Over the last 15 years, Deborah Stratman's (*1967) moving image works have gained increased recognition in the art world as well as the world of cinema. She has developed a unique documentary form which, though interested in the material reality of visible and audible surroundings, sees these as mirror images of an inner disposition. Natural landscapes and landscapes marked by civilization, traditional and pop-cultural rituals, and fragments of a history of cinema come together in a pointed documentary essayistic expression of the (mainly) American soul.

Pioneering Austrian experimental filmmaker Kurt Kren (b. Vienna, 1929; d. Vienna 1998) is an elusive yet persistent figure in twentieth-century histories of both performance- and film-based experimentation. His practice was idiosyncratic to say the least, staked in experimentation across media communication platforms in film and the visual arts no matter where that took him—from cooperative theaters, midnight screenings at commercial theaters, fringe film festivals in abandoned subway stations, and punk shows in warehouses; to art schools, artist studios, galleries and international art and film festivals, across nations and continents.