Events

  • Canyon Cinema Salon: Toney W. Merritt

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    Please join Canyon Cinema on the evening of Monday November 14, 2016 at New Nothing Cinema for the next installment in our Salon series. We’re pleased to welcome filmmaker Toney W. Merritt. Toney’s selection of his personal films span from his time at the San Francisco Art Institute to an excerpt of a current film-in-progress. Toney and other local filmmakers were involved with the co-founding of No Nothing Cinema in 1982 at 30 Berry Street, San Francisco.

    Dates: 

    Monday, November 14, 2016 - 19:30

    Venue: 

    New Nothing Cinema - San Francisco, Estados Unidos
  • VISIONS | 11-13.11.16 | Deborah Stratman: Beyond The Visible World

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    In collaboration with RIDM and the Cinémathèque québécoise, VISIONS presents:
    Deborah Stratman: Beyond The Visible World

    Filmmaker in attendance. 16mm projection.

    VISIONS is proud to present a program of works that “whisper secrets to those who listen carefully.” Three programs of work by Chicago-based artist and filmmaker Deborah Stratman.

    Dates: 

    Friday, November 11, 2016 (All day) to Sunday, November 13, 2016 (All day)

    Venue: 

    Cinémathèque québécoise - Montréal, Canada
  • Early Monthly Segments #90: Barbara Sternberg book launch

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    “The more real a thing it is, the more mysterious it becomes.” Jack Chambers

    Early Monthly Segments is pleased to host the launch of three small books by Barbara Sternberg. Every Day 1, 2, 3 looks at the process of living and the process of filmmaking—how the quotidian influences the creative practice and how one moves from the real world to the imaginative world of artmaking. The launch will be accompanied by a short screening of four films followed by a discussion on the relation between filmmaking and book-making.

    Dates: 

    Monday, November 14, 2016 - 20:00 to Tuesday, November 15, 2016 - 19:55

    Venue: 

    Gladstone Hotel - Toronto, Canada
  • OFFoff Cinema: Computer Games

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    There was a moment, now passed, when the capabilities of the internet and the dreams and ambitions of its users perfectly aligned, before the virtual had been unmasked as another instrument of capitalism and control. At this moment - June 23, 2003, to be precise -Second Life began. The sci-fi promise of a virtual world where people could live out some alternate existence had been fulfilled, rising from the aftermath of the dot-com crash.

    Dates: 

    Monday, November 14, 2016 - 20:00 to Tuesday, November 15, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • Kurt Schwerdtfeger: "Reflektorische Farblichtspiele" (Reflecting Color-Light-Play)

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    Performed by Lary 7, Bradley Eros, Rachael Guma, Joel Schlemowitz

    In 1922 at the home of Vassily Kandinsky, a then 25-year-old artist and student Kurt Schwerdtfeger debuted his “Reflektorishe Farblichtspiele (Reflecting Color-Light-Play)”, which in recent years has received wider recognition as a groundbreaking work of the Bauhaus movement and of 20th century film and sculpture. The piece consisting of several movements utilizes a large hand-built cube projection apparatus in which performers activate cardboard shapes and a switchboard of colored lights to form a complex, abstract light play appearing on its screen surface.

    Dates: 

    Friday, November 11, 2016 - 19:30

    Venue: 

    Microscope Gallery - New York, United States
  • Cineinfinito #5: Maria Klonaris & Katerina Thomadaki

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    Maria Klonaris & Katerina Thomadaki inaugurated "in France, in the mid 70’s [...] the trend of self-depiction of women in film. This trend, which begins internationally in the 40’s, deals with the central question of identity and body language. The confrontation of women artists with their self-image and the exploration of their/our subjectivity goes beyond the personal level and meets collective preoccupations. Thus our first field of engagement was with identity and interpersonal relationship. Throughout all the films and performances of the Body Tetralogy (1975-1979), it is the woman/self that is questioned, meditated upon, put into images. Self-representation is double: we look at ourselves and at the same time we look at the Other, the I and the Other invade simultaneously our mental and visual space. Through this process, we have developed an alternative to the male scopic domination embedded in traditional cinema, in particular regarding women."

    Dates: 

    Saturday, November 26, 2016 - 16:30

    Venue: 

    Filmoteca de Cantabria - Santander, Spain
  • Flowers of the Sky: Films by Janie Geiser

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    Janie Geiser is a multidisciplinary artist whose practice includes performance, film, installation, and visual art. Geiser’s work is known for its recontextualization of abandoned images and objects, its embrace of artifice, and its sense of suspended time. Her work involves elliptical narratives, sublime use of superimpositon, and rich approach to collage.

    “Geiser gives voice to the reaches of the unconscious, pointing to the abandoned splendor that exists prior to the rules of society and language.” —Holly Willis, Res, 2004

    Dates: 

    Sunday, November 6, 2016 - 17:15

    Venue: 

    Alamo Drafthouse Ritz - Austin, United States
  • Gibson + Recoder present La Région Decentrale (2016): A Prepared Projection Performance for Michael Snow’s La Région Centrale (1971)

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    In collaboration with Exploratorium, Canyon Cinema is pleased to present an evening of immersive cinema La Région Decentrale (2016): A Prepared Projection Performance for Michael Snow’s La Région Centrale (1971) by Gibson + Recoder.

    Crafted from the four reels of Michael Snow’s three-hour masterwork of structuralist cinema La Région CentraleLa Région Decentrale condenses, reframes, and restructures Snow’s work into an expanded cinema experiment. It presents a direct, physical engagement with musings on the mechanics of a medium that suffuses Snow’s work.

    Dates: 

    Tuesday, November 8, 2016 - 19:00 to Wednesday, November 9, 2016 - 18:55

    Venue: 

    Exploratorium - San Francisco, United States

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