A nice and funny start :-)
The obvious example I can think of is Norman McLaren. He isn't the first one to do it, but he was the one to coin the term 'pixilation'. I'm not a film historian, but probably the first films featuring live animation were those of Melies and Segundo de Chomon.
I’ve played around with mixing live footage and animation, and for me the hardest part is keeping everything consistent once different tools are involved. Video editors, animation software, and compositing tools all seem to have their own preferences when it comes to image formats.
I’ve run into situations where stills exported from one step wouldn’t import cleanly into the next until I converted them to a standard JPG. When that happens, I usually do a quick conversion first. I’ve used webptojpghero for that kind of cleanup so the workflow doesn’t get interrupted.
I’m into hands-on filmmaking and image experimentation - formats, workflows, and how small technical decisions change the feeling of a piece. Always happy to compare images on process, scanning, editing, and presentation.
its discussion about, +examples of course
and i reply myself - i made my first animated movie - check it and i waiting for critique
http://www.youtube.com/watch?v=eXbfDJPS2fA
A nice and funny start :-)
The obvious example I can think of is Norman McLaren. He isn't the first one to do it, but he was the one to coin the term 'pixilation'. I'm not a film historian, but probably the first films featuring live animation were those of Melies and Segundo de Chomon.
I’ve played around with mixing live footage and animation, and for me the hardest part is keeping everything consistent once different tools are involved. Video editors, animation software, and compositing tools all seem to have their own preferences when it comes to image formats.
I’ve run into situations where stills exported from one step wouldn’t import cleanly into the next until I converted them to a standard JPG. When that happens, I usually do a quick conversion first. I’ve used webptojpghero for that kind of cleanup so the workflow doesn’t get interrupted.
I’m into hands-on filmmaking and image experimentation - formats, workflows, and how small technical decisions change the feeling of a piece. Always happy to compare images on process, scanning, editing, and presentation.
animacion con IA
CIBfx
CIBfx
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