A project by Fondazione In Between Art Film, edited by Carla Subrizi, Paola Ugolini, and Maria Alicata, this illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.
"Monastero dei folli" is a new journal by altriformati dedicated to writings, thoughts and images arising from experimental cinema and the visual arts. It is not a critical publication in the traditional sense, but a space where diverse materials are brought together to explore what happens when images, works and ideas begin to engage in dialogue with one another.
This unique artist book centers around video recordings made in the early 1970s by artist Peer Bode during a period of experimentation with synthesized video tools and techniques at the Experimental Television Center in Binghamton and Owego, NY. Bode was among the first artists to explore the potential of the video signal as an artistic form.
Experimental Cinema examines a range of structures, systems and strategies that film and video artists have developed from the late 1960s to the present. Over the decades, artists have responded to the ever-changing medium of cinema and its technological advances, as well as taking inspiration from painting, sculpture and music.
A deep dive into the experimental film work of Gregory J. Markopoulos, a key figure in New American Cinema.
Artist Bill Brand has long been recognized both as a filmmaker and as the world's leading authority on the preservation of historically important experimental films. His extensive drawing and painting studio practice has been less known, until now.
I WALKED INTO MY SHORTCOMINGS is the first book to gather the writings, teachings and interviews of Ken Jacobs (1933–2025), a towering and singular figure in American art and experimental film. Spanning seven decades of creativity, these texts complement a body of work that ranges from downtown capers and reworkings of historical found footage, to groundbreaking performances of expanded cinema and radical explorations of perception and depth. They reveal an artist relentlessly committed to transforming how we engage with the moving image.
Abigail Child is an American filmmaker, poet, and writer born in Newark in 1948. She specializes in documentary and experimental filmmaking, having created over 40 films, videos, and installations. She is an expert film editor who combines sound and image to create discontinuous narrative forms, using both original and found footage. Abigail Child also investigates history and memory, reclaiming the past through creative and critical essay films. She frequently often raises questions related to the environment, political protest, feminine identity, bodies, and gender.
INDEX Edition 054 is dedicated to a particular group of works from the oeuvre of the major U.S. experimental filmmaker Phil Solomon (1954–2019), namely the trilogy In Memoriam (Mark LaPore), which Solomon – like its predecessor Crossroads –“distilled” from the video game Grand Theft Auto, as well as his two final works, Psalm IV: Valley of the Shadow and The Emblazoned Apparitions.
A rollicking picaresque memoir on moviemaking from the titans of underground trash cinema.
In the underbelly of underground cinema, the Kuchar brothers have long been the prophets of experimental filmmaking. Reflections from a Cinematic Cesspool is a raucous journey through the minds of these two transcendent artists.
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