Distant Voices
A new publication by Stereo Editions featuring two extensive interviews with Annik Leroy and Julie Morel.
Price:
17 EUR
Catalogue
When the Eye Trembles: The Cinema of Paolo Gioli
Light Cone Editions presents an anthology of texts by Jean-Michel Bouhours on Paolo Gioli, in a bilingual edition (French and English), introduced by a preface by Georges Didi-Huberman.
Price:
26,90 EURCategory:
Hilary Harris - Organism
Organism is Academy Award-winning film maker Hilary Harris' epic vision of New York City, shot over 15 years (1959- 1974) during which time he pioneered and contemporized time-lapse film making techniques to achieve a unique experiential view of the world we inhabit.
-Leo HurwitzHilary is unquestionably one of the most original and talented filmmakers of the American independent cinema... he is in a class by him- self, a master of his craft.
-Amos VogelPrice:
19,99 EURCategory:
Temporal Territories: An Anthology on Indigenous Experimental Cinema
COUSIN Collective and Light Industry present the first critical anthology devoted to Indigenous experimental cinema. Temporal Territories brings together newly commissioned pieces alongside reprints of key writings on the subject, featuring theoretical interventions and artist portfolios, intergenerational dialogues and manifestos. With topics ranging from science fiction to found-footage filmmaking to the strange case of the DeMille Indians, the book surveys a varied and vital body of work, and suggests new forms still to come.
Price:
25 USDCategory:
The Palgrave Handbook of Experimental Cinema
This book is a collection of newly commissioned essays by established and emerging scholars that maps out the current landscape of experimental cinema studies and sets agendas for future work in the field. Introducing new critical methodologies and calling overdue attention to neglected artists, regions, and topics, the contributions to this volume reassess and reassert experimental cinema as a site of formal exploration and interrogation as well as resistance to institutional, political, and social norms.
Price:
Ebook - 213,99 EURHardcover - 343,19 EURCategory:
Hollywood en el cine de metraje encontrado
Hollywood en el cine de metraje encontrado nos sumerge en el fascinante mundo de relaciones que existen entre el cine realizado con archivos y el cine de Hollywood.
Exploramos la apropiación y reescritura de la imagen cinematográfica en el cine de metraje encontrado, una forma de hacer películas conceptualmente enraizada con las vanguardias que engloba etiquetas tales como cine reciclado, cine de segunda mano o cine de apropiación.
Price:
21900 ARSCategory:
Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up
Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays.
Price:
Hardback - 90 GBPEbook - 81 GBPCategory:
Double Vision: The Cinema of Robert Beavers
Double Vision is a beautifully written work of biography and criticism that tells the inside story of Robert Beavers (b. 1949), a major American avant-garde filmmaker. Until now, Beavers's dramatic life of itinerancy and resistance to commercial circulation has obscured his recognition as one of today's most significant living filmmakers.
Price:
39.95 USDCategory:
R. Bruce Elder: Crack, Brutal Grief
Crack, Brutal Grief came in response to the tragic suicide of the filmmaker's friend, an event that led him to a formative encounter with the grotesque imagery of the early Internet. In response to this inhumanity, the artist poses an alchemical possibility, to confront and raise debased images of death, exploitation and suffering to the full dignity of sorrow, in the process achieving catharsis.
Price:
24,95 EURCategory:
Secret Passages - Notes on experimental animation
Norman McLaren said that “animation is not the art of drawings that move, but the art of movements that are drawn. "What happens between each frame is much more important than what is in each frame." What would we see, then, if we could stop the time between frame and frame? How are these invisible interstices manipulated, this other dimension parallel to the images?
Price:
10 EURCategory:
Pages
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