Pat O’Neill - Silent Works
Five films, both 16mm and 35mm, from Pat O'Neill. Includes the installation works "Two Sweeps" and "Let's Make A Sandwich", presented here as they would be seen in a gallery setting: as continuous loops.
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Five films, both 16mm and 35mm, from Pat O'Neill. Includes the installation works "Two Sweeps" and "Let's Make A Sandwich", presented here as they would be seen in a gallery setting: as continuous loops.
“Fun and Games (for Everyone): a pitch black and milky white film shot during one of Olivier Mosset’s exhibition openings. A psychedelic game of impro- visation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarize
The first ten years of the groundbreaking London arts organisation ACME are explored through rarely seen archival film and new interviews.
‘Raban's bold new film continues his ongoing examination of London's stratified social geography by exploring a fertile, creative scene in which he played a significant part. Solely using archival visual materials, he revisits the first ten years of art organisation ACME, highlighting its work in housing artists in the East End and the extraordinary work that was produced. The powerful archival footage incorporates Stephen Cripps' pyrotechnic displays, an abrasive Anne Bean music performance and Stuart Brisley's politically charged action 'Ten Days'. Interviewees include: Cosey Fanni Tutti, Jock McFadyen and David Critchley. Raban reflects on the nature of 'evidence' while a very particular vision of creative activity emerges - one based on devoted experimentation, location specificity and process.’ (William Fowler, London Film Festival)
Avant-garde meets Cinecittà: in 1964, artists Gianfranci Baruchello and Alberto Grifi edit found footage of Hollywood films from the fifties in Italian version. This original assemblage seeks to disclose the formatting process in the Cinema Industry and offer a new meaning to images.
Includes the works "No is E," "Elements of Nothing," "The Seasons," "still in cosmos," "WORLD"
Febrile, spinny and shrill, sometimes registering objectively, quietly funny or meditative: The present selection of German-language short films of women from the past 50 years is versatile - just like their makers themselves.
In the second half of the 1970s Alfred Kaiser was entirely unknown to the film world when he went public with two films, namely A Third Reich (1975) and A Third Reich from Its Refuse (1977). Both compilation films bridge the threshold between avant-garde and documentary cinema and were enthusiastically received by audiences and film critics alike upon their release. To this day, these two closely related films occupy a place of particular significance in the history of Austrian cinema, not least due to their subject matter and compositional virtuosity.
TRIBUTES-Pulse is a collaboration between American filmmaker Bill Morrison (b. 1965) and Danish composer and percussionist Simon Christensen (b. 1971).
Christensen originally conceived of the project as a tribute to four American composers, Charles Ives, Conlon Nancarrow, Steve Reich and Trent Reznor. The project is comprised of four movements, with the themes of Shifting (slightest change), Multiple (simultaneously different), Across (different directions) and Beat (moving synchronized) respectively corresponding to each composer.
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