Events

  • The 2010 Wilderness Filmmaking Expedition

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    The 2010 Wilderness Filmmaking Expedition
    August 7 - 15, 2010

    Spend a week making films in a remote wilderness area of the high Colorado Rockies.  We're just back from honing our equipment and thinking in Jamaica (at the Jamaican Film Workshop), and have a host of refinements and new experiences to apply this year!

    This will be a truly unique event, combining an immersion in the wilderness with an immersion in zero-emmissions, self-carried, handmade filmmaking.  We will shoot film, process it under the stars, edit, and project, surrounded by the majesty of the high mountains.  This is not just a class, but a transcendent experience of what filmmaking can be, with the wilderness itself as the vast and endlessly fascinating subject.

    This trip will be strenuous and is limited to 6 participants.  It is certain to be unforgettable.  Last year's trip was a great success; watch a trailer of the documentary we made about it at:

    http://www.handmadefilm.org/wildernessFilmmaking/wildernessFilmTrailer.html

    For details, visit our website at www.handmadefilm.org

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  • The 2010 Rocky Mountain Hand-Made Filmmaking Camp

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    The 2010 Rocky Mountain Hand-Made Filmmaking Camp
    July 24 - August 1, 2010

    This week-long intensive course, held in the foothills of the Colorado Rocky Mountains, explores and explains the physical and chemical nature of the medium and its hand-made photographic possibilities.  Its goal is to create an open and artistically charged environment where experiment, discovery, and questioning can yield new and exciting results and inspiration.  It is open to beginners and veterans alike, requiring only a desire to understand the medium, its nature, applications, and role in an artistic life.

    Beyond offering in-depth tools and techniques focused on participants¹ creation of their own hand-made films, the week is also structured to foster meaningful dialogue with other filmmakers and their work through screenings, discussions, visiting filmmakers, and immersion in the aesthetic possibilities of hand-processed film.  The week¹s principal guide and teacher is Robert Schaller, an experimental filmmaker and innovator of hand-made and interdisciplinary processes who has run the Handmade Film Institute since 2003, after teaching at the University of Colorado, the San Francisco Art Institute and the San Francisco Film Arts Foundation.

    The Camp takes place amidst aspen groves, ponderosa pine forests, and wildflowers in an idyllic setting located in the Rocky Mountains, 45 minutes northwest of Boulder, Colorado, at an elevation of 8,200 feet. The setting is conducive to an intense focus on the work at hand while providing immersion in the beauty of the natural world, and just minutes away from the wilderness areas of the Colorado Front Range.  The week features local, organic vegan gourmet fare by our chef extraordinaire, Cynthia Sliker, so all you have to do is think about filmmaking!

    The Camp begins Saturday, July 24th and runs through Sunday, August 1st.

    Visit www.handmadefilm.org for details.

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  • UnionDocs: Joel Schlemowitz

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    Silo (Joel Schlemowitz, 2007)Joel Schlemowitz: Film Portraits and Experimental Documentaries
    Saturday, April 24 at 7:30 pm
    322 Union Avenue, Brooklyn, NY 11211
    Suggested donation $7
    Joel Schlemowitz will be present for discussion after the screening.

    - Silo (2007, 16mm, 3 minutes, color, sound)
    A single camera roll shot in time lapse documenting the final night of the arts and performance center, ISSUE Project Room, at their former space inside of a converted silo on the Gowanus Canal, Brooklyn. Accompanying this on the soundtrack is a montage of field recordings from the Gowanus environs.

    - Teslamania (2007, 16mm, 6 minutes, color, sound)
    Two camera rolls shot at the Collective Unconscious during a performance of “Teslamania” featuring Gecko Saccomanno and Tesla Coil Engineer Jamie Mereness. The film’s visual effects, double exposures, and refracted images, were all done in camera, just as we see them here.
    On the soundtrack Gecko provides various “Tesla tidbits,” including Tesla’s scheme to provide free electricity transmitted through the air, anecdotes about the Collective’s Tesla Coil performances, “Tesla cooking,” and a list of the inventor Nikola Tesla’s many exotic phobias.
    Music by Dorit Chrysler.

    - Dame Darcy – a film portrait (2007, 16mm, 5 minutes, b&w, sound)
    A short and lively 16mm portrait of comic book artist and performer Dame Darcy, seen through a filmic rollercoaster tour of her comic book, “Meat Cake,” and ending with the artist herself. On the soundtrack, a turn-of-the-last-century recording from a 78rpm Victrola record.

    - Loudmouth Collective / Ugly Duckling Presse (2003, 16mm, b&w, sound, 20 min)
    A film-portrait of the Loudmouth Collective and Ugly Duckling Presse. These poet-provocateurs are the creators of the infamous “Anti-Reading” series, a carnival-like alternative to the traditional poetry reading. On the film’s soundtrack we hear how the Anti-Readings were started, descriptions of various Anti-Reading activities including the Poetry Fishing Pond, the Typewriter Inferno, Poetry-Poker, Poem Portraits, the smokable poems known as Poetry Cigarettes, the memory tester called “I Forgot,” and the Diary in the shape of a Bunny. The film includes footage shot at Anti-Readings, with time-lapse, double exposures, distorting lenses, and frenetic non-traditional camerawork evocative of the playfully chaotic spirit of the events.
    Awarded Best Documentary Short, Chicago Underground Film Festival, 2004

    - Moving Images – the Film-Makers Cooperative relocates (2001, 16mm, b&w/color, sound, 14 min)
    voices: Jonas Mekas, MM Serra
    Jonas Mekas, one of the Film-Makers’ Cooperative’s founders, and MM Serra, the current executive director, describe the Coop’s beginnings, the organization’s recent struggles, and the difficulties of finding space for the arts, over richly layered images of the Coop’s recent move.
    The Film-Makers’ Cooperative, founded in 1962 as a filmmaker-run distribution center, is now the largest archive and distributor of independent and avant-garde films in the world, with over 5,000 films and videos. Since 1967 the Coop had its offices at Lexington and 31st Street, but as documented in this film, it has now relocated to the Clocktower Gallery at 108 Leonard Street, New York City.
    Awarded Silver Plaque, Chicago International Film Festival

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  • Close-up: Under/Over - Part 2/3

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    Under/Over - Part 2/3
    April 13th 2009, 20h
    The Working Men’s Club, 44-46 Pollard Row, E2 6NB, London.
    Ticket: £5/£3 Close-Up members
    Doors open at 7.45 pm
    Presented by Close-Up and Transidency

    This season of films have been curated in conjunction with the Artist’s collective, Transidency, whose latest show entitled UNDER/OVER runs at the FOLD Gallery during April 2010.

    The programme aims to complement the themes investigated in UNDER/OVER, as well as to draw out the comparisons between the films themselves which collectively act as a body of enquiry into those same themes which include; [self & enforced] mythologising, ridiculous labour, over work/under work and the in-between, an ongoing investigation into the deceptive quality of the Earth’s iconography and the spaces of war.
    jaunt03.jpg JAUNT
    Andrew Kotting
    UK | 1995 | 5 mins | Colour | 16mm
    Andrew Kotting’s ‘psychogeographical’ experiment conducted along the highways, byways and waterways of the River Thames. From Southend-on-Sea to the Houses of Parliament, Kotting’s ‘Road Movie’ of sorts see this stretch of this our fair isle though the eyes of those who work and inhabit it, but ultimately though the eyes of Kotting himself.
    the-london-preambulator.jpg THE LONDON PERAMBULATOR
    John Rogers
    UK | 2009 | 45 mins | Colour | DV
    Leading London writers and cultural commentators Will Self, Iain Sinclair and Russell Brand explore the importance of the liminal spaces at the city’s fringe, it’s Edgelands, through the work of enigmatic and downright eccentric writer and researcher Nick Papadimitriou - a man whose life is dedicated to exploring and archiving areas beyond the permitted territories of the high street, the retail park, the suburban walkways.
    Followed by a discussion with John Rogers and Nick Papadimitriou.

    For more information visit:
    - http://londonperambulator.wordpress.com
    - http://podcasts.resonancefm.com/?s=ventures+and+adventures+in+topography

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  • Tate Modern: The Square, The Line And The Light

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    All Over (Isabelle Cornaro, 2009)The Square, The Line And The Light
    9-11 April 2010
    Tate Modern Starr Auditorium
    Bankside, London, SE1 9TG

    Examining connections between the vibrant modernity of Theo Van Doesburg, the De Stijl movement and experimental film, this programme offers work ranging from the early avant-garde to recent films by contemporary artists.

    Filmmakers include James Benning, Robert Breer, Isabelle Cornaro, Georg Cup & Steve Elliott, Viking Eggeling, Hy Hirsh, Ludwig Hirschfeld-Mack, Igor & Svetlana Kopystiansky, Christian Lebrat, Laslo Moholy-Nagy, Simon Payne, William Raban, Joost Rekveld, Hans Richter, Walther Ruttmann, Paul Sharits, Steina & Woody Vasulka and more. The programme is accompanied with a lecture by Philippe-Alain Michaud.

    Curated by Marie Canet.

    With support from the French Cultural Institute in the UK. Held in conjunction with the Tate Modern exhibition, Van Doesburg and the International Avant-Garde.

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  • Retrospectiva Adolpho Arrietta V

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    - Kiki. España, 1989. 23 min.
    Luis Eduardo Aute propuso a Arrietta realizar un episodio para la serie televisiva Delirios de amor, y él decidió adaptar La Chatte, de Colette: la historia de una mujer, un hombre y la gata de éste.
    El tema del amor, el sexo y los celos se presta a lo trágico y a todo lo contrario, y la virtud de esta película reside en mostrar ambas perspectivas en paralelo.

    Dates: 

    Wednesday, March 31, 2010 - 20:00 to Thursday, April 1, 2010 - 19:55

    Venue: 

    La Casa Encendida - Madrid, España
  • Messages From The Co-op

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    Messages From The Co-op: British Avant-garde Film 1967-76
    Wednesday March 31st 2010, 7:00pm
    New Zealand Community Trust mediatheatre, Wellington

    An evening of British avant-garde film of the 1960s and 1970s, introduced by Mark Williams, Curator, New Zealand Film Archive

    Dates: 

    Wednesday, March 31, 2010 - 19:00 to Thursday, April 1, 2010 - 18:55

    Venue: 

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