Events

  • States of Belonging: A Lynne Sachs Retrospective

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    Window work (Lynne Sachs, 2001)Working since the mid-1980s, variously on lyrical formal shorts and long form experimental documentary, Lynne Sachs’ body of film and video work has explored the relationships between individual memory and experience in the context of large historical forces. Foregrounding personal history and autobiography, Sachs exalts the intimate gesture as perhaps the most heroic of poetic and political acts. With a keen grasp on cultural theory and media history, Sachs’s films avoid academicism in their celebration of life and mindful political engagement, presenting complex pictures of the world with lyrical grace and even joy.

    Lynne Sachs: States of Belonging is a four-part retrospective of the filmmaker’s work, presented as a collaboration between San Francisco Cinematheque, Pacific Film Archive, ATA’s Other Cinema and Oddball Film + Video. The series in accompanied by a limited-edition monograph—available at screenings—featuring original writings by Susan Gerhard, Kathy Geritz, Lucas Hilderbrand and Bill Nichols.

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  • Serpentine Cinema CINACT - Hannah Sawtell

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    Serpentine Cinema CINACT - Hannah Sawtell
    Sunday 11 April, 1.45pm
    The Gate
    87 Notting Hill Gate, London W11 3JZ
    Tickets £6/£5

    Serpentine Cinema: CINACT is a series of monthly artists' film screenings and events at The Gate cinema in Notting Hill. CINACT takes its name from American artist Henry Flynt's 2007 cinema manifesto. Sawtell has made a new work Entroludes 1-6 specifically for this presentation and the context of the cinema.

    Hannah Sawtell's work scrutinises the excess of physical and media based production through objects, text and films. By using generic images and found footage from the digital realm and by setting up semi-archival systems of retrieval, she examines what Levi-Strauss termed 'Entropology'. In doing this she proposes a trajectory that forces a fragile equanimity, as it attempts to reconcile the ‘human’ with the culture of disintegration and over-proliferation.

    Sawtell's videos and installations investigate the ways in which form and image are disseminated, interpreted and used. Interrogating how we categorize and respond to the barrage of homogenous and repeated imagery they generate relationships between objects, creating playful but critical dialectical encounters.

    Recent exhibitions and events: Intervention, Hotel Gallery, London, ongoing from 2009; Artist Film Screening, (with Martin Creed and John Smith), Three Sisters, 2009; Display With Sound (with Oscar Tuazon and Simon Denny), International Project Space, Bourneville, 2009; 6 Artists, 3 Shows (with Owen Land) Vilma Gold, London, 2009, Novel (Publication edited by Alun Rowlands and Matt Williams), Launch: Anna-Catherina Gebbers, Bibliothesque, Berlin and Donlon Books, London, 2008, The Death of Affect, Parade Space, London, 2007. Hannah Sawtell lives and works in London.

    The Gate
    87 Notting Hill Gate
    London W11 3JZ
    Tickets £6/£5
    Tickets available from
    The Gate 0871 704 2058 or
    www.picturehouses.co.uk

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  • The 2010 Wilderness Filmmaking Expedition

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    The 2010 Wilderness Filmmaking Expedition
    August 7 - 15, 2010

    Spend a week making films in a remote wilderness area of the high Colorado Rockies.  We're just back from honing our equipment and thinking in Jamaica (at the Jamaican Film Workshop), and have a host of refinements and new experiences to apply this year!

    This will be a truly unique event, combining an immersion in the wilderness with an immersion in zero-emmissions, self-carried, handmade filmmaking.  We will shoot film, process it under the stars, edit, and project, surrounded by the majesty of the high mountains.  This is not just a class, but a transcendent experience of what filmmaking can be, with the wilderness itself as the vast and endlessly fascinating subject.

    This trip will be strenuous and is limited to 6 participants.  It is certain to be unforgettable.  Last year's trip was a great success; watch a trailer of the documentary we made about it at:

    http://www.handmadefilm.org/wildernessFilmmaking/wildernessFilmTrailer.html

    For details, visit our website at www.handmadefilm.org

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  • The 2010 Rocky Mountain Hand-Made Filmmaking Camp

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    The 2010 Rocky Mountain Hand-Made Filmmaking Camp
    July 24 - August 1, 2010

    This week-long intensive course, held in the foothills of the Colorado Rocky Mountains, explores and explains the physical and chemical nature of the medium and its hand-made photographic possibilities.  Its goal is to create an open and artistically charged environment where experiment, discovery, and questioning can yield new and exciting results and inspiration.  It is open to beginners and veterans alike, requiring only a desire to understand the medium, its nature, applications, and role in an artistic life.

    Beyond offering in-depth tools and techniques focused on participants¹ creation of their own hand-made films, the week is also structured to foster meaningful dialogue with other filmmakers and their work through screenings, discussions, visiting filmmakers, and immersion in the aesthetic possibilities of hand-processed film.  The week¹s principal guide and teacher is Robert Schaller, an experimental filmmaker and innovator of hand-made and interdisciplinary processes who has run the Handmade Film Institute since 2003, after teaching at the University of Colorado, the San Francisco Art Institute and the San Francisco Film Arts Foundation.

    The Camp takes place amidst aspen groves, ponderosa pine forests, and wildflowers in an idyllic setting located in the Rocky Mountains, 45 minutes northwest of Boulder, Colorado, at an elevation of 8,200 feet. The setting is conducive to an intense focus on the work at hand while providing immersion in the beauty of the natural world, and just minutes away from the wilderness areas of the Colorado Front Range.  The week features local, organic vegan gourmet fare by our chef extraordinaire, Cynthia Sliker, so all you have to do is think about filmmaking!

    The Camp begins Saturday, July 24th and runs through Sunday, August 1st.

    Visit www.handmadefilm.org for details.

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  • UnionDocs: Joel Schlemowitz

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    Silo (Joel Schlemowitz, 2007)Joel Schlemowitz: Film Portraits and Experimental Documentaries
    Saturday, April 24 at 7:30 pm
    322 Union Avenue, Brooklyn, NY 11211
    Suggested donation $7
    Joel Schlemowitz will be present for discussion after the screening.

    - Silo (2007, 16mm, 3 minutes, color, sound)
    A single camera roll shot in time lapse documenting the final night of the arts and performance center, ISSUE Project Room, at their former space inside of a converted silo on the Gowanus Canal, Brooklyn. Accompanying this on the soundtrack is a montage of field recordings from the Gowanus environs.

    - Teslamania (2007, 16mm, 6 minutes, color, sound)
    Two camera rolls shot at the Collective Unconscious during a performance of “Teslamania” featuring Gecko Saccomanno and Tesla Coil Engineer Jamie Mereness. The film’s visual effects, double exposures, and refracted images, were all done in camera, just as we see them here.
    On the soundtrack Gecko provides various “Tesla tidbits,” including Tesla’s scheme to provide free electricity transmitted through the air, anecdotes about the Collective’s Tesla Coil performances, “Tesla cooking,” and a list of the inventor Nikola Tesla’s many exotic phobias.
    Music by Dorit Chrysler.

    - Dame Darcy – a film portrait (2007, 16mm, 5 minutes, b&w, sound)
    A short and lively 16mm portrait of comic book artist and performer Dame Darcy, seen through a filmic rollercoaster tour of her comic book, “Meat Cake,” and ending with the artist herself. On the soundtrack, a turn-of-the-last-century recording from a 78rpm Victrola record.

    - Loudmouth Collective / Ugly Duckling Presse (2003, 16mm, b&w, sound, 20 min)
    A film-portrait of the Loudmouth Collective and Ugly Duckling Presse. These poet-provocateurs are the creators of the infamous “Anti-Reading” series, a carnival-like alternative to the traditional poetry reading. On the film’s soundtrack we hear how the Anti-Readings were started, descriptions of various Anti-Reading activities including the Poetry Fishing Pond, the Typewriter Inferno, Poetry-Poker, Poem Portraits, the smokable poems known as Poetry Cigarettes, the memory tester called “I Forgot,” and the Diary in the shape of a Bunny. The film includes footage shot at Anti-Readings, with time-lapse, double exposures, distorting lenses, and frenetic non-traditional camerawork evocative of the playfully chaotic spirit of the events.
    Awarded Best Documentary Short, Chicago Underground Film Festival, 2004

    - Moving Images – the Film-Makers Cooperative relocates (2001, 16mm, b&w/color, sound, 14 min)
    voices: Jonas Mekas, MM Serra
    Jonas Mekas, one of the Film-Makers’ Cooperative’s founders, and MM Serra, the current executive director, describe the Coop’s beginnings, the organization’s recent struggles, and the difficulties of finding space for the arts, over richly layered images of the Coop’s recent move.
    The Film-Makers’ Cooperative, founded in 1962 as a filmmaker-run distribution center, is now the largest archive and distributor of independent and avant-garde films in the world, with over 5,000 films and videos. Since 1967 the Coop had its offices at Lexington and 31st Street, but as documented in this film, it has now relocated to the Clocktower Gallery at 108 Leonard Street, New York City.
    Awarded Silver Plaque, Chicago International Film Festival

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  • Close-up: Under/Over - Part 2/3

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    Under/Over - Part 2/3
    April 13th 2009, 20h
    The Working Men’s Club, 44-46 Pollard Row, E2 6NB, London.
    Ticket: £5/£3 Close-Up members
    Doors open at 7.45 pm
    Presented by Close-Up and Transidency

    This season of films have been curated in conjunction with the Artist’s collective, Transidency, whose latest show entitled UNDER/OVER runs at the FOLD Gallery during April 2010.

    The programme aims to complement the themes investigated in UNDER/OVER, as well as to draw out the comparisons between the films themselves which collectively act as a body of enquiry into those same themes which include; [self & enforced] mythologising, ridiculous labour, over work/under work and the in-between, an ongoing investigation into the deceptive quality of the Earth’s iconography and the spaces of war.
    jaunt03.jpg JAUNT
    Andrew Kotting
    UK | 1995 | 5 mins | Colour | 16mm
    Andrew Kotting’s ‘psychogeographical’ experiment conducted along the highways, byways and waterways of the River Thames. From Southend-on-Sea to the Houses of Parliament, Kotting’s ‘Road Movie’ of sorts see this stretch of this our fair isle though the eyes of those who work and inhabit it, but ultimately though the eyes of Kotting himself.
    the-london-preambulator.jpg THE LONDON PERAMBULATOR
    John Rogers
    UK | 2009 | 45 mins | Colour | DV
    Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city’s fringe, it’s Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.
    Followed by a discussion with John Rogers and Nick Papadimitriou.

    For more information visit:
    - http://londonperambulator.wordpress.com
    - http://podcasts.resonancefm.com/?s=ventures+and+adventures+in+topography

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  • Tate Modern: The Square, The Line And The Light

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    All Over (Isabelle Cornaro, 2009)The Square, The Line And The Light
    9-11 April 2010
    Tate Modern Starr Auditorium
    Bankside, London, SE1 9TG

    Examining connections between the vibrant modernity of Theo Van Doesburg, the De Stijl movement and experimental film, this programme offers work ranging from the early avant-garde to recent films by contemporary artists.

    Filmmakers include James Benning, Robert Breer, Isabelle Cornaro, Georg Cup & Steve Elliott, Viking Eggeling, Hy Hirsh, Ludwig Hirschfeld-Mack, Igor & Svetlana Kopystiansky, Christian Lebrat, Laslo Moholy-Nagy, Simon Payne, William Raban, Joost Rekveld, Hans Richter, Walther Ruttmann, Paul Sharits, Steina & Woody Vasulka and more. The programme is accompanied with a lecture by Philippe-Alain Michaud.

    Curated by Marie Canet.

    With support from the French Cultural Institute in the UK. Held in conjunction with the Tate Modern exhibition, Van Doesburg and the International Avant-Garde.

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