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One of Smith's most well-known works; this black and white collage film culled from cut-outs from nineteenth-century catalogues, the film traverses the landscape of an hermetic dream.
Blind Light is filmed in the artist's London loft. The presence of camera, studio and artist/performer are registered through image and sound, the loss of the former filling out the presence of the latter. In this way the physicality of object, space and
Fall In Frame opens with the image of a young woman looking at herself and her camera in the mirror, each revealed as she unwraps a sheet to uncover the lens. She sets up the filming space by staging both set and camera and manipulates the light by handli
The edition arsenal experimental has taken on the task of initiating new discussions and of putting experimental film back on its feet. And in three languages: in that of the film, that of the idea, and in the language of empathy.
Christine Noll B
Two 35mm works by filmmaker and artist Pat O'Neill, "Trouble In The Image", an NEA grant recipient, and "Horizontal Boundaries". Includes the bonus track "Runs Good", a First Prize recipient at the Ann Arbor Film Festival, 1971.
Five films, both 16mm and 35mm, from Pat O'Neill. Includes the installation works "Two Sweeps" and "Let's Make A Sandwich", presented here as they would be seen in a gallery setting: as continuous loops.
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