Events

  • 21st Century Limited

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    The Great Art of Knowing (David Gatten, 2004)21st Century Limited is series of six programmes comprising films and videos selected from the results of the Film Comment poll “A Decade in the Dark—Avant-Garde Film and Video 2000-2009.” The poll gathered the opinions of forty-six filmmakers, curators and film critics regarding the best film and vdeo works form the first decade of the 21st century (2000-2009), the 'best' filmmakers and their thoughts about promising 'emerging' artists. The programmes will be screened in three dates: July 11, 18 and 25 at the Walter Reader Theater in New York. The first date will have in-person appearances of filmmakers David Gatten and Jeanne Liotta

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  • Punto de Vista’s anti-documentary documentaries

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    Amanar Tamasheq (Lluis Escartin, 2010)Punto de Vista’s anti-documentary documentaries
    Friday, July 16th 2010, 19:30h, $8 admission
    Millennium Film Workshop
    66 East 4th Street, New York, USA

    Discussion to follow with Josetxo Cerdán, María Adell of PRAGDA, and Spanish film critic Manu Yáñez.

    A program of new Spanish experimental non-fiction at the Millennium Film Workshop, in conjunction with the festival Punto de Vista, selected by Doctruck  and Uniondocs, and co-presented with Pragda.

    The Punto de Vista Documentary Film Festival is an annual festival held in Navarra dedicated to forms of cinema generically grouped under the heading of ‘documentary.’ Programmed by Artistic Director Josetxo Cerdán, films come from around the world, with an emphasis on finding rarities in form and subject. The festival seeks to reward risk-taking and non-narrative approaches, and to uncover glints in Spanish and World Cinema.

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  • Del éxtasis al arrebato: Un homenaje a la obra del cineasta y creador Iván Zulueta

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    Arrebato (Iván Zulueta, 1979)Del éxtasis al arrebato: Un homenaje a la obra del cineasta y creador Iván Zulueta
    6 al 8 de Julio, 19h, entrada libre
    Centro de Arte Los Galpones
    Av. Avila con 8a Trans. de Los Chorros
    Caracas, Venezuela

    Exploración, drama, psicodelia, juegos de tiempos narrativos. Todo ello y más se funde en la obra del genial cineasta de culto Iván Zulueta, uno de los abanderados del cine experimental español en el período tardofranquismo, fallecido a finales de 2009 en Guipuzcoa, España. Con este ciclo, a presentarse en el Centro de Arte Los Galpones entre el 6 y el 8 de julio, se pretende ofrecer un homenaje a su figura y a su aporte a la historia del cine.

    Previamente a las proyecciones se organizarán tres conversatorios explicativos en los que se contará con la presencia de Andrés Duque, director del documental "Iván Z".

    Martes 6 de julio
    - Arrebato (Iván Zulueta, 1979, 110min.)

    Miércoles 7 de julio
    - Iván Z (Andrés Duque, 2004, 55min.)
    - Kingkong (Iván Zulueta, 1971, super 8mm, 6min.)
    - Fiesta (Iván Zulueta, 1976, super 8mm, 12min.)
    - Roma-Brescia-Cannes (Iván Zulueta, 1974, super8mm, 24min.)

    Jueves 8 de julio
    - Tea for two (Iván Zulueta, 1978, video, 9min.)
    - La taquillera (Iván Zulueta, 1978, super 8mm, 10min.)
    - Na-da y Aquarium (versión reducida) (Iván Zulueta, 1976, video, 11min.)
    - La fortuna de los Irureta (Iván Zulueta, 1964, video, 20min.)
    - Mi ego está en Babia (Iván Zulueta, 1975, video, 40min.)

    D-generación, experiencias subterráneas de la no-ficción española
    Sábado 10 de Julio, 17h, entrada libre
    Oficina #1, Centro de Arte Los Galpones
    Av. Avila con 8a Trans. de Los Chorros
    Caracas, Venezuela

    Encuentro con Andrés Duque

     

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  • Xcèntric: When It Was Blue

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    When It Was Blue (Jennifer Reeves, 2008)Xcèntric: Closing Session Of The Ninth Season
    When It Was Blue, Jennifer Reeves

    Wednesday June 30th 2010, 18h
    Centre de Cultura Contemporània de Barcelona
    Montalegre, 5, 08001 Barcelona, Spain

    Dates: 

    Wednesday, June 30, 2010 - 20:00 to Thursday, July 1, 2010 - 19:55
  • Light Industry: The Touching of Hands

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    The Salivation Army (2002)Light Industry: The Touching of Hands
    Saturday, July 10, 2010, 19:30h
    177 Livingston Street, Brooklyn, 11201 NY
    Tickets - $7, available at door.
    Presented by Scott Treleaven

    “The title for the show comes from a remark that Gysin made to Genesis, and Genesis to me: that magical training can only be passed on by the touching of hands.” — ST

    An evening of solo and collaborative projects by Scott Treleaven and Genesis Breyer P-Orridge, focusing on the shared influence of artist and mystic Brion Gysin. Gysin’s close friendship with Breyer P-Orridge, and in turn her friendship with Treleaven, has over time given rise to a number of aesthetic and philosophical affinities found in the work of all three, communicated from one to the other by direct contact.

    Each has explored, in his or her own way, the nature of extreme mental states, ideas of eros and thanatos, and modern applications of occult thought. Permutations of the cut-up technique, invented by Gysin in the 1950s, can be found in the reordering of visual information by both Breyer P-Orridge and Treleaven. A preoccupation with the legend of the Cult of the Assassins led to Gysin collaborator William Burroughs’s novel The Wild Boys, Breyer P-Orridge’s collective Thee Temple Ov Psychick Youth and, later, Treleaven’s The Salivation Army, his VHS classic about a mid-90s movement centered around a Wild Boys/Psychick Youth-inspired zine. All demonstrate what Treleaven calls a “pre-Web concept” of “total intimacy and privacy, unmediated by uncontainable social networks.”

    Tonight's program will consist of rarely-seen Temple Ov Psychick Youth ritual videos (circa 1990), a newly completed piece by Breyer P-Orridge, Weird Woman (2010), and The Salivation Army (2002), culminating with a performance by Chicago-based drone metal outfit Locrian and a screening of Last 7 Words (2009), Treleaven's affectionate and ethereal Super-8 portrait of Breyer P-Orridge.

    Genesis Breyer P-Orridge was born in Manchester, England in 1950. S/he was a member of the Kinetic action group Exploding Galaxy/Transmedia Exploration from 1969-1970. S/he conceived of and founded the seminal British performance art group Coum Transmissions in 1969 and was the co-founder of Throbbing Gristle, Psychic TV, and the spoken word/ambient music performance group Thee Majesty. Throughout Genesis’ long career, s/he has worked and collaborated with William S. Burroughs, Brion Gysin, Derek Jarman and Dr. Timothy Leary, among others. She explores human behavior, ritual, and personality modification through performances that create neo-shamanic collaged paintings called “Sigils." Her most recent work documents the physical alterations s/he and her partner, the late Lady Jaye, endured within their project Pandrogeny, about re-union and re-solution of male and female to a perfecting hermaphroditic state. "Breyer P-Orridge" is the 3rd Being created by the collaborative fusion of the two artists, of which they are each an active half.

    Scott Treleaven was born in Canada, in 1972. His work incorporates a variety of media, predominantly collage, film and photography, and his versatility has allowed him to collaborate with such notable artists as AA Bronson, Lady Jaye & Genesis Breyer P-Orridge, Dennis Cooper, Kevin Drew (of Broken Social Scene), director Carter Smith, and G.B. Jones. Treleaven first came to attention in 1996, while still a student, with his initial foray into filmmaking, Queercore. The movie proved to be a decisive documentary of the gay punk scene in the 1990s, which he followed with the publication of his zine, This Is the Salivation Army, influenced by the writings of W.S. Burroughs, Breyer P-Orridge and the seminal Rapid Eye publications. Treleaven's work continues to focus on concepts of sexuality, psychology, mysticism and perception. He lives and works in Paris.

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  • Directors Lounge: It is Time

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    Directors Lounge: It is Time
    Films and Videos by Berlin Artists and other Friendly Lizards
    Thursday, 24 June 2010, 21h
    Z-Bar
    Bergstr. 2, 10115 Berlin-Mitte

    Curated by Klaus W. Eisenlohr

    Dates: 

    Thursday, June 24, 2010 - 21:00 to Friday, June 25, 2010 - 20:55
  • Archinoise #1

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    Block (Emily Richardson, 2005)Archinoise #1
    Wednesday 30 June 2010, 19h, 5 GBP
    London Christ Church Spitalfields
    Commercial Street, London, E1 6LY

    Archinoise #1, an evening of architecture film and music fusion, presented by M.A.D. Collective

    Initiating a collaboration between contemporary film makers and musicians, M.A.D. COLLECTIVE create a platform for dialogue between sound and moving image at Christ Church Spitalfields.

    An evening in two parts – the first showcases a series of experimental short films that each explore a unique experience of architecture, utilising a variety of film making concepts and techniques. The second half of the evening brings musicians from both classical and contemporary traditions together to play live improvised music alongside a second series of projected films. A Q&A will follow each section of the evening.

    Films:
    - Block (Emily Richardson, UK, 2005, 16mm, 12 min)
    - Elevation (Esther Johnson, UK, 2009, HD, 10 min)
    - Utopia Revisited (Dan Tassell & Jonathan Gales, UK, 2010, HD, 6 min)
    - Without You (Tal Rosner, UK, 2008, HD, 5 min)
    - Up Into the Unknown / Back Into the Real World (Wanda Yu-Ying Hu, UK, 2006, video, 5 min)
    - Cycles (Guy Sherwin, UK, 1972-77, 16mm, 5 min)
    - Medley for Christ Church Spitalfields (Lynn Loo, UK, 2010, DV)
    - Punctures (Wanda Yu-Ying Hu, UK, 2003/10, 16mm)

    Musicians:
    - Sri R. R. Prathap, Ghatam, Mridangam and Kanjira (South Indian percussion instruments)
    - Dilen, Electronic Instruments

    M.A.D. Collective is a London-based non-profit organisation with founders from the fields of music, architecture and design. M.A.D. Collective aims to develop bridges between people from different cultures, backgrounds and creative disciplines through collaboration in fusion projects, creating a space for dialogue where creative individuals from different fields can exchange ideas and produce innovative work fuelled by new experiences.

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  • Xcèntric: When It Was Blue

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    When It Was Blue (Jennifer Reeves, 2008)Xcèntric: Closing Session Of The Ninth Season
    When It Was Blue, Jennifer Reeves

    Wednesday June 30th 2010, 20h
    Centre de Cultura Contemporània de Barcelona
    Montalegre, 5, 08001 Barcelona, Spain

    Artist in attendance.
    Jennifer Reeves is one of the most prolific experimental filmmakers. Her work walks the line between pictorial abstraction and the stamp of the photographic image, and plays at upsetting the linearity of filmic time by using multiple projections. In this frenetic double projection 16-mm film, Reeves leaves her corner of New York to film in distant landscapes—Iceland, New Zealand, Central America, the United States—and then paint on the celluloid, creating variable tones of blue. With Blue, Reeves refers to planet Earth and devotes the work to the natural landscape and everything that is fading, diminishing and disappearing. Blue also has the connotation of anguish, which floats like a symbol in this marathon of textures and reflective depth.

    - When It Was Blue (Jennifer Reeves, 2008, double projection in 16 mm, 68 min.)

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  • L'ouragan scopique. Hommage a Paolo Gioli

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    L’operatore perforato (Paolo Gioli, 1979)Under the title "L'ouragan scopique" (The scopic hurricane), the Cinémathèque française dedicates four programmes (June 27th & July 23rd) to the vertical cinema of italian experimental filmmaker and fotographer Paolo Gioli (Sarzano, 1942). The retrospective will cover Gioli's entire film career, from his beginnings in the early 70s, when he was in contact with the seminal Cooperativa Cinema Indipendente, to his latest films.

    Those unable to attend the screenings, can also discover Gioli's cinema through the DVD editions 'Film di Paolo Gioli' (Raro Video) and 'Paolo Gioli - Il cinema dell'impronta' (Kiwido).

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