Vers une nouvelle conscience filmique - Le cinéma de Gregory J. Markopoulos
A deep dive into the experimental film work of Gregory J. Markopoulos, a key figure in New American Cinema.
A deep dive into the experimental film work of Gregory J. Markopoulos, a key figure in New American Cinema.
An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.
Yann Beauvais (born 1953 in France), as a teacher in United States, became conscious of the need to lead a "cultural battle".
Un recueil de textes de chercheurs, d'artistes et de critiques explorant les relations que la filmographie de Morgan Fisher entretient avec les nombreux autres domaines de création de l'artiste et cinéaste américain.
Reference work devoted to the avant-garde filmmaker, emblematic figure of the British experimental cinema, with twenty texts by Malcolm Le Grice and new essays by Yann Beauvais and Philippe Langlois on his film and its relationship with art and music.
Published following the eponymous exhibition at the Espace multimédia Gantner, Bourogne in 2011-2012
A new reading of the work of a major American and international artist, well known for her depictions of the female body, of society's attitude to women and particularly for her pioneering work as a performance and video artist in the cause of feminism, in the context of artists' reactions to major world issues and a return of the historical genre in art today, underlining her unflagging commitment to the recording of history as it happens.
Published on the occasion of the eponymous exhibition at the Musée départemental d'art contemporain de Rochechouart in 2013.
Beckman began making films in the mid-1970s using Super-8 sound film. Neither documentaries nor narratives, these works, as Jim Hoberman puts it, are "like primitive cartoons ... enigmatic allegories filled with nervous activity and comic violence, sexual imagery ... perceptual game playing and ingenious optical effects."
This first anthology brings together three pieces from 1978-1980: We Imitate; We Break Up (1978); The Broken Rule (1979); and Out of Hand (1980), made after her CalArts studies and featuring many other artists as actors.
Complete monograph on a master of experimental cinema, with a general introduction on its whole œuvre, several essays, texts by the artist and interviews.