Events

  • Full of Fire: North American and Eastern European avant-garde films

    By on

    The aim of the program is to create a bridge between the “Western” and the “Eastern” contemporary avant-garde film discourse. “We picked a few of the most memorable North American avant-garde films made in the last few years and looked for Eastern European ones which somehow refer or connect to them by following a similar trend or technique.”

    As the overall picture of the contemporary avant-garde film scene is extremely complex, each selection is inevitably subjective and reflects the taste and preferences of the curators.

    Dates: 

    Thursday, May 28, 2015 - 18:00 to Friday, May 29, 2015 - 17:55

    Venue: 

    Hátsó Kapu - Budapest, Hungary
  • Travels in the city. FIlms around the Valérie Jouve Exhibition

    By on

    The "characters", "bystanders" and "territories" that shape the world of Valérie Jouve serve as a guideline for this proposal of films conceived as an echo to the exhibition. From one session to another, the stated and autonomous movements of the figures in the architecture or the sea intermingle with anonymous street walkers. Surprised by the camera in their daily crossings, they merge with the city accompanying them or guiding them in their comings and goings. A territory is finally built by the meeting of the body in the film of Ahmed Natche Deux mètres de cette terre before the event takes shape in a fragile space-time which gradually fills up.

    A selection of films by Valérie Jouve, Julie Desprairies & Vladimir Léon, Boris Barnet, Jim Jennings, Jem Cohen, Ed van der Elsken, Johan van der Keuken, Ahmad Natche, Mahasen Nasser-Eldin and Claire Denis.

    Venue: 

    Jeu de Paume - Paris, France
  • Directors Lounge Screening: Distruktur – Perspectives – on Moving

    By on

    A program of shorts by the artist couple Melissa Dullius and Gustavo Jahn with some new and rare films, some German and Berlin premiers. Distruktur – Dullius and Jahn – claim a space fluctuating somewhere between the big and small cinema. Consequently working with analogue film while shooting and mostly also developing their own material, their films seem to create a kinematic time-space that is distinct from the ordinary even though they often use film settings of daily life.

    Dates: 

    Thursday, May 28, 2015 - 21:00 to Friday, May 29, 2015 - 20:55

    Venue: 

    Z-Bar, Berlin - Berlin, Germany
  • FranceDoc #2: Imaginary spaces

    By on

    Space is a raw material and a special subject for film: any film is the encounter of a place (be it that of the room or the screen) and an imaginary. The moving image allows a motionless trip, it is a transit that deploys imagination by objectifying. So travel through the images is also a journey in the image: it is this duplicity that underlies all these films, that explore the boundary between the real space and the imaginary that is appropriated or transmitted, be it technical or subjective.

    Free admission. Session with the presence of filmmakers Mauricio Hernández and Philippe Cote.

    Dates: 

    Sunday, May 31, 2015 - 19:30

    Venue: 

    Espace en Cours - Paris , France
  • Connectivity Through Cinema with Tomonari Nishikawa

    By on

    Mono No Aware presents an intimate screening with artist and filmmaker Tomonari Nishikawa who'll be visiting Brooklyn this weekend to lead a special 16mm Mattes & Multiple Exposures Workshop with us. In a diverse program of work from 2005-2014, Tomonari will screen a series of Super-8mm "sketch films", in addition to recent 16mm and 35mm projects.

    Dates: 

    Sunday, May 31, 2015 - 19:00 to Monday, June 1, 2015 - 18:55

    Venue: 

    Center for Performance Research - New York, Estados Unidos
  • Millennium Film Workshop: Abraham Ravett

    By on

    Abraham Ravett was born in Poland in 1947, raised in Israel and emigrated to the U.S.A. in 1955. He holds a B.F.A. and M.F.A. in Filmmaking and Photography and has been an independent filmmaker for the past thirty years. Mr. Ravett received grants for his work from The National Endowment for the Arts, The Artists Foundation Inc, Boston, MA., The Massachusetts Council on the Arts and Humanities, The Japan Foundation, The Hoso Bunka Foundation, the John Simon Guggenheim Memorial Foundation, and the National Foundation for Jewish Culture. His films have been screened internationally including the Museam of Modern Art, Anthology Film Archives, The Collective For Living Cinema, N.Y.C., Pacific Film Archives, Berkeley, CA., S.F. Cinematheque, L.A. Forum, Innis Film Society, Toronto, Canada, Image Forum, Tokyo, Japan and Scratch Projection, Paris France, WRO Art Center, Wroclaw, Poland and Ponrepo, Prague, Czech Republic, among others.

    Dates: 

    Saturday, May 23, 2015 - 19:30

    Venue: 

    Millennium Film Workshop - New York, Estados Unidos
  • Cinema Anèmic #05: La Vidéothèque (Chloé Dragna)

    By on

    French distributor La Vidéothèque presents a selection of five pieces by filmmakers and audiovisual artists who represent different ways of looking at the landscape. These international filmmakers contemplate outdoor scenarios to develop narratives about the environment that, in turn, affect the recorded medium. Analog film (super 8/16 mm) and digital video are the technological tools used to discuss the aesthetics of nature, the sensitivity of the perceptive subject or the essayistic character of the final cuts that weave the pictorial, the documentary and the ethnographic.

    Dates: 

    Friday, May 22, 2015 - 20:30

    Venue: 

    Espai ST3 - Barcelona, Spain
  • Xcèntric: Things We Want to See. Rebecca Meyers

    By on

    What interests Rebecca Meyers is not how cinema represents reality but how it transforms it, giving it a palpably different rhythm, colour and sound. Her 16 mm films are ways of closely observing the most everyday of spaces, presenting them full of mystery, stripped of their familiarity, open to infinite possibilities of research. Domestic landscapes noted from a window, stories shrouded beneath the sea’s blue mantle or the presence of an unexpected animal world in the urban environment are some of the constant themes of research found in her films.

    Dates: 

    Thursday, May 21, 2015 - 20:00 to Friday, May 22, 2015 - 19:55

    Venue: 

  • Kinelab Spezial: Werner Nekes & Klaus Wyborny

    By on

    In the summer of 1968 Werner Nekes and Klaus Wyborny opened a cinema in Hamburg. It was located in a basement in Brüderstraße, furnished with mattrasses and benches. There they showed their films. Metropolis is proud to present two authentic programs of films that were actually shown there in 1968.

    Dates: 

    Friday, May 15, 2015 - 19:00 to Saturday, May 16, 2015 - 18:55

    Venue: 

    Metropolis Kino Hamburg - Hamburg, Germany
  • Scratch Projection: The Beauty of Gesture

    By on

    From Pasolini to Bazin (football) via Daney or Godard (tennis), sport has fascinated many filmmakers and film theorists, as a social fact but also for its undeniable aesthetic qualities of bodies that box, swim, run, of body represented in the effort, nudes or not. This phenomenon is part of a historical continuity of the image. Indeed, we see at the end of the nineteenth century, after centuries dominated by particular religious iconography, a resurgence of this representation, notably Manet, Cezanne and Degas.

    Dates: 

    Tuesday, May 19, 2015 - 20:30

    Venue: 

    Studio des Ursulines - Paris, Francia

Pages