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Poetry. African American studies. Confrontative, meditative, and sensuous, FORBIDDEN ACTS, a film by Todd Herman, showcases three poems by black disabled advocate and writer Leroy Moore. Herman\'s provocative imagery seamlessly intertwines with Moore\'s e
This hard-to-find compilation of five shorts by Frank and Caroline Mouris includes the Academy Award-winning 'Frank Film' alongside companion-piece 'Frankly Caroline', Screentest', 'Coney' and 'Impasse', a homage to Oskar Fischinger.
This Box set shows the evolution of Joseph Morder\\\\\\\'s work through four major films (El Cantor ,L\\\\\\\'arbre Mort, Mémoires D\\\\\\\'un Juif Tropical, Romamor).
This compilation offers an opportunity for a substantial view of Austrian experimental and documentary film´s varied status quo. The works on this DVD range from subjective to rigidly structural documentary approaches, from abstract music videos and conce
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative reli
Born in Brooklyn in 1933, Ken Jacobs is one of the truly legendary figures in the New York Underground. Artist, filmmaker, inventor, theatrical innovator and teacher—Ken Jacobs has been questioning and reinventing new film techniques for well over five de
Included in this book and DVD are the soundtracks to six of Stephanie Barber's experimental films. Reading the text while watching the films augments and enriches the understanding of Barber's dense and lovely work. Out of the pairing comes a distinct, en
Jay Rosenblatt, who has been making short films since the early 1980s, makes films that deal with a variety of themes — from birth and childhood to religious faith, tyranny and death. Frequently screened on public television and film festivals, Rosenblatt ’s films are consistently recognized for their unique style and his commitment to taking risks.
Antoni Padrós is a singular figure of Catalan Cinema. Coming from painting, his creative freedom practiced during Franco's regime placed him on the margins of cinema. His films tie in with the American underground and European militant cinemas. The author, however, did not abandon his sniper and transgressive position once democracy was established, maintaining his independent creative proposal. From the margins of the film industry, his work has taken on a progressive role and today is recognized by museums, due to its creative ability through dialogue with the Arts. This edition aims to contribute to the discovery and recovery of the unclassifiable, experimental and vital work of Antoni Padrós.
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