Festival of (In)appropriation #14 Open Call

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The Call for Entries for Festival of (In)appropriation #14 is now OPEN!

Filmmakers and video artists engaged in the appropriation, re-purposing, and productive “mis-use” of existing visual and sonic media are encouraged to send us their work for consideration. All entries must include some form of inventive (in)appropriation, whether of existing/archival film or video footage, sound recordings, still imagery, or digital media. The most competitive submissions are those which seek to produce revelations and reconsiderations of the relationship between past and present, here and there, truth and lie, intention and subversion.

GUIDELINES FOR SUBMISSION:
•    Submissions must be 20 minutes or less in length.
•    Submissions must contain some form of appropriation.
•    Submissions must have been made within the past three years
•    Submission deadline: May 1, 2026.
•    Accepted submission formats: Digital Video Files Only (via FilmFreeway)
•    Acceptable exhibition formats: Quicktime file (H.264, ProRes 422)
•    Submission fee: $10

To submit your film online, please use this link: https://filmfreeway.com/festivalofinappropriation

Deadline: 

Friday, May 1, 2026 (All day)

Location: 

Los Angeles, Estados Unidos

Submission links: 

Submit via FilmFreeway

Submission fees: 

Submission fees are charged

Please notice that our website just provides information and is not related to this call. Contact us only if you find an error or the information is not clear about the submission process.

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Deadline: 

Friday, May 1, 2026 (All day)
To event remaining 35 days

Submission fees: 

Submission fees are charged

Submission links: 

Submit via FilmFreeway
https://filmfreeway.com/festivalofinappropriation

Festival/series profile

  • Festival of (In)appropriation

    Founded in 2009, the Festival of (In)appropriation is a preeminent international showcase for experimental, found-media film and video. Every year, the Festival attracts artists working across an array of moving-image formats while probing the limits of collage, machinima, re-mix, détournement, mash-up, and more.

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