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Three distinct locations are brought together in this film Three Studies in Geography (2011), which encompasses three previously separate films made over the last ten years. Each location presents a particular balance of land, sky and water. The first par
Organized by Edson Barrus and yann beauvais, edited by .txt texto de cinema and produced by Rose Lima (Experimento Produções), the book Bcubico contains texts by Ana Lira, Anthony McCall, Edson Barrus, eRikm, Jean-Michel Bouhours, Keith Sanborn, Malcom Le Grice, Matthias Müller, Nathalie Magnan, Peggy Ahwesh, Recombo, Ricardo Ruiz, VALIE EXPORT, yann beauvais, Ж and other cultural actors involved in the project.
The Exploding Cinema is a collective of artists that produce what can be described as a hybrid fusion of projection, performance and social space. It began in South London in late 1991.
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work.
Der österreichischen Filmavantgarde gelang es immer wieder,
internationale Reputation zu erlangen. In den 80er und 90er Jahren
konnte vor allem Dietmar Brehm eine Vielzahl an nationalen und
internationalen Preisen erlangen. Laut Peter Tscherkassky sind seine
Filme das Ergebnis eines Arbeitsprozesses, in dem das Bildmaterial so
lange der Bearbeitung ausgesetzt wird, bis es seine größte Verdichtung
erreicht hat. Dieses Buch geht von Interviews mit dem Künstler aus, die
die Entstehungsgeschichte der Filme erhellen, es untersucht in
Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.
Robert Seidel’s work “is an immersive experience, a sensuous dip into light, color, movement, sound and change” - Los Angeles Times
Seidel, who studied at the Bauhaus University Weimar, creates video installations, media façades and experimental films. Seidel pushes the boundaries of abstraction to the sublime and organic through his approaches drawn from scientific visual analysis and digital extensions of painting and sculpture. The DVD collects his major films, videos and documentation from his projections and installations from 2001 to 2014.
Icon of the American avant-garde Hollis Frampton made rigorous, audacious, brainy, and downright thrilling films, leaving behind a body of work that remains unparalleled. In the 1960s, having started out as a poet and photographer, Frampton became fascina
Pionnière du cinéma, Germaine Dulac (1882-1942) est une des grandes figures de l'Avant-Garde française des Années 20. Personnalité importante, elle initiera et sera à la tête de nombreuses organisations et, parallèlement, mènera une activité inlassable pour la défense des droits des femmes.
Dans ses réalisations, Dulac expérimente les nouvelles possibilités d'expression du cinéma. Elle réalisera une vingtaine de films à partir de 1916. La Souriante Mme Beudet (1923) et La Coquille et le clergyman (1927), d'après Antonin Artaud, sont parmi ses films marquants.
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