"Interval Band Selections" transmits two recordings from Bruce McClure's October 11, 2019 performance at Cafe OTO, each utilizing one 16mm projector threaded with a film loop of a base frame set in emulsion, guitar fx pedals, and public address system.

Online Edition | Full Open Access

Contributors for Issue #11: Jiří Anger, Alejandro Bachmann, Michael Betancourt, Donald Brackett, Pamela Breda, Marie-Pierre Burquier, Clint Enns, Federica Foglia, Rachel Garfield, Tessa Hughes-Freeland, Sibley Labandeira, Matthew Cole Levine, Laura U. Marks, Alex Feliciano Mejía, Amin Pakparvar, Chantal Partamian, Rick Prelinger, Catherine Russell, José Sarmiento Hinojosa, Ellie Vanderlip, and Anna Zemlianski.

ARTIST STUDIO AS A SITE OF REFUSAL is a limited-run artist book continuing the conceptual line of Parham Ghalamdar’s award-winning film, The Sight is a Wound, which explores the collapse of imagery in an age of atrocity. Developed during Ghalamdar’s residency at Good Eye Projects, the publication refuses traditional art-book conventions in favor of a forensic, clandestine aesthetic—echoing the destruction and “burned remains” central to the film’s themes.

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Found Footage Is Not a Used Car, by Bill Nichols

Found footage films speak to me afresh, offering unexpected perspectives and new insights, often by using the most pedestrian or trivial of found footage material within which much more meaning resides than meets the eye.

An honor to have on board one of the most revered theorist as our guest author.