Events

  • Light Indusrty: Helsinki, Forever

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    Light Industry: Helsinki forever
    Tuesday, January 26, 2010 at 7:30pm
    220 36th Street (between 2nd and 3rd Avenue), 5th floor
    11232, Brooklyn, NY, USA

    Helsinki, Forever
    Peter von Bagh, 2008, 75 mins

    "The first eye-popping masterpiece that I saw in 2009 in some ways remains the best...Peter von Bagh's Helsinki, Ikuisesti (Helsinki, Forever) is a lovely city symphony of found footage that is also a history of Helsinki (and incidentally, Finland, Finnish cinema, and Finnish pop music) recounted with film clips and paintings by three voices (one of them von Bagh's), each one periodically reciting different segments in the film's poetic and essayistic discourse.

    The continuity is more often geographical than chronological, although there's also a lot of leaping about spatially as well as temporally. The film is an unalloyed pleasure to watch and listen to, but professional packagers hoping to fix a convenient generic label to this flood of delights might be flummoxed. At separate stages we're introduced to the best-ever Finnish camera movement and the best Finnish musical, invited to browse diverse neighborhoods and eras (and to ponder contrasts in populations and divorce rates), and finally forced to admit that a surprising amount of very striking and beautiful film footage has emerged from this country and city.

    Peter von Bagh—prolific film critic, film historian, and professor, onetime director of the Finnish Film Archive and current artistic director of two unique film festivals, the Midnight Sun Film Festival (held in Sodankylä, above the Arctic Circle, during what amounts to one very long day in the summer) and the magnificent Il Cinema Ritrovato (held in Bologna)—is the man who convinced me to purchase my first multiregional VCR in the early '80s. So he has a lot to answer for, including, for instance, my DVD column in Cinema Scope. Thanks to his unwarranted modesty about his film, I don't believe he's gone public with the responses he's already received from Chris Marker ("If I read in [Walter Ruttmann's] Berlin the social commitment and the aesthetic maestria, I don't feel the personal acquaintance with the city, its history, its ghosts, that I found in yours") and Jean-Pierre Gorin ("Paean to these cities that you inhabit both, the one called Helsinki and the other called Cinema"), but he certainly should." - Jonathan Rosenbaum, Moving Image Source

    Tickets - $7, available at door.

    Category: 

  • Diarios sin piedad. Los 80: Queer. Nelson Sullivan

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    Diarios sin piedad. Los 80: Queer. Nelson SullivanNelson Sullivan es un artista neoyorkino, desaparecido en 1989, que no paró de filmar en vida las personas y los acontecimientos de su entorno sin realizar nunca ningún tipo de montaje. Nelson llevaba la cámara en la mano, dirigiendo el gran angular hacia él o hacia lo que quería enseñarnos esbozando una crónica de la geografía de los artistas queer en la Gran Manzana de los 80.

    Dates: 

    Sunday, January 10, 2010 - 18:00 to Monday, January 11, 2010 - 17:55
  • Luminous Triptych: Experimental Films by Angelina Krahn, Karen Johannesen, Rick Bahto

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    No Festival Required And Deus Ex Machina Present
    Luminous Triptych: Experimental Films by Angelina Krahn, Karen Johannesen, Rick Bahto
    Saturday January 9, 2010 8 pm (doors open at 7:45)
    Deus Ex Machina, 1023 NW Grand Avenue Phoenix AZ 85007

    Admission $6.00 (dollar off for students with i.d. and Support Card members)
    Limited seating, Adult content

    Dates: 

    Saturday, January 9, 2010 - 20:00 to Sunday, January 10, 2010 - 19:55

    Venue: 

    Deus Ex Machina - Phoenix, United States
  • Parakino: Piotr Wyrzykowski

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    Parakino: Piotr Wyrzykowski
    Thursday January 28 2010, 18h
    Centrum Sztuki Wspólczesnej Laznia
    ul. Jaskólcza 1, 80-767 Gdansk, Poland

    Piotr Wyrzykowski (b. 1968) is one of the most interesting Polish video artists. He studied interior architecture and painting at the Fine Arts Academy in Gdansk and earned the M.Arts degree at Pi, Professor Witoslaw Czerwonka's intermedia studio. He launched his artistic career as a performer. Today, he combines many media, beginning with the Internet to public space. His most renowned works include: "Copyright", "Beta Nassau", "Runner", "Cyborg's Sex Manual", "There Is No Body", "Atomic Love"; and, with CUKT group: "Wiktoria Cukt's presidential campaign" and "The Art Day". He uses video, digital animation, photography and the Internet. In the 1990s, he was an active personality of artistic scene in Gdansk (member of the SAS, Social Activity Association, member of Open Atelier Foundation, vice-president of Wyspa Progress Foundation). In 1995 he became co-founder and art director of CUKT group (meaning: Central Office of Technical Culture). In 1995 he was awarded First Prize at WRO festival, and in 1997 - Second Prize. Nominated to Spojrzenia Award of Deutsche Bank's Culture Foundation in 2003. Known also as VJ Peter Style. Stage designer for film productions. He lives and works in Kiev and Gdansk.

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  • Scratch Projection: Le Corps Désiré

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    scratch_corpsScratch Projection: Le Corps Désiré
    Tuesday 9 February 2010, 20.30h, 6 €
    Cinéma Action Christine
    4, rue Christine, 75006 Paris, France

    The sensitive body is source and place of desire, the body is desiring and desirable, that is to say, subject and object of desire. The works presented today explore and question the representation of the body in experimental cinema from the 60s to today.

    - Prinzessin Marina (Anja Czioska, 1996, 16 mm, colour, sound, 3' 30
    - Forever bottom! (Tan Hoang Nguyen, 1999, Video, colour, sound, 4' 00
    - Removed (Naomi Uman, 1999, 16 mm, colour, sound, 7' 00
    - MIt Mir (Kerstin Cmelka, 2000, 16 mm, colour, silent, 3' 00
    - Le Siège (Yves-Marie Mahé, 1999, Video, colour, sound, 4' 00
    - Cats Amore (Martha Colburn, 2002, 16 mm, colour, sound, 2' 30
    - Piece Mandala/End War (Paul Sharits, 1966, 16 mm, colour-b&w, silent, 5' 00
    - Ai (Love) (Takahiko Iimura, 1962, 16 mm, b&w, sound, 15' 00
    - Permanent Wave (Anita Thacher, 1966, 16 mm, colour, sound, 3' 00
    - 9/64 O Tannenbaum (Kurt Kren, 1964, 16 mm, colour, silent, 2' 56
    - The color of love (Peggy Ahwesh, 1994, 16 mm, colour, sound, 10' 00
    - 25 centimètres (Karel Quistrebert, 1997, 16 mm, b&w, silent, 3' 00

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