Events

  • Cut And Run Tour

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    Cat’s Cradle (Ray Rea, 2010)Echo Park Film Center: Cut And Run Tour
    Saturday, August 21, 20h
    Echo Park Film Center
    1200 N. Alvarado Street, Los Angeles, California, USA

    Evolution and Life of the Mind, Body, and Medium
    Curated by Brenda Contreras and Mallary Abel

    Dates: 

    Saturday, August 21, 2010 - 20:00 to Sunday, August 22, 2010 - 19:55

    Venue: 

    Echo Park Film Center - Los Angeles, United States
  • Light Industry: Gordon Matta-Clark's Day's End & Arch Brown's Pier Groups

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    Day's End (Gordon Matta-Clark, 1975)Light Industry: Gordon Matta-Clark's Day's End + Arch Brown's Pier Groups
    Friday, August 20, 2010, 19:30h, 7$
    177 Livingston Street, Brooklyn, NY, USA

    Introduced by Douglas Crimp

    - Day's End (Gordon Matta-Clark, 16mm, 1975, 23 mins)
    - Pier Groups (Arch Brown, 1979, 57 mins)

    Dates: 

    Friday, August 20, 2010 - 19:30

    Venue: 

    Light Industry - New York, United States
  • Barbara Hammer retrospective at MoMA

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    Barbara HammerThe Museum of Modern Art in New York will present a month-long retrospective of the work of Barbara Hammer, spanning from her first films from the late 60s to the premiere of her new film Generations, made in collaboration with Gina Carducci (Stone Welcome Mat). From September 15 to October 13, the museum will screen a total of 15 themed programmes covering both her experimental and documentary work. Barbara Hammer will be present at some of the screenings to discuss her films or read from her recently published autobiography, Hammer! Making Movies Out of Sex and Life (The Feminist Press, 2010). The event Modern Mondays: Hidden Hammer, An Evening with Barbara Hammer (October 4, 19h) will concentrate on her performance, photography, and installation work, and discuss some of the lesser known and hidden aspects of her practice.

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  • Echo Park Film Center: Cut And Run Tour

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    Cat’s Cradle (Ray Rea, 2010)Echo Park Film Center: Cut And Run Tour
    Saturday, August 21, 20h
    Echo Park Film Center
    1200 N. Alvarado Street, Los Angeles, California, USA

    Evolution and Life of the Mind, Body, and Medium
    Curated by Brenda Contreras and Mallary Abel

    We are born, we grow, we experience a world of our own perceptions. We wonder who we’re becoming, we are influenced and we experiment. We become responsible for how we develop. We can change and reshape who we are and what we know by the powers we grant ourselves. This Cut and Run series focuses on cycles of minds, bodies, and filmstrips. Each work represents a perspective of itself as one, in contrast to others. Experience a cinematic evolution through cycles of the mind, body, and medium in this montage from filmmakers throughout the world.

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  • South London Gallery: Robert Breer

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    Swiss Army Knife with Rats and Pigeons (Robert Breer, 1980)Robert Breer
    Wednesday 25 August 2010, 19h, £5
    South London Gallery
    65 Peckham Road, London, SE5 8UH

    Prolific American artist and filmmaker Robert Breer was pivotal in merging cinema and collage, mechanics and sculpture.

    “A founding member of the American avant-garde, Robert Breer (b.1926) has been working at the forefront of experimental animation for over fifty years. The son of an inventor and engineer, Breer’s continued experimentation with a range of film and animation techniques has drawn from his deep knowledge of early cinema and cinematographic technologies. Breer is celebrated not only for his remarkable line and live action techniques, but also for fabulous collage films and his dazzling use of single-frame photography.” (Harvard Film Archive)

    - 77 (1977, 16mm on DVD, 10 min)
    - T.Z. (1979, 16mm on DVD, 9 min)
    - Swiss Army Knife with Rats and Pigeons (1980, 16mm on DVD, 6 min)
    - Bang! (1986, 16mm on DVD, 8 min)
    - A Frog on the Swing (1989, 16mm on DVD, 5 min)

    The screening will be preceded by Isabelle Cornaro’s “Projection” (2009), a series of cinematic sketches of red, yellow and blue paint on cardboard.

    Robert Breer is curated and presented by Marie Canet, an independent film curator based in London. Robert Breer’s films are 16mm transferred to DVD, screening courtesy of the artist and galerie gb agency, Paris. Isabelle Cornaro’s film is 16mm transferred to DVD. screening courtesy of the artist and galerie Balice Hertling, Paris

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  • South London Gallery: Tracing The Line

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    Automotive Action Painting (George Barber, 2007)Tracing The Line
    Wednesday 18 August 2010, 19h, £5
    South London Gallery
    65 Peckham Road, London, SE5 8UH

    Experimental film and video works exploring the relationship between film and drawing practice are brought together in a screening complementing the current South London Gallery exhibition “Nothing is Forever”. Ranging from early animation through to contemporary video made with computer manipulation, the featured works embrace a broad spectrum of techniques including drawing directly on celluloid and the use of chance as a creative process.

    - Drawing Cubes (David Haxton, 1982, 16mm, 10 min)
    - Colour Cry (Len Lye, 1952, 16mm, 4 min)
    - Brooklyn Bridge (Joan Jonas, 1988, video, 6 min)
    - Ghostrider (Amy Granat, 2006, 16mm on DVD, 3 min)
    - Koloraturen (Oskar Fischinger, 1932, 16mm, 2 min)
    - Allegretto (Oskar Fischinger, 1936, 16mm, 3 min)
    - Automotive Action Painting (George Barber, 2007, video, 6 min)
    - Kiri (Takahiko Iimura, 1970, 16mm, 5 min)
    - Blue Moon Over (Laurence Weiner, 2001, video, 5 min)
    - Mankinda (Stan Vanderbeek, 1957, 16mm, 10 min)
    - Peak Project (Sebastian Buerkner, 2005, video, 6 min)

    Tracing The Line is curated by Anne-Sophie Dinant, Associate Curator, South London Gallery. The screening is supported by LUX, London, and Lightcone, Paris.

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