Martin Arnold ist einer der profiliertesten experimentellen Filmemacher Osterreichs. Seine jungste Arbeit "Deanimated: The Invisible Ghost" ist eine Art Ubermalung eines klassischen amerikanischen Horrorstreifens: im Verlauf der Handlung werden zentrale Figuren des Geschehens mit digitalen Mitteln herauskopiert, sodass sich der Film sukzessive entvolkert. Durch diesen Deanimationsprozess entsteht aus der alten, herkommlichen Suspense-Geschichte eine neue, die offener und ratselhafter ist. Deanimated prasentiert den gesamten Film in einer Serie von Fotostills.

‘You hear it everywhere: Cinema is tipping over – its epic and dramatic forms are spilling over into television, avant-garde and experimental films have fled to the galleries, and all the images that once belonged to it are now available everywhere, anytime. At the Austrian Film Museum, we tend to refrain from such sweeping and simple-minded swan songs. For this very reason, we are honoured to participate in Vertical Cinema – a project committed to taking one step at a time. Instead of trying to tip cinema in its entirety into the digital netherworld, this project is content with just tipping the screen – observing how an artform changes if you respectfully chafe at its edges.’  – Alexander Horwath, Director of the Austrian Film Museum

Essential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades. Edited by Annette Michelson and Kenneth White.