Events

  • José Antonio Sistiaga, en conversación con Francisco Javier San Martín

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    José Antonio Sistiaga, en conversación con Francisco Javier San Martín

    imagen de José Antonio Sistiaga

    José Antonio Sistiaga. Ere erera baleibu icik subua aruaren, 1968-70. 35 mm, pintada a mano, color, sin sonido, 75’
    José Antonio Sistiaga. Documental Encuentros 72, Pamplona, 1972. 16mm, transferida a DVD, b/n, sin sonido, 51’44’’

    Dates: 

    Friday, January 15, 2010 - 19:30
  • Bienvenidos a la sociedad secreta (I)

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    Este espacio de programación quiere indagar en el concepto de lo fantástico, concebido como el acercamiento a una realidad frecuentemente percibida como oscura e inquietante. La primera sesión se centra en espacios fantasmales, ofreciendo aportaciones poco conocidas de grandes directores del cine experimental (Brakhage, Ito, Mattuschka) así como obras de jóvenes artistas (Prim) o de figuras más underground pero no menos relevantes (Dabernig, Worden).

    Dates: 

    Thursday, January 14, 2010 - 20:00 to Friday, January 15, 2010 - 19:55
  • Delicate Matter: experiments with flesh and the analogue

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    Hautnah/Skinflick (Thorsten Fleisch)Delicate Matter: experiments with flesh and the analogue
    A programme of experimental film curated by Richard Tuohy.
    Saturday 30th January 2010, Doors open 8:30pm
    The BAck doOR @ suek-artist
    658 Plenty Road, Preston, Victoria, 3072 Australia

     

    It's the flesh, the touching physicality and tiny inconsistencies in approximation and decay that give the analogue its vitality. The film in this selection, sourced from around the globe, all demonstrate a fascination with the analogue physicality of cine film, with its fragility and its presence, with the vitality of its fleshiness.

    (All works in the programme have at some stage used film as a source material in its production.)

    - Dissolve, Aaron Valdez (USA)
    - Matar a Hitchcock (To Kill Hitchcock), Alberto Cabrera Bernal (Spain)
    - Firebird Loop, Ben Popp (USA)
    - Hautnah/Skinflick, Thorsten Fleisch (Germany)
    - Touchez Pas, Ben Popp (USA)
    - Tiny Inconsistencies, Raymond Salvatore Harmon (USA)
    - Two Cities, Lea Becker (USA)

    Entry by donation.

    Category: 

  • Light Indusrty: Helsinki, Forever

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    Light Industry: Helsinki forever
    Tuesday, January 26, 2010 at 7:30pm
    220 36th Street (between 2nd and 3rd Avenue), 5th floor
    11232, Brooklyn, NY, USA

    Helsinki, Forever
    Peter von Bagh, 2008, 75 mins

    "The first eye-popping masterpiece that I saw in 2009 in some ways remains the best...Peter von Bagh's Helsinki, Ikuisesti (Helsinki, Forever) is a lovely city symphony of found footage that is also a history of Helsinki (and incidentally, Finland, Finnish cinema, and Finnish pop music) recounted with film clips and paintings by three voices (one of them von Bagh's), each one periodically reciting different segments in the film's poetic and essayistic discourse.

    The continuity is more often geographical than chronological, although there's also a lot of leaping about spatially as well as temporally. The film is an unalloyed pleasure to watch and listen to, but professional packagers hoping to fix a convenient generic label to this flood of delights might be flummoxed. At separate stages we're introduced to the best-ever Finnish camera movement and the best Finnish musical, invited to browse diverse neighborhoods and eras (and to ponder contrasts in populations and divorce rates), and finally forced to admit that a surprising amount of very striking and beautiful film footage has emerged from this country and city.

    Peter von Bagh—prolific film critic, film historian, and professor, onetime director of the Finnish Film Archive and current artistic director of two unique film festivals, the Midnight Sun Film Festival (held in Sodankylä, above the Arctic Circle, during what amounts to one very long day in the summer) and the magnificent Il Cinema Ritrovato (held in Bologna)—is the man who convinced me to purchase my first multiregional VCR in the early '80s. So he has a lot to answer for, including, for instance, my DVD column in Cinema Scope. Thanks to his unwarranted modesty about his film, I don't believe he's gone public with the responses he's already received from Chris Marker ("If I read in [Walter Ruttmann's] Berlin the social commitment and the aesthetic maestria, I don't feel the personal acquaintance with the city, its history, its ghosts, that I found in yours") and Jean-Pierre Gorin ("Paean to these cities that you inhabit both, the one called Helsinki and the other called Cinema"), but he certainly should." - Jonathan Rosenbaum, Moving Image Source

    Tickets - $7, available at door.

    Category: 

  • Diarios sin piedad. Los 80: Queer. Nelson Sullivan

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    Diarios sin piedad. Los 80: Queer. Nelson SullivanNelson Sullivan es un artista neoyorkino, desaparecido en 1989, que no paró de filmar en vida las personas y los acontecimientos de su entorno sin realizar nunca ningún tipo de montaje. Nelson llevaba la cámara en la mano, dirigiendo el gran angular hacia él o hacia lo que quería enseñarnos esbozando una crónica de la geografía de los artistas queer en la Gran Manzana de los 80.

    Dates: 

    Sunday, January 10, 2010 - 18:00 to Monday, January 11, 2010 - 17:55

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