museu Universit\u00e1rio de Arte, Universidade Federal de Uberl\u00e2ndia\u003C\/strong\u003E, Minas Gerais,Brazil (2023)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003Elinguametragem\/ languemetrage\u003C\/em\u003E \u2013 Viva Jonas!- Homage to Jonas Mekas (with Carla Lombardo, Rapha\u00ebl Maureau, Diana Ilescu, Tetsuya Maruyama (\u4e38\u5c71\u5fb9\u4e5f), Dovil\u0117 Aleksait\u0117 \u0026amp; RIV\u039e\u042f\u039bO \u003Cstrong\u003ECinemateca MAM\u003C\/strong\u003E, Rio de Janeiro, Brazil (2019)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EA Uni\u00e3o do Povo \/ People\u2019s Union\u003C\/em\u003E\u003Cstrong\u003E\u2013\u003C\/strong\u003E \u00a0\u003Cstrong\u003EPrograma de Exposi\u00e7\u00f5es CCSP- Centro Cultural S\u00e3o Paulo\u003C\/strong\u003E (with Carla Lombardo), S\u00e3o Paulo, Brazil (2018-19)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ECineclube Inven\u00e7\u00e3o- A consci\u00eancia e a morte da representa\u00e7\u00e3o\u003C\/em\u003E\u003Cstrong\u003E\u2013\u00a0\u00a0Espa\u00e7o Colabirinto\u003C\/strong\u003E, S\u00e3o Paulo\u003Cstrong\u003E, \u003C\/strong\u003EBrazil (2018)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EFilm\u2019s by\u00a0\u0416 \u00a0\u003C\/em\u003E\u003Cstrong\u003ESala Nordeste\u003C\/strong\u003E, Recife, Brazil (2013)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ERev\u00e9m Natura \u00a0\u003C\/em\u003E\u003Cstrong\u003ELa Quimera,\u003C\/strong\u003E C\u00f3rdoba-Argentina (2013)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ERev\u00e9m Natura\u003C\/em\u003E\u00a0\u003Cstrong\u003ELa Darsena\u003C\/strong\u003E, Buenos Aires-Argentina (2013)\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u003Cstrong\u003E_Collective \u003C\/strong\u003E(selected) \/ Coletivas (algumas)\u003Cstrong\u003E\u003Cbr \/\u003E\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cstrong\u003ESan Francisco Museum of Modern Art (SFMOMA)-Cinemateque (Crossroads 2018)\u003C\/strong\u003E \u2013 San Francisco EUA\u00a0\u003Cstrong\u003E.:. Pantalla Global-CCCB\u003C\/strong\u003E -Barcelona-\u0026amp; \u003Cstrong\u003EMuseo San Telmo\u003C\/strong\u003E -San Sebasti\u00e1n;\u00a0\u003Cstrong\u003EUltima Frontera (Last Frontier) .:. EAC (Espacio de Arte Contemporaneo)\u003C\/strong\u003E Montevideo \u0026amp; \u003Cstrong\u003ECantor Gallery\u003C\/strong\u003E, Massachusetts\u00a0\u003Cstrong\u003E.:. BIM- Bienal de la Imagen Movimiento-\u003C\/strong\u003E Buenos Aires\u003Cstrong\u003E.:. BIENALSUR \u003C\/strong\u003E(2021) Buenos Aires\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003E13 Bienal de Artes Mediales (Temblor), \u003C\/strong\u003ESantiago-\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EII Bienal do Ouvidor\u003C\/strong\u003E, S\u00e3o Paulo .:. \u003Cstrong\u003ECelluloid Now\u003C\/strong\u003E \u2013 Chicago Film Society \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EFRACTO- \u003C\/strong\u003EACUD Kino Berlin\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EBerwick Film \u0026amp; Media Festival\u003C\/strong\u003E\u2013 UK \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003ETransient Visions. \u003C\/strong\u003ENY-USA\u00a0\u003Cstrong\u003E.:. 13 CineOP-\u00a0\u003C\/strong\u003EOuro Preto\u003Cstrong\u003E:.\u003C\/strong\u003E \u003Cstrong\u003E19 FestCurtas BH-\u003C\/strong\u003E Brazil\u00a0\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EVisArts\u003C\/strong\u003E\u2013 \u003Cstrong\u003EFrame \u0026amp; Frequency\u003C\/strong\u003E \u003Cstrong\u003E3\u003C\/strong\u003E\u2013 Rockville- USA\u00a0\u003Cstrong\u003E.:. Microscope Gallery\u003C\/strong\u003E\u2013 Present for Jonas- NYC .:. \u003Cstrong\u003EBlitz#27: \u0416 Economia\/Ecologia_ Zumzeig Cinema-\u003C\/strong\u003EBarcelona \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EThe Clemente (\u003Cem\u003EKABAYITOS Microcinema\u003C\/em\u003E) \u2013 \u003C\/strong\u003ENYC-\u003Cstrong\u003E.:. \u003C\/strong\u003E\u003Cem\u003EProgram Small Notes on Small Gestures\u003C\/em\u003E\u003Cstrong\u003E: MONO NO AWARE \u003C\/strong\u003ENYC,\u003Cstrong\u003EImage Forum\u003C\/strong\u003E\u2013 Tokyo,\u003Cstrong\u003ECentro Cultural Maria Antonia_USP \u2013 S\u00e3o Paulo \u003C\/strong\u003E\u0026amp; others \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cem\u003EProgram Skin Inscribed\u003C\/em\u003E: \u003Cstrong\u003EChicago Film Society\u003C\/strong\u003E, Chicago, \u003Cstrong\u003EFilmmakers Cooperative (Film Coop\u003C\/strong\u003E), NYC, \u003Cstrong\u003EImage Forum\u003C\/strong\u003E,Tokyo \u0026amp; others.:. \u003Cstrong\u003EPungnant Film Series-\u003C\/strong\u003E Athens \u003Cstrong\u003E.:.\u003C\/strong\u003E\u00a0\u003Cstrong\u003EIstanbul Intern. Experimental Film Festival\u003C\/strong\u003E\u2013 \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EDobra Festival Int. do Cinema Experimental-\u003C\/strong\u003E\u00a0Cinemateca MAM -Rio de Janeiro\u003Cstrong\u003E.:.CCEG- Centro Cultural Espa\u00f1a\u003C\/strong\u003E -Guatemala\u003Cstrong\u003E.:. 30th Instant Video Numerique et Poetique \u2013\u003C\/strong\u003EMarseille\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EPC EXPERIENCE Casa das Rosas \u003C\/strong\u003E\u2013 S\u00e3o Paulo\u00a0\u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EBesides the Screen International Conference\u003C\/strong\u003E\u2013 Espirito Santo- Brazil \u003Cstrong\u003E.:.\u003C\/strong\u003E \u003Cstrong\u003EMADATAC\u003C\/strong\u003E Centro.Centro; Palacio de Cibeles- Madrid-Spain \u003Cstrong\u003E.:. 5th\u003C\/strong\u003E \u003Cstrong\u003EFrontera Sur Festival \u003C\/strong\u003E-Chile \u003Cstrong\u003E.:.\u003C\/strong\u003E\u00a0\u003Cstrong\u003EUltracinema\u003C\/strong\u003E\u2013 Puebla\u003Cstrong\u003E\u2013\u003C\/strong\u003EM\u00e9xico\u00a0\u003Cstrong\u003E.:. MUTA \u2013 Festival Internacional de Apropriaci\u00f3n Audiovisual, \u003C\/strong\u003ELima, Peru .:. \u003Cstrong\u003EUnarchive Found Footage Fest.\u003C\/strong\u003E-Roma\u003Cstrong\u003E.:. Light Matter \u003C\/strong\u003E-NYC \u0026amp; Buenos Aires.:. Coding Utopias \u003Cstrong\u003EICI \u2013 Institute for Cultural Inquiry\u003C\/strong\u003E, Berlin, \u0026amp; others.\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u003Cstrong\u003E_Editor \u0026amp; aut(h)or\u003Cbr \/\u003E\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003EText (author) \u003Cem\u003EDepois dos vaga lumes: o pensamento ecol\u00f3gico em 4 filmes brasileiros contempor\u00e2neos\u003C\/em\u003E \u2013\u003Cstrong\u003E Cat\u00e1logo X Dobra Festival Internacional Cinema Experimental\u003C\/strong\u003E, Rio de Janeiro, 2025 ISBN 978-85-6815914-9 \u003Ca href=\u0022https:\/\/kkinema.com.br\/wp-content\/uploads\/2025\/12\/dobra_depois_vagalumes.pdf\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EText (co-author) \u003Cem\u003EMuvuca de Nascentes. Vamos plantar nos Bixiga? Criancas contracartografando territorios ancestrai\u003C\/em\u003E em \u003Cem\u003EEduca\u00e7\u00e3o\u003C\/em\u003E e Arte no \u003Cem\u003ETerrit\u00f3rio\u003C\/em\u003E, \u003Cstrong\u003EFundaci\u00f3n MALBA,\u003C\/strong\u003E Buenos Aires, 2025. ISBN 978-631-91253-8-2 \u003Ca href=\u0022https:\/\/kkinema.com.br\/wp-content\/uploads\/2025\/12\/muvuca_nascentes.pdf\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EBook publication (co-editor) \u003Cem\u003EAspiro al Gran Laberinto y otros pasajes\u003C\/em\u003E\u00a0\u2013 H\u00e9lio Oiticica \u2013 coedition .\u003Cstrong\u003Etxt texto de cinema \u0026amp; Libros UNA\u003C\/strong\u003E, Buenos Aires, 2023 ISBN: 978-987-463-35-76 \u003Ca href=\u0022https:\/\/textodecinema.com\/3930-2\/\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EBook publication (editor) \u003Cem\u003Ebcubico\u003C\/em\u003E \u2013 V.A \u2013 Multilingual book (Portuguese, French, English) about the cultural space Bcubico. edition \u003Cstrong\u003E.txt texto de cinema\u003C\/strong\u003E,Recife, 2022 ISBN: 978-85-92970-04-8 (\u003Ca href=\u0022https:\/\/textodecinema.com\/livro-bcubico-bcubico-book\/\u0022\u003Elink\u003C\/a\u003E to download) \u0026amp; (\u003Ca href=\u0022https:\/\/www.livrariasimples.com.br\/produtos\/bcubico-edson-barrus-e-yann-beauvais-txt\/\u0022\u003Elink\u003C\/a\u003E to purchase)\u003C\/p\u003E\n\u003Cp\u003EText (author) \u2013 \u003Cem\u003EPr\u00e1tica art\u00edstica: apropria\u00e7\u00e3o, desvio e interrup\u00e7\u00e3o de fluxo\u003C\/em\u003E \u2013 \u003Cstrong\u003ERevista Eco-P\u00f3s -UFRJ | Apropria\u00e7\u00f5es e ressignifica\u00e7\u00f5es na arte e no pensamento\u003C\/strong\u003E | V. 24 | N.3 | ISSN: 2175-8689. Brazil, 2021 \u003Ca href=\u0022https:\/\/revistaecopos.eco.ufrj.br\/eco_pos\/article\/view\/27808\/15261\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EText (author) \u2013\u00a0 \u003Cem\u003EFoi bcubico \/ It was bcubico\u003C\/em\u003E \u2013 bcubico\u2019 book \u2013 V.A \u003Cstrong\u003E.txt texto de cinema\u003C\/strong\u003E, 2022 | ISBN: 978-85-92970-04-8 \u003Ca href=\u0022https:\/\/kkinema.com.br\/foi-bcubico-it-was-bcubico\/\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EText (author) \u2013 \u003Cem\u003EMatar los ojos para ver\u003C\/em\u003E \/ \u003Cem\u003EKill the eyes to see \u2013 \u003C\/em\u003E\u003Cstrong\u003EDoc\u2019s Kingdom. \u003C\/strong\u003EPortugal, 2021 \u003Ca href=\u0022https:\/\/kkinema.com.br\/5761-2\/\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EText (editor)- \u003Cem\u003EEn el D\u00eda del Fuego Piedras en el Agua\u003C\/em\u003E\u2013 Eduardo Molinari \/ Archivo Caminante \u2013 Portuguese and Spanish. edition \u003Cstrong\u003E.txt texto de cinema,\u003C\/strong\u003E 2021 \u003Ca href=\u0022https:\/\/textodecinema.files.wordpress.com\/2022\/02\/en_el_dia_del_fuego_piedras_en_el_agua_-_archivo_caminante_-_eduardo_molinari.pdf\u0022\u003E(link spa)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003EBook publication (editor) \u2013 \u003Cem\u003EDi\u00e0rias (1970-1972)\u003C\/em\u003E \u2013 Jonas Mekas \u2013\u00a0 Translation from Lithuanian to Spanish and Portuguese. \u2013 edition \u003Cstrong\u003E.txt texto de cinema.\u003C\/strong\u003E Brazil, 2019 ISBN: 978-85-92970-03-01 (\u003Ca href=\u0022https:\/\/linktr.ee\/textodecinema\u0022\u003Elink\u003C\/a\u003E to purchase)\u003C\/p\u003E\n\u003Cp\u003EBook publication (editor) \u2013 \u003Cem\u003EarTTrainee \u2013 Cartografias de Agenciamentos Ezquizo-analiticos no Ensino Aprendizagem em Arte- \u003C\/em\u003EE. Barrus \u2013 edition \u003Cstrong\u003E.txt texto de cinema\u003C\/strong\u003E. Brazil, 2017 ISBN 978859297002-4 (\u003Ca href=\u0022https:\/\/textodecinema.com\/wp-content\/uploads\/2022\/02\/arttrainee_edsonbarrus.pdf\u0022\u003Elink\u003C\/a\u003E)\u003C\/p\u003E\n\u003Cp\u003ECatalog publication (editor)- \u003Cem\u003Eyb 40 years of cineActivism\u003C\/em\u003E\u00a0 \u2013 English and Portuguese\u00a0 yann beauvais\u2019 exhibition catalog- edition\u003Cstrong\u003E .txt texto de cinema\u003C\/strong\u003E. Brazil, 2015\u003C\/p\u003E\n\u003Cp\u003EText (author) \u003Cem\u003E_ Y \u2026\u003C\/em\u003E \u2013 \u003Cstrong\u003EArte Contexto Magazine\u003C\/strong\u003E (Essay) ISSN 2318-5538. Brazil, 2015. \u003Ca href=\u0022http:\/\/artcontexto.com.br\/texto-obra_08_3K.html\u0022\u003E(link)\u003C\/a\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cspan class=\u0022st\u0022\u003EText (author) \u003Cem\u003EPoor image \u2013 virtualized reality in Extraterritorial\u003C\/em\u003E (Essay). \u003Cstrong\u003ERevista ClimaCom- Mudan\u00e7as Clim\u00e1ticas\u003C\/strong\u003E. ISSN 2359-4705. Brazil, 2015 \u003Ca href=\u0022http:\/\/climacom.mudancasclimaticas.net.br\/extraterritorial\/\u0022\u003E(link)\u003C\/a\u003E\u003C\/span\u003E\u003C\/p\u003E\n\u003Cp\u003EText (co-author) \u003Cstrong\u003E\u2013 \u003C\/strong\u003E\u003Cem\u003EWriting Images: Interview with yann beauvais\u003C\/em\u003E\u003Cstrong\u003E \u2013 \u003C\/strong\u003EPublished in spanish. \u003Cstrong\u003ERevista Laborat\u00f3rio,\u003C\/strong\u003E Chile (ISSN 0718-7467) \u0026amp; \u003Cstrong\u003E\u003Ca href=\u0022http:\/\/lafuga.cl\/entrevista-con-yann-beauvais\/840\u0022 rel=\u0022noopener noreferrer\u0022 target=\u0022_blank\u0022\u003ELa Fuga\u003C\/a\u003E\u003C\/strong\u003E \u003Cem\u003E(\u003C\/em\u003EISSN 0718-5316\u003Cem\u003E); \u003C\/em\u003Eportuguese. \u003Cstrong\u003E\u003Ca href=\u0022https:\/\/hambrecine.com\/2015\/10\/09\/escrevendo-imagens-entrevista-com-yann-beauvais\/\u0022 rel=\u0022noopener noreferrer\u0022 target=\u0022_blank\u0022\u003EHambre\u003C\/a\u003E\u003C\/strong\u003E. \u003Cem\u003EArgentina \u003C\/em\u003E(ISSN 2346-8831)\u003Cem\u003E; \u003C\/em\u003Eenglish \u003Cstrong\u003E\u003Cem\u003E\u003Ca href=\u0022http:\/\/desistfilm.com\/q-a-yann-beauvais\/\u0022\u003EDesistfilm\u003C\/a\u003E.\u003C\/em\u003E\u003C\/strong\u003EPeru\u003Cem\u003E (\u003C\/em\u003EISSN 2311-7451\u003Cem\u003E) \u003C\/em\u003E\u003C\/p\u003E\n\u003Cp\u003EText (co-author)\u003Cstrong\u003E \u2013\u003C\/strong\u003E \u003Cem\u003EXX-XY -XXY: Interview with Diane Torr\u003C\/em\u003E-Published in portuguese.\u003Cstrong\u003E\u003Ca href=\u0022http:\/\/azmina.com.br\/2016\/02\/que-tal-ser-homem-por-um-dia\/\u0022\u003E Revista Azmina\u003C\/a\u003E;\u003C\/strong\u003E english\u003Cstrong\u003E \u003Ca href=\u0022http:\/\/www.artrevealmagazine.com\/xx-xy-xxy-interview-with-diane-torr-by-carla-lombardo-for-txt-texto-de-cinema-in-colaboration-with-%D0%B6\/\u0022\u003EArt Reveal Magazine\u003C\/a\u003E\u003C\/strong\u003E. Collaboration with Carla Lombardo\u003C\/p\u003E\n\u003Cp\u003E\u00a0\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003\u2003 \u003Cstrong\u003E_Commissions, prizes, fellowships,collections \/ \u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003EEncomendas, pr\u00eamios, bolsas\u2002e cole\u00e7\u00f5es\u003C\/p\u003E\n\u003Cp\u003EGrant _ \u003Cstrong\u003EInterc\u00e2mbio Cultural- Circula\u00e7\u00e3o Audiovisual no Exterior \u003C\/strong\u003E\u2013\u003Cstrong\u003E Minist\u00e9rio da Cultura (MINC)\u003C\/strong\u003E, Brazil, 2024\u003C\/p\u003E\n\u003Cp\u003ECommission_ \u003Cem\u003Econsider\u003C\/em\u003E _ \u003Cstrong\u003EDarat al Funun\u003C\/strong\u003E, Amman, Jordan, 2024\u003C\/p\u003E\n\u003Cp\u003ECollection_ \u003Cem\u003ERema nascentes\u003C\/em\u003E_ \u003Cstrong\u003EMuseu da Cidade de S\u00e3o Paulo (MCSP)\u003C\/strong\u003E, 2022\u003C\/p\u003E\n\u003Cp\u003EGrant_ \u003Cem\u003ECinemaquina\u003C\/em\u003E (project)\u003Cstrong\u003E RUMOS \u2013 Ita\u00fa Cultural\u003C\/strong\u003E (along with Moema Pascoini), 2020-21\u003C\/p\u003E\n\u003Cp\u003EGrant_ \u003Cem\u003ERema Nascentes\u003C\/em\u003E (film) \u003Cstrong\u003EPr\u00eamio Aldir Blanc de Apoio ao Audiovisual\u003C\/strong\u003E \u2013 Secretaria Municipal Cultura S\u00e3o Paulo Brazil, 2020\u003C\/p\u003E\n\u003Cp\u003EGrant_\u00a0\u003Cem\u003EDi\u00e0rias (1970-1972) \u003C\/em\u003E\u003Cstrong\u003E_ \u003C\/strong\u003EJonas Mekas\u003Cstrong\u003E\u2013\u003C\/strong\u003E \u003Cstrong\u003ELKI -Lithuanian Culture Institute\u003C\/strong\u003E \u2013 Translation from Lithuanian to Portuguese and Spanish (.txt texto de cinema)\u003C\/p\u003E\n\u003Cp\u003ECommission_ \u003Cem\u003EMO_VO (Mobili\u00e1rio para Ativa\u00e7\u00e3o da Mem\u00f3ria)\u003C\/em\u003E \u2013 Semin\u00e1rio: \u003Cstrong\u003EMem\u00f3rias e Identidades da Forma\u00e7\u00e3o Art\u00edstica e Cultural de S\u00e3o Paulo\u003C\/strong\u003E \u2013 Secretaria Municipal Cultura S\u00e3o Paulo- Brazil, 2019\u003C\/p\u003E\n\u003Cp\u003EPrize\/Commission_ \u003Cem\u003EA Uni\u00e3o do Povo \/ People\u2019s Union\u003C\/em\u003E\u00a0 \/\u00a0 \u003Cstrong\u003EPrograma de Exposi\u00e7\u00f5es \u2013 Centro Cultural (CCSP\u003C\/strong\u003E). S\u00e3o Paulo \u2013 Brazil, 2018\u003C\/p\u003E\n\u003Cp\u003EPrize_ \u003Cem\u003ESSS -South Small Sister (Irm\u00e3 menor do Sul)\u003C\/em\u003E\u2013 \u003Cstrong\u003EPublic Air Space\u003C\/strong\u003E \u2013 European Foundation\/ Leida Drone Associaci\u00f3n. Spain, 2016\u003C\/p\u003E\n\u003Cp\u003EFellowship_ \u003Cstrong\u003EBains Argentique- International Films Labs Meeting.\u003C\/strong\u003E Nantes, 2016\u003C\/p\u003E\n\u003Cp\u003ECommission_ \u003Cem\u003EEXTRATERRITORIAL\u003C\/em\u003E\u003Cstrong\u003E\u2013 EAC- Espacio de Arte Contemporanea\u003C\/strong\u003E. Montevideo. Uruguay, 2015\u003C\/p\u003E\n\u003Cp\u003EFellowship_ \u003Cem\u003ERev\u00e9m Natura\u003C\/em\u003E \u2013\u00a0 AECID- \u003Cstrong\u003ECentro Cultural Espa\u00f1a en Guatemala in Talento, C\u00e1mara, Inovaci\u00f3n\u003C\/strong\u003E. Guatemala, 2014\u003C\/p\u003E\n\u003Cp\u003EFellowship _ CI.NE: Natural Expanded Cinema\/ Rev\u00e9m Natura _ \u003Cstrong\u003EMinistry of Culture Brazil \u2013\u003C\/strong\u003E Oaxaca, M\u00e9xico, 2012-2013\u003C\/p\u003E\n\u003Cp\u003EPrize_ \u003Cem\u003ERev\u00e9m (\u2026) working progress of Rev\u00e9m Natura\u003C\/em\u003E. \u003Cstrong\u003EFundaci\u00f3n Waja \u2013\u00a0\u003C\/strong\u003E Colombia, 2012\u003C\/p\u003E\n\u003Cp\u003ECollection_ \u003Cem\u003E\u2206 k \u2206 \u2211 \u2206 r j \u2211 n (aka marjen) \u2013\u003C\/em\u003E\u003Cstrong\u003E Pantalla Global (virtual Museu) CCCB- Centro Cutlura Contemporanea.\u003C\/strong\u003E Barcelona. Spain, 2011\u003C\/p\u003E\n\u003Cp\u003EFellowship_ Programming course Lua \u0026amp; NCL language. \u003Cstrong\u003ETelemidia-Puc-Rio\u003C\/strong\u003E, Brazil, 2008\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u003Cstrong\u003E_Film Programmer\/ Programador \u003Cbr \/\u003E\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EDepois dos vaga lumes: o pensamento ecol\u00f3gico em 4 filmes brasileiros contempor\u00e2neo\u003C\/em\u003E. X Dobra Festival Internacional Cinema Experimental. CCBB, Rio de Janeiro.\u003C\/p\u003E\n\u003Cp\u003EH\u00e9lio Oiticica: consumir el consumo \u2013 Program of films- H\u00e9lio Oiticica, Jomard Muniz de Britto, Jos\u00e9 Rodriguez-Soltero, Leona Vingativa. Internacional Oiticica: cosmovisiones sobre el trabajo de H\u00e9lio Oiticica. \u003Cstrong\u003EMuseu Nacional de Artes Visuales\u003C\/strong\u003E, Montevideo, Uruguay. \u003Ca href=\u0022https:\/\/kkinema.com.br\/wp-content\/uploads\/2024\/12\/helio_oiticica_consumir_el_consumo.pdf\u0022\u003Etexto\u003C\/a\u003E (link)\u003C\/p\u003E\n\u003Cp\u003EH\u00e9lio Oiticica- under-underground. Screening \u003Cem\u003EAgripina is Rome-Manhattan\u003C\/em\u003E (1971) by H\u00e9lio Oiticica. Semin\u00e1rio Revueltas del Arte-\u003Cstrong\u003E Centro Cultural Borges\u003C\/strong\u003E, Buenos Aires, Argentina\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EBLITZ #27: \u0416 Econom\u00eda\/Ecolog\u00eda\u003C\/em\u003E\u2002\u003Cstrong\u003E\u2013 \u003C\/strong\u003Efilm screening. \u00a0Adriana Villa Guevara, CinemaCopains, Pedro Neves Marques, yann beauvais \u0026amp;\u00a0\u0416. \u003Cstrong\u003E\u00a0Zumzeig Cinema\u003C\/strong\u003E\u2013 Barcelona-Spain\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EDerrubada n\u00e3o!\u003C\/em\u003E \u2013 Programmer- film screening\u00a0 yann beauvais at \u003Cstrong\u003ECentro Maria Antonia\u003C\/strong\u003E part of History of Experimentation on Critic and Cinema \u2013 HECC-USP\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EViva Jonas- Homagem to Jonas Mekas\u003C\/em\u003E -films and performances program \u2013 C\u003Cem\u003Einemateca MAM-Rio \u0026amp; CCBB-SP\u003C\/em\u003E, 2019\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ENOOSFERA +\u003C\/em\u003E -Programmer (6 months) \u2013 \u003Cstrong\u003EMatilha Cultural.\u003C\/strong\u003E S\u00e3o Paulo, Brasil, 2017\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EDobra Festival Internacional Cinema Experimental\u003C\/em\u003E \u2013\u00a0 Programmer \u2013\u00a0 Program:\u00a0\u003Cem\u003E _ _ f i n _ _ _\u003C\/em\u003E\u00a0\u00a0 \u003Cstrong\u003ECin\u003Cem\u003Ee\u003C\/em\u003Emateca do MAM \u2013 Modern Art Museum.\u003C\/strong\u003E Rio de Janeiro, 2016\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ESocio Environmental Film Show\u003C\/em\u003E \u2013 \u003Cstrong\u003EA.M.P.\u003C\/strong\u003E Gaibu, Brasil, 2016\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EImage-Thought\/ Imagem-pensamento\u003C\/em\u003E \u2013 \u003Cstrong\u003EBcubico\u003C\/strong\u003E, Brasil, 2013-2014\u003C\/p\u003E\n\u003Cp class=\u0022has-text-align-right\u0022\u003E\u003Cstrong\u003E_Educator\/ educador\u003C\/strong\u003E\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EMuvuca de Nascentes- crian\u00e7as contracartografando territ\u00f3rios ancestrais.\u003C\/em\u003E Vale do Saracura, Bixiga S\u00e3o Paulo, atividade do Salve Saracura\u003Cstrong\u003E oficina \u003Cem\u003ESara cura\u003C\/em\u003E do \u003Ca href=\u0022https:\/\/www.atlasdochao.org\/ponto\/fala-saracura\/\u0022\u003EAtlas do Ch\u00e3o\u003C\/a\u003E,\u003C\/strong\u003E 2023.\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EIm\u00e1genes e historia- proyecci\u00f3n, bucle, parentesis, apropriacci\u00f3n \u003C\/em\u003E\u2013 lecture. Brujula \u2013 Imagenes y palabras. \u003Cstrong\u003ESubcoop Plataforma Educativa,\u003C\/strong\u003E Buenos Aires, 2021 (online).\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EVideo Avatar _ Reciclaje y Desvio de Medios\u003C\/em\u003E\u003Cstrong\u003E \u2013 \u003C\/strong\u003Ecourse. \u003Cstrong\u003ELa Tabakalera\u003C\/strong\u003E San Sebasti\u00e1n\/Donosti-Basque Country, 2019\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EFronteiras Imagin\u00e1rias.\u003C\/em\u003E Workshop with rapanui kids.\u003Cstrong\u003E Toki. Rapanui\u003C\/strong\u003E . Eastearn Island, Chile, 2019 (Ibercultura Viva grant)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EHand Painted Film Worskhop\u003C\/em\u003E\u2013 Workshop. \u003Cstrong\u003ESesc Avenida Paulista\u003C\/strong\u003E. S\u00e3o Paulo, Brazil, 2019\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EHand Painted Film Workshop\/ Oficina do Filme Pintado\u003C\/em\u003E\u2013 Workshops. \u003Cstrong\u003EPontos MIS- Museu da Imagem e do Som\u003C\/strong\u003E Brazil, 2018-2019\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EHand Made Cinema\u003C\/em\u003E \u2013 Film course \u2013 \u003Cstrong\u003ECasa Ranzini (Imagineiro)\u003C\/strong\u003E Collaboration with Lila Foster. S\u00e3o Paulo, Brazil, 2017\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EMinor Film \u0026amp; Media\/Film e Midia Menor\u003C\/em\u003E \u2013 Course with Mbya -Guaranis- \u003Cstrong\u003EAldeia Mata Verde Bonita\u003C\/strong\u003E-Rio de Janeiro- Brazil 2016 (Ibercultura Viva grant with Ventana a la Diversidad)\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003EFazer o Mundo Fazendo Video\u003C\/em\u003E. Film course coordination-\u2002\u003Cstrong\u003EAssocia\u00e7\u00e3o de Moradores da Praia de\u2002Gaib\u00fa,\u003C\/strong\u003E Brazil, 2014-2016.\u003C\/p\u003E\n\u003Cp\u003E\u003Cem\u003ECine e.e.e (ensaio,err\u00e1tica, expans\u00e3o)\u003C\/em\u003E. Film course.\u003Cstrong\u003EAtelier Multicultural,\u003C\/strong\u003E Olinda, Brazil, 2013.\u003C\/p\u003E\n\u003Ch2 class=\u0022wp-block-heading\u0022\u003E\u00a0\u003C\/h2\u003E\n\u003C\/div\u003E\u003C\/div\u003E\u003C\/div\u003E\u003Csection class=\u0022field field-name-field-nationality field-type-country field-label-inline clearfix view-mode-full view-mode-full\u0022\u003E\u003Ch2 class=\u0022field-label\u0022\u003ENacionalidad:\u0026nbsp;\u003C\/h2\u003E\u003Cdiv class=\u0022field-items\u0022\u003E\u003Cdiv class=\u0022field-item even\u0022\u003EBrasil\u003C\/div\u003E\u003C\/div\u003E\u003C\/section\u003E    \u003C\/div\u003E\n\n          \u003Cnav class=\u0022clearfix\u0022\u003E\u003C\/nav\u003E\n    \n    \n  \u003C\/div\u003E\n\u003C\/article\u003E\n    \u003C\/div\u003E\n\n    \n    \n  \u003C\/div\u003E\n\u003C\/div\u003E\n    \u003C\/div\u003E\n  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\u003Cscript src=\u0022https:\/\/expcinema.org\/site\/sites\/default\/files\/advagg_js\/js__UWPcb-dFIKNMRaI8Dtldc9EKRFR1asHAO8yXpi-RA0Q__FKksr7BiLv_-PIwOA62XSsYR9-TCy3H9SwBNTijA80A__56WtQpbTz4oiIHDYE-goa_4HU4O7exM69WZlto7mvmY.js\u0022\u003E\u003C\/script\u003E\n\u003C\/body\u003E\u003C\/html\u003E"}