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  • Jürgen Reble - Materia Obscura

    This work is based on some excerpts of the film "Instabile Materie" which I realized in 1995. Sorce material were handprocessed 16mm film stripes which I covered with chemicals. In this so called "chemograms" the used substances mostly salts became moulding shapes. Years later I digitized parts of the film frame by frame in high resolution and started with the computer to slow down the speed just to analyse the sequence of events. So arose a morphology of the film emulsion with the embeded substances and a bizarre, strange world full of magic revealed.

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    100.00 EUR

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  • Jürgen Reble - Floating Emulsion 1989-1991

    Contains Rumpelstilzchen (1989), Passion (1989-90) and Zillertal (1991)

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    Average: 1 (1 vote)

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    80 EUR

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  • Jürgen Reble - Painting in Time 1992-1996

    Contains Das goldene Tor (1992), Ein bewährter Partner (1993) and Chicago (1996).

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    80 EUR

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  • Jürgen Reble - Chemical Presence 1996-2011

    Contains Tabula Smaragdina (1996-2010), Arktis (2004), Yamanote Lightblast (2006), Zagreb Tram Station (2009) and Liquid movements (2011).

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    100 EUR

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  • What is Cinema?

    Academy Award-winning filmmaker Chuck Workman's documentary What Is Cinema? tackles the question of its title through over 100 clips and new interviews with Mike Leigh, Jonas Mekas, Yvonne Rainer, David Lynch, video artist Bill Viola, Robert Altman, Kelly Reichardt, Costa-Gavras, Ken Jacobs, Michael Moore, critic J. Hoberman, and others, and with archival interviews from Robert Bresson, Alfred Hitchcock, Chantal Akerman, Akira Kurosawa, Abbas Kiarostami, and more. The film also includes commissioned sequences from experimental artists Lewis Klahr and Phil Solomon. What Is Cinema?

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    39,98 USD

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  • Silent Avant-Garde

    Silent Avant-Garde offers an essential collection of 21 short art film experiments in high-definition from 5K scans made of 35mm and 16mm picture elements. Highlights include brand new digital restorations of classic experimental films, The Enchanted City (1922), Return to Reason (1923), Ballet Mechanique (1924, 1931), The Twenty-Four Dollar Island (1925), Eisenstein Mexican Footage (1930), Escape, Synchromy No. 4 (1938), The Eclipse (1936-1949), Look Park (1973), and Tenga fe (2022).

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    29,95 USD

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  • A history of experimental film & video

    Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. This history of avante-garde film and video ranges from Cezanne and dada, via Cocteau, Brakhage and Le Grice, to the new wave of British video artists in the 1990s.

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  • Kenneth Anger

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  • Experimental Cinema in the Digital Age

    Malcolm Le Grice, a pioneer of \"structural film\" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays.

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  • Film Art Phenomena

    "Alongside the commercial cinema of narrative and spectacle there has always been another practice--call it avant-garde, experimental, or artists' film. In this provocative book, Nicky Hamlyn, an acclaimed filmmaker in the alternative tradition, investigates the film art phenomenon. Taking cues from modern trends in other artforms, notably painting and sculpture, this type of filmmaking emphasizes the nature of its apparatus and medium in order to bring about a critical, inquisitive state of mind in the viewer.

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    25.99 GBP

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