Todo libro como este —una colección de ensayos hecha sobre, con, alrededor o en compañía de algo—es una empresa a la vez didáctica y literaria. En Una luz revelada. El cine experimental argentino, Pablo Marín describe imágenes y sonidos a la vez que define y redefine conceptos que se encontraban esparcidos, aventurando palabras donde antes había silencios.
DVD with seven films by filmmaker David Brooks. Re:voir's sixth release in a series of titles we are releasing in cooperation with The New York Film-makers' Cooperative.
“This handful of interviews originated at A Coruña’s (S8) Mostra de Cinema Periférico.
Drama and myth frame the life and death of Maya Deren. Born in Kiev in 1917, at the start of the Russian Revolution, she died forty-four years later in New York City. In her brief life, she established herself as a pioneering experimental filmmaker, prolific writer, accomplished photographer, and crusader for a personal and poetic cinema. With its dreamy circular narrative and enigmatic imagery, her first film, Meshes of the Afternoon (1943), has inspired generations of artists, filmmakers, and poets.
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.
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