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One of the key works of the American avant-garde in the 1960s. Consisting of a prelude and four parts, this is Brakhage\'s allegorical version of creation and his magnum opus. A formidable, layered and richly textured work that you can never get to the en
Klaus Telscher is one of the most important German experimental filmmakers of the 1980s and 90s. His sophisticated work is atmospherically dense, playful as well as caustic, and his complex filmic structures are matched by his subtle photography.
This book deals with the early intellectual reception of the cinema and the manner in which art theorists, philosophers, cultural theorists, and especially artists of the first decades of the twentieth century responded to its advent. While the idea persists that early writers on film were troubled by the cinema’s lowly form, this work proposes that there was another, largely unrecognized, strain in the reception of it. Far from anxious about film’s provenance in popular entertainment, some writers and artists proclaimed that the cinema was the most important art for the moderns, as it exemplified the vibrancy of contemporary life.
Takahiko Iimura is considered one of the most influential and important experimental filmmakers of our time. In an era of the explosion of Underground Film in the States, Iimura, almost alone in Tokyo, began making experimental film just reading the news
Coproduction by Kiwido and the Centro Sperimentale di Cinematografia.
Curated by Sergio Toffetti and Annamaria Licciardello
256-page book, bilingual in Italian and English, featuring many photographs, drawings and photograms by Paolo Gioli. Texts by Sergio Toffetti, Giacomo Daniele Fragapane, David Bordwell, Dominique Païni, Elena Volpato, Jean-Michel Bouhours, Bruno Di Marino, Keith Sanborn, Annamaria Licciardello.
Special Edition: Digipack DVD with 4 short films and 2 bonus films by filmmakers Maria Klonaris and Katerina Thomadaki. 48-page booklet.
Born in Germany in 1947, Helga Fanderl studied German, French and Italian literature before discovering cinema in the mid-1980s. Since her studies at the Frankfurt Städelschule School of Fine Arts and the Cooper Union School of Art in New York, she has developed her practice of Super 8 filming, programming film sessions that are different each time, making personal site-specific screenings, as well as exhibitions and installations.
Artist Bruce Conner (1933–2008) moved to San Francisco in 1957 and quickly enmeshed himself in the Bay Area’s distinctive cultural milieu, combining a vision and a multifaceted body of work that went beyond the limitations of any genre. From early assemblages of the 1950s and 1960s to iconic and pioneering works in film, from photography and photograms to prints, drawings, and paintings, Conner’s oeuvre continues to exert tremendous influence on artists working today.
As a publishing act, Migrant Thoughts argues that the image is inevitably nomadic and inexorably migrant and, as Henri Bergson reminds us, is everywhere. Everything is image. We are images among images, and in this respect film is no more than one of the media through which images move. Images become a gesture of resistance, as by being just an image and not a just image, as Jean-Luc Godard said, they are worthy and can never be subdued by power, despotism or an all-too human will corrupted by the idea of ownership.
Variations VII, performed at 9 Evenings, was the next to last in John Cage’s series of indeterminate works that he had begun in 1958, which made increasing use of electronic equipment and systems. This DVD documents the only complete performance of Variat
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