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Antes de la conferencia, durante el mes de Marzo, en la página web se publicarán una serie de artículos y transcripciones de entrevistas que han sido generados desde el proyecto durante los pasados 18 meses. Entre estos se incluyen entrevistas de Dunca White a Carolee Schneemann, William Raban, Guy Sherwin, Peter Weibel, Malcolm LeGrice y otros, así como una grabación en streamingdel anterior evento The Live Record en el BFI Southbank en Diciembre de 2008. Los enlaces se publicarán en studycollection.org.uk.
Durante la conferencia, se pondrá a disposición una videotecaque contendrá documentación de más de 70 obras de cine expandido por más de 30 artistas, grabadas en dos eventos recientes en Alemania, disponibles por cortesía de los artistas y de la Expanded Cinema Study Collection de Hartware MedienKunstVerein, Dortmund y Württembergischer Kunstverein, Stuttgart, con especial agradecimiento a Mark Webber. Las entradas para la conferencia se pueden adquirir online o a través de la taquilla de la Tate en el tfno. 0044 (0) 20 7887 8888
Provisional Schedule
Friday April 17th
Starr lobby - Registration from 10:00
Videotheque of documentation of classic expanded cinema performances recorded at Dortmund and Stuttgart – available from 10-30 – 8.00
Starr Auditorium
10.30 session 1 - What is Expanded Cinema?
Chair Stuart Comer (Tate) - histories, definitions, distinctions, etc
10.40 Jonathan Walley (Denison University, Ohio)
“Not an Image of the Death of Film:” Contemporary Expanded Cinema and Experimental Film
11.10 Duncan White (CSM, U.Arts, London)
Narrative Exploration in Expanded Cinema
11.40 Mark Bartlett (Independent Scholar USA)
Expanded Cinema, Social Imagistics, and the Fourth Avant-garde of Stan Vanderbeek
12.10 questions to morning speakers
13.00 Lunch
14.00 Topologies of Expanded Cinema. Chair: AL Rees (RCA, London)
- Social space, reception, phenomenology
14.10 Chrissie Iles (Whitney Museum)
On expanded cinema and the moving image in the gallery in the 70s
14.40 Noam Elcott (Columbia U, USA)
Rooms of Our Times: László Moholy-Nagy and Cinema between Theatre and Museum
15.10 Questions
15.30 Tea
16.00 Cindy Keefer (Centre for Visual Music, USA)
Raumlichtkunst to Vortex: Early Expanded Cinema Experiments of Oskar Fischinger and Jordan Belson (1926-1959)
16.30 Catherine Elwes (Artist, Camberwell College, U of the Arts, London)
The Domestic Spaces of Video Installation
17.00 Stephen Partridge (artist, U. of Dundee) in discussion with William Raban (artist, LCC U of the Arts, London)
17.30 Questions to afternoon speakers (20mins)
18.00 – 20.00 Starr Lobby - wine reception + Videotheque
18.45 & 19.30 - visits to installations (30 mins, see April 19th).
Book your place (18.45 or 19.30 )
Saturday March 18th
Starr lobby - Videotheque from 10.30 – 8.00
Starr Auditorium
10.20 Performance (Body). Chair: Stephen Partridge (U. of Dundee) - discourse of the body; live film and video; presence; actions; happenings
10.30 Liz Kotz (U. of California, Riverside)
Projecting Cinema Otherwise, via Judson Dance
11.00 Lucy Reynolds (U. of E London)
Magic Tricks? The Use of Shadow Play in British Expanded Cinema
11.20 Cecile Chich (independent scholar, Paris/London)
Beyond the Frame / Beyond the Gaze – The Multi-Media Projection Performances of Maria Klonaris and Katerina Thomadaki
11.40 Maxa Zoller (independent scholar/curator, London/Berlin)
Polish Expanded Cinema: Technology and the body
12.00 Mike Leggett (artist, U of Technology, Sydney)
Private Performance and Video Art
12.20 questions to morning speakers
13.00 Lunch
14.00 Media Environments and Expanded Cinema in the Digital Age.
Chair: Prof. Chris Meigh Andrews (U. Central Lancashire)
- interactive narratives; the digital; virtual arts
14.10 Chris Welsby (artist, Simon Fraser U., Vancouver)
Expanded Cinema: 20th Century Encounters with the Machine
14.40 Eugeni Bonet (Independent Scholar, Barcelona)
PLAT (Picto-Luminic-Audio-Tactile): The “overflowing” cinema of Val del Omar
15.00 Anja Gossens (ZKM, Karlsruhe)
Future Shock and Time/Energy objects – Expanded Cinema and the Code in New York
15.20…tea
15.50 Ji-Hoon Kim (NYU)
Interfacial Intermedia Art as Digitally Expanded Cinema: iCinema’s Transmedial Narrative Environments
16.10 Yvonne Spielmann (U. of the West of Scotland)
Conceptual Synchronicity or intermedial encounters between film, video and computer
16.30 Malcolm Le Grice (artist, UAL) in discussion with Peter Weibel (artist, ZKM)
17.00 questions to afternoon speakers
18.00–20.00 Starr Lobby - reception + Videotheque
18.45 & 19.30 - visits to installations (30 mins, see April 19th).
Book your place (18.45 or 19.30)
Sunday April 19th
Level 2 – Starr lobby - Videotheque from 10.30, open all day
From 10.45 East Room (Level 7), coffee and bagels
11.00 Tony Sinden (Installation artist UK/Greece) in dialogue with [speaker TBC]
11.30 VALIE EXPORT (artist) in conversation with Chrissie Iles (Whitney Museum NY TBC)
12.00 - 13.00 approx Open Forum
Chair: Stuart Comer (Tate)
Level 2 - Starr Auditorium Free 40-50 min screenings:
14.00: ‘Shadow Play and Visual Music'
- Tony Hill, Point Source (UK, 1973) (performance, 6 mins)
- From German Expanded Cinema Pioneers to Light Show Psychedelia
Programme curated by Cindy Keefer (Centre for Visual Music in Los Angeles).
Including films by Oskar Fischinger, and Jordan Belson (40 mins)
15.30: ‘LIVE MEDIUM’
Stephen Partridge, Monitor (UK, 1975) 6 mins performance
Sandra Gibson + Luis Recoder, Untitled (USA, 2008) performance; electric humidifiers; glass and an original score by Olivia Block.
17.00: ‘UK MULTISCREEN’
David Dye Western Reversal (UK, 1973) 6 mins
and other twin/multi-screen works by UK artists such as Le Grice, Eatherley and Sinden (TBA) circa 50mins
14.45 & 16.15
- Steve Farrer - The Machine (1978-88)
- Tamara Krikorian - Time Revealing Truth (1983)