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I wrote my Master's thesis on the teaching of film as an art form. From 1969 to 1980 I was able to put these ideas into practice while teaching filmmaking in the Art Department at Sonoma State University in northern California. Some of my students , whose
Richard “dr.” Baily and John Buchanan: experiments in spore presents three personal art films by Baily, a Hollywood computer graphics visionary (from Tron to Fight Club, Solaris and more), assisted by John Buchanan. It features xtacism (2005), aura (2007), and Baily's Nightwaves (1977), made at Cal Arts. aura was completed posthumously by John Buchanan. Music by Richard Baily.
"These pieces are meant to be environmental background "fill" intended to enhance the space that people inhabit, and not be the foreground element in anyone's awareness, like ambient music, you can check in on it, and leave it for awhile, and check into it again with a different level of focus and concentration, and then leave it again..." - Richard "dr" Baily
Heinz Emigholz künstlerische Arbeit erkundet den Grenzbereich zwischen Film und bildender Kunst. Sein frühes Filmwerk lieferte wichtige Impulse für die internationale Experimentalfilmbewegung der 1970er und 80er Jahre und gehört zu den wenigen experimente
A visually opulent, almost hypnotic film, for which the word poetic really is justified for a change. This hybrid film is made up of fourteen film poems, each of which has the character of an individual short film, but in tone and approach they are all cl
In the 1990s, James Benning’s films were characterized primarily by an ongoing investigation of the relationship between the image and the (spoken or written) word. This 2-disc set features the two key works representing the peak of this “text-image film” period. In Deseret Benning (by way of the New York Times) retells the history of America’s Mormon State Utah through spectacular black & white and color images. Art and landscape join as one in Benning’s following film Four Corners, which serves as both a tribute to the famous region in the USA where four states converge and a portrait of four very different artists.
Mad Dance is a trilogy of provocative and beautiful short films that re-envision the way we think, speak and feel about mental distress and wellness in today’s chaotic world. These transformative films offer new maps for navigating madness with insight, healing and hope.
Warsztat Formy Filmowej is a Polish-English publication edited by Marika Kuźmicz and Łukasz Ronduda.
The book is a compilation of the achievements of Warsztat Formy Filmowej, which was an avant-garde group operating at the Film School in Łódź (PWSFTviT im. L. Schillera) between 1970 and 1977.
Rüdiger Neumann, Filmemacher und Professor an der Hochschule für bildende Künste in Hamburg, hat mit seiner Lehrtätigkeit zwei Generationen von Filmemachern beeinflusst, die heute das aktuelle deutsche Kino mitbestimmen. Die HfbK war in den 1980er und 1990er Jahren die einzige experimentelle und politische Alternative zu den Filmschulen in München und Berlin. Rüdiger Neumanns kontroverses Donnerstagsseminar ist legendär. Auf dieser DVD werden erstmals die fünf wichtigsten Filme von Rüdiger Neumann veröffentlicht.
Become a master in the influential, diverse, and highly innovative field of experimental filmmaking. Harness the little-known techniques and subtle aesthetics required for this imagination-driven art form.
“a blueprint for critical resistance and aesthetic defiance in the face of digital capitalism and a rising new age” — Laila Shereen Sakr/ VJ Um Amel
Fear of the ‘machine artist’ reflects a deep cultural anxiety about industrialization, shaped by unresolved conflicts over automation and its potential to supplant human artists. Automated machinery represents both a technical development and a social paradigm that redefines labor, authorship, and creativity itself.
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