Events

  • Sound Screening Vol.4: Philip Widmann in person

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    Is it possible to perceive the same moment from different perspectives?

    "Sound Screening" explores expansion of visual and auditory sensation. Philip Widmann presents his 3 films in person, who makes original worlds by experimental and documentary technique. The works include latest film which got a deep response all over the world.  The film title Fictitious Force means physical force which we can't feel from the outside of a system, it refers to impossibility of sharing experiences. Moreover, Shinkan Tamaki shows his new performance which develops optical experiments at hand, and biki & Satoshi Kanda duo will construct space by setting objects and phenomena.

    Dates: 

    Sunday, May 22, 2016 - 16:00 to Monday, May 23, 2016 - 15:55

    Venue: 

    Space Dike Tokyo - Taito-ku, Japan
  • CASdB: Barbara Hammer's Welcome to this House

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    "Barbara Hammer paints a colorful portrait of the American poet Elizabeth Bishop, from her childhood to her death in 1979. Bishop described herself as “timorously kicking around the coastlines of the world,” and the film is loosely organized around her stays in Nova Scotia, Key West, Brazil, and Cambridge—the homes she made for herself and the lovers she took. Never “out” as a lesbian—the concept would have been foreign to the writer who graduated from Vassar in the thirties—Bishop nonetheless actively pursued women, from her first summer-camp crush to her last affair. Hammer examines Bishop from all angles, interviewing everyone from literary luminaries like Marie-Claire Blais and Edmund White to Lota’s aged former maid. Hammer pulls the viewer into Bishop’s world, blending present day footage of each location with archival photos, and recreating moments in the writer’s life." Adapted from text by Monica Nolan (Frameline)

    Dates: 

    Thursday, May 26, 2016 - 20:00 to Friday, May 27, 2016 - 19:55

    Venue: 

    Luminor Hôtel de Ville - Paris, Francia
  • Mosquito Cinema: Journey to the West

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    In his essay “Ghosts in the Darkness”, Apichatpong Weerasethakul, describes his childhood cinematic experiences. Before the invention of VHS, people would go to theatres as if visiting temples to pay homage, they would wear their best outfits and attend with reverence. Going to the theatre and buying tickets for a movie was almost like attending a sacred ritual; the directors and stars of the movie were like gods in temples. Eventually when VHS was introduced in his town the number of people going to theatres declined. Whereas Apichatpong found other movie gods in other cities, gods like Federico Fellini, Michelangelo Antonioni and Jean-Luc Godard, the former moviegoes disappeared, leading Apichatpong to call them “ghosts“.

    Dates: 

    Saturday, May 14, 2016 - 18:00 to Sunday, May 15, 2016 - 17:55

    Venue: 

  • Turbidus Film #13: Gardens and landscapes

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    Fylkingen and Turbidus Film present a film programme focused on gardens, structural landscapes and field studies. In micro narrative of almost non-action, re-structuring cinematic forms, archetypal routines, off-screen presence, image in the images, this program provides the violence of the Atlantic Ocean hitting the coast, Brancusi's scuplture garden at Tirgu Jiu, the beach of Palud, the fields in Bourgogne and a garden in blossom from a dead mother's house.

    Dates: 

    Friday, May 13, 2016 - 19:00 to Saturday, May 14, 2016 - 18:55

    Venue: 

    Fylkingen - Stockholm, Sweden
  • VISIONS 05|16 - Alex McKenzie

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    In collaboration with the Cinémathèque québécoise and the Double Negative Collective, VISIONS presents APPARITIONS, a live cinematic performance by Alex MacKenzie.

    “Alex MacKenzie is the unequivocal master of contemporary Canadian expanded cinema: using rare and outdated technology with the deft touch of a visual alchemist, MacKenzie spins his stunning and mesmerizing anti-narratives using the detritus of cinematic history to create a completely unforgettable, and undeniably powerful, alternate vision.”
    -Antimatter Film Festival

    Dates: 

    Saturday, May 7, 2016 - 21:00 to Wednesday, May 11, 2016 - 22:30

    Venue: 

    Cinémathèque québécoise - Montréal, Canadá
  • OFFoff Cinema: The Works of Keren Cytter

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    The work of the Israelian Keren Cytter focuses on relations, or on the impossibility of relations, as well as the impossibility of authentic film making. Her films constantly reflect on their own creation process, they disenchant, show that the 'magic light' isn't all that magical, but rather a construction - just like relations and sexuality... Cytter never does so with grudge or pessimism, but with playful and humoristic gestures that are touching and convincing. After working and living in Amsterdam and Berlin, she now resides in New York.

    Dates: 

    Monday, May 30, 2016 - 20:00 to Tuesday, May 31, 2016 - 19:55

    Venue: 

    OFFoff Cinema - Ghent, Belgium
  • DIM Cinema: Preuzmimo Benčić (Take Back Benčić)

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    Shot in Rijeka, Croatia, with a cast of local children, this experimental documentary by Vancouver-based artist Althea Thauberger draws upon collective labour and the perspective of youth to tell the story of a defunct worker-managed factory at a time when the future of the building, and the city itself, is in question. By weaving together improvisation with material collected during a six-week occupation of the factory by performers and crew, the film re-imagines the site’s politics, history, and future while simultaneously exploring the relationship between work, art, and play. Followed by a panel and Q & A.

    Please join us afterwards for a reception in the lobby to celebrate the launch of the monograph of the film, published by Musagetes.

    Dates: 

    Monday, May 16, 2016 - 19:30

    Venue: 

    DIM Cinema - Vancouver, Canadá
  • The Rearview Mirror

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    “I then took another look into the rearview mirror, on my own. And I discovered, somewhat to my surprise, that when you look in the rearview mirror you do not see what has gone passed. You see what is coming. And the rearview mirror is the foreseeable future. It is not the past at all. The title, the phrase “rearview mirror” appears to distort the situation. Most people think of it instinctively from the sound of the phrase, “It must be the past.” In terms of media, of course, the thing that is occupying the foreground in terms of the rearview mirror is nostalgia. Nostalgia is the name of the game in every part of our world today. Nostalgia is not, well it’s a kind of rearview mirror if you like, but it’s also the shape of things to come.” – Marshall McLuhan

    Dates: 

    Saturday, May 7, 2016 - 19:00 to 20:30

    Venue: 

    The Nightingale - Chicago, Estados Unidos
  • ACRE TV LIVE at The MCA

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    ACRE TV presents a live performance, with playwrights, actors, artists, and a studio audience collaboratively producing and broadcasting LIVE television on ACRETV.org. An hour and a half of living cinema—like a play in which actors meet in the edit.

    Featuring performances by Kelly Lloyd and Jesse Malmed, live music by Ryan Sullivan, acting by Monette McLin and David Lawrence Hamilton, and a new scene written by Calamity West and Nate Whelden. Produced by Kate BowenKera MacKenzie, and Andrew Mausert-Mooney.

    Dates: 

    Tuesday, April 26, 2016 - 18:00 to 19:30

    Venue: 

    ACRE TV - Chicago, United States
  • Balagan presents... APPARITIONS: a double 16mm projection performance by Alex MacKenzie

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    Inspired by early stereo imaging and the clash and collusion of socioeconomic forces, this suite of works seeks to dismantle cinematic codes while foregrounding projector and light as sculpture: a conscious corruption and interference of the apparatus to evoke the unexpected, reshaping representation into the realm of material and space. Using colour gels, masking, lens interference and projector movement in tandem with an exploration of binocular disparity, perspective, patterning and the film surface itself, APPARITIONS explores the transitional space between image and abstraction, nature and culture.

    Dates: 

    Thursday, April 21, 2016 - 20:00 to Friday, April 22, 2016 - 19:55

    Venue: 

    Carpenter Center for the Visual Arts - Cambridge, United States

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