Available now in a limited edition of 200. A 16 page A4 collection of collages, drawings, insets and poems from Omozap to the present. Self published with screenprinted cover - each copy is signed, numbered and unique.
Prisoner of Art includes a DVD-R
Released in conjunction with The Andy Warhol Museum, 13 Most Beautiful...Songs for Andy Warhol's Screen Tests features 13 of Warhol's classic silent film portraits. Subjects include Nico, Lou Reed, Edie Sedgwick, Dennis Hopper, and more. Shot between 1964 and 1966 at Warhol's Factory studio in New York City, the Screen Tests are presented with newly commissioned soundtracks performed by Dean Wareham and Britta Phillips. This is the first ever authorized DVD release of films by Andy Warhol.
Jeff Keen began making films at the age of 37 when his art school film society needed things to show. And so began over forty years of unique, imaginative, irrepressible filmmaking. This release contains over 9 hours of films and videos by the visionary f
A selection of animated films, from new glass master. Includes the films: L'eau life, Paper view, Lost and found, You won't remember this, Grand Central, Yours, White out, Trigger happy, Tulips, Postcards from Warren, Train of thought, All the wrong reaso
Lee Hangjun, rather than capturing the actions of the object through the camera, has been working on chemical process, transforming film itself physically and chemically; Hong Chulki has been working on feedback playing or collaborative improvisation, wit
Malcolm Le Grice is one of the central figures in British experimental film and video. He has been making work since the mid-1960s which has continued to be exhibited internationally, including recent screenings at both Tate Modern and Tate Britain. He is currently a professor at the University of the Arts London, and is the author of several books including Experimental Cinema in the Digital Age (2001).
Peter Gidal's films have been an influence on several generations of artists. An important theorist and writer as well as a filmmaker since the late 1960s, Gidal was a pioneer of 'structural-materialist' film and his work has been shown around the world, including retrospectives at the ICA in London and the Centre Pompidou, Paris.
Lis Rhodes has been at the forefront of British experimental filmmaking since the early 1970s. She studied at the North East London Polytechnic and the Royal College of Art. A strong formal aesthetic has been developed in her films, reflecting her involveLis Rhodes has been at the forefront of British experimental filmmaking since the early 1970s. She studied at the North East London Polytechnic and the Royal College of Art. A strong formal aesthetic has been developed in her films, reflecting her involvement with the debates and practice which emerged from the London Filmmakers' Co-operative, where she was Cinema Curator 1975-6. Early 'expanded' works such as Light Music (1975) fused performance and multi-screen projection with an exploration of the visual qualities of sound. Her analysis of broader political and social questions can be traced to her later films, which combine formal rigour with a passionate critique of issues from nuclear power to domestic violence. As an active campaigner for women's rights, Rhodes was a founder member of Circles, the first women's artist film and video (1979) and was an Arts Advisor to the Greater London Council between 1982 and 1985. She lives and works in London and teaches at Slade School of Fine Art, University College, London.
Born in Donegal, Ireland, Vivienne Dick moved to New York in 1975. There she became part of a group of filmmakers affiliated to the music and aesthetics known as 'No Wave'. Shot mainly on Super-8, Dick's films from this period feature many people and musiBorn in Donegal, Ireland, Vivienne Dick moved to New York in 1975. There she became part of a group of filmmakers affiliated to the music and aesthetics known as 'No Wave'. Shot mainly on Super-8, Dick's films from this period feature many people and musicians from the No Wave movement in New York, such as Lydia Lunch, Pat Place, James Chance and Ikue Mori. Invoking the spirit of '60s underground filmmakers, her work betrays an interest in individual transgression, urban street life, kitsch and pop culture. Multilayered and open-ended, the work is framed from a female perspective, with an overriding concern for social conditioning and sexual politics.
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