Events

  • Directors Lounge: Discreet Structures

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    Directors Lounge: Discreet StructuresDirectors Lounge: Discreet Structures
    Films by Toby Cornish und Johannes Braun / Jutojo Berlin
    Thursday November 25th, 21h
    Z-Bar, Bergstraße 2, 10115 Berlin-Mitte

    Discreet Structures, the title of the program with Toby Cornish and Johannes Braun, refers to the compositional qualities of their films. It also applies to the linking to local architecture or urban places, and to the ways the artists work with musical scores. Both artists’ work mainly originates in Super-8 or 16mm footage, which they shoot and then process digitally. And most films are product of collaborations with musicians.

    Two visits to Sarajevo in 2003 and 2004 gave Toby the opportunity to make a structural film in this historically and politically charged place: Sarajevo Vertical. The bridge, where arch-duke Franz Ferdinand was murdered, which gave way to the declaration of war in 1914, the name Tito on a bridge, and the white graves of killed Muslims from the most recent war, all appear in the film but only as a backdrop, or as the ground on which the visitor stands. If “Sarajevo Vertical” has or needs a symbolical/political reading is up to the viewer. First of all it is the rule of composition of filmmaker Cornish to align every image to a vertical line while shooting and then edit the film on principles of repetition, rhythm, acceleration and size of the vertical line.

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  • Plenty 2: Ägypten

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    Ägypten (Kathrin Resetarits, 1997)Plenty 2: Ägypten
    Tuesday November 30th, 19-21h
    E:ventGallery, 96 Teesdale Street, London E2 6PU

    The screening series PLENTY proposes a new way of looking at artists’ films by showing only a single work, regardless of its duration. Each film is given the freedom to unfold on its own terms, and the viewer is given the time and space to consider it.

    - Ägypten [Egypt] (Kathrin Resetarits, Austria, 1997, 16mm, b/w, sound, 10 minutes)

    Ägypten takes viewers on a journey into the silent world of sign language, exploring visual communication between people of all ages. Children recount movie scenes and an expedition to the pyramids, a woman signs a traditional Viennese ballad and a group of pensioners socialise. The film uses the power of cinema to explore this theme with humour and compassion.

    Kathrin Resetarits (born 1973) is a Viennese writer, actress and filmmaker. Her other films include Fremde (1999) and Ich Bin Ich (2006). She played a leading role in Barbara Albert’s Fallen (1997) and has worked as an assistant to Michael Haneke.

    Plenty, a free monthly screening series selected by Mark Webber, forms part of the “Brief Habits” programme curated by Shama Khanna.

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  • Everyone Gets Hurt But There’s No One To Blame

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    All My Life (Bruce Baillie, 1966)Everyone Gets Hurt But There’s No One To Blame
    December 7th and 8th, 19:30h
    Cinema Project
    2522 SE Clinton Street, 97202, Portland, Oregon

    Guest curated by Pablo de Ocampo

    Melodrama—the combination of the Greek word for music (melos) and the French word for drama (drame)—forms the core of this program, guest curated by Cinema Project co-founder Pablo de Ocampo. In each of these works, the artists pursue the melodramatic and use it as the basis for exploring cinematic narrative. In Bruce Baillie’s drama without actors, All My Life, an Ella Fitzgerald song is juxtaposed with a slow, sincere gaze upon the blue skies of California. Keren Cytter’s Four Seasons is a series of deadpan, forlorn exchanges between a man and a woman in an apartment.  In Ming Wong’s Angst Essen / Eat Fear, a reconstruction of Fassbinder’s 1973 film Ali, Fear Eats the Soul, Ming casts himself in all the roles, reflecting this narrative about identity and difference back on himself.  Pussy on a Hot Tin Roof closes the screening as a brief epilogue from the long-standing master of kitsch and cult, George Kuchar. A short musical prelude and interlude will accompany the work in this program, check the website for more details later this fall.

    - All My Life by Bruce Baillie [1966, 16mm, 3 min. ]
    - Footnotes to a House of Love by Laida Lertxundi [USA/Spain, 2007, 16mm, 13 min. ]
    - Four Seasons by Keren Cytter [Israel, 2009, video, 12 min. ]
    - Angst Essen / Eat Fear by Ming Wong [Singapore, 2008, video, 27 min. ]
    - Pussy on a Hot Tin Roof by George Kuchar [1961, 16mm, 4 min. ]

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  • CUBEOpen 2010

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    CUBEOpen : Exhibition 2010

    Private View: Thursday 18 November, 6-9pm
    19 November 2010 – 22 January 2011
    Late Night Opening: 20 January 2011, 5.30 – 8pm

    FREE ENTRY

    Dates: 

    Friday, November 19, 2010 - 12:00 to Saturday, January 22, 2011 - 17:30

    Venue: 

    CUBE - Manchester, United Kingdom
  • OPTICKS

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    Liz Wendelbo - OpticksOPTICKS
    works by Liz Wendelbo
    November 19 – December 13, 2010
    Opening Reception: Friday November 19, 6-9PM

    Dates: 

    Friday, November 19, 2010 (All day) to Monday, December 13, 2010 (All day)

    Venue: 

    MICROSCOPE GALLERY (previous) - New York, Estados Unidos
  • hamlet_X

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    hamlet_X is a labyrinth of scenes, snippets of conversation, interviews, as well as portraits of people who surround Hamlet, and want to get in on his story. Props are gathered, cartoons developed. In various different ways Shakespeare's Hamlet is transported into our time und transformed into a story of our time. Hamlet as fashion show, Hamlet as advertisement, Hamlet as a schmaltzy story or a mystery novel, or simply as a product that needs to be sold.

    Dates: 

    Thursday, November 18, 2010 - 19:00 to 23:55

    Venue: 

    Goethe-Institut London - London, Reino Unido
  • Nippon Year Zero: Japanese Experimental Film from the 1960s-1970s

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    Great Society (Masanori Oe, 1967)Nippon Year Zero: Japanese Experimental Film from the 1960s-1970s
    Tuesday 23 November 2010, 20h
    London Bethnal Green Working Men's Club
    44-46 Pollard Row, London, E2 6NB

    Close-Up and Zipangu have collaborated for the 1st annual Zipangu Fest  to put together a programme of Japanese independent and experimental cinema from the 1960s. This special event includes films never before screened in the UK and offers an engaging insight into a decade that was defined by political ferment and avant-garde activity in all sectors of its art world.

    The programme invites its audience to an introduction to Japanese experimental filmmaking through the eyes of three landmark figures in the independent art scene. The chosen filmmakers, Donald Richie, Motoharu Jonouchi and Masanori Oe, all capture the zeigeist they were intrinsically a part of, yet articulate themselves in ways that range from the poetic to the abrasive, often mixing the two expressions.

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