Events

  • Light Industry: Onishi Kenji's A Burning Star

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    A Burning Star (Onishi Kenji, 1995)Light Industry: Onishi Kenji's A Burning Star
    Tuesday, July 13, 2010 , 19:30, 7$
    177 Livingston Street, Brooklyn, NY, USA

    - A Burning Star (Onishi Kenji, 16mm, 1995, 95 mins)

    One of the most notorious yet unseen works of Japanese experimental cinema, Onishi Kenji’s A Burning Star operates with an emotional and physical intimacy reminiscent of both the confrontational style of Hara Kazuo and the radically subjective camerawork of Stan Brakhage. Made when Onishi was in his early 20s, the film documents his father’s funeral and cremation through subtle Super-8 lensing and a rigorous sense of real-time. At the funeral site, Onishi undresses and manipulates the corpse, scrutinizing it with his camera, then later records the act of cremation through the furnace’s portholes. This last sequence is the morbidly compelling heart of the film, presenting unearthly images reminiscent of an alien planet's gaseous surface, with flames licking over quasi-organic landscapes that look increasingly less like a skull, a ribcage or a hip bone.

    Of A Burning Star, Onishi writes, “my inner conflicts find a cruel form." By fixing with unsettling intensity on his subject, but only briefly focusing on himself, Onishi evacuates his own emotions from the event’s depiction. Instead, he creates a film that speaks through its relentless examination of mute objects—what remains of his father—by capturing the very moments of their inexorable disappearance.

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  • Light Industry: The Touching of Hands

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    The Salivation Army (2002)Light Industry: The Touching of Hands
    Saturday, July 10, 2010, 19:30h
    177 Livingston Street, Brooklyn, 11201 NY
    Tickets - $7, available at door.
    Presented by Scott Treleaven

    “The title for the show comes from a remark that Gysin made to Genesis, and Genesis to me: that magical training can only be passed on by the touching of hands.” — ST

    Dates: 

    Saturday, July 10, 2010 - 19:30

    Venue: 

    Light Industry - New York, United States
  • Rhapsodies in Silver

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    The Snowman (Phil Solomon, 1995)Coinciding with the end of his video installation American Falls at the Corcoran Gallery of Art, Phil Solomon's work is the subject of a nearly-complete survey at the National Gallery of Art in Washington.
    Phil Solomon: Rhapsodies in Silver, a retrospective in three parts presenting Solomon's work from his recent videos using the Grand Theft Auto videogame software to his earliest films from the 1980s, will be screened on July 10, 11 and 17. Solomon will be present to introduce the programmes at the screenings of July 10 and 11.

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  • Stephanie Barber - A sides & B sides

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    letters, notes (Stephanie Barber, 2000)Stephanie Barber - A sides & B sides
    Saturday, July 31st, 18:30h & 20:30h, $9
    Anthology Film Archives
    32 Second Avenue, New York, NY 10003, USA

    Anthology welcomes Baltimore-based multi-media artist Stephanie Barber, who has been quietly amassing a remarkable body of work over the last 15 years, producing a steady stream of films and videos that are meticulously crafted and disarmingly modest. Barber uses cinema to explore the borders between text and image, photography and poetry, memory and loss. Each film creates its own whimsical world, teetering on the edge of sadness yet never maudlin. Barber’s intellectually playful works engage both brains and funny bones.

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  • Human Emotion Project - Paris

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    HEP2010 ParisHuman Emotion Project - Paris
    22 & 23  July 2010, 16-20h
    Galerie Younique
    6 Avenue de la soeur Rosalie, 75013 Paris

    Curated by Kisito Assangni &  Alison Williams

    Including films & videos by German Britch (Argentina), Michael Chang (Denmark), Vienne Chan (Hong kong/Canada), Russell Chartier (USA), Glenn Church (USA), Luca Curci (Italy), Debbie Douez (Spain), Danny Germansen (Denmark), Alberto Guerreiro (Portugal), Neil Howe (Australia), Adamo Macri (Canada), Bill Millett (UK), Jerry King Musser (USA), Joas Sebastien Nebe (Germany), Leuna O’Doherty (Ireland/France), Pekka Ruuska (Finland), Icetrip Stvz (Mexico), Anders Weberg (Sweden), Alison Williams (South Africa), Masha Yozefpolsky (Israel).

    Drawn together by the art that they share via internet, artists with disparate cultural and aesthetic identities approach the internal workings that exist in all humans. Emotions are inherently difficult to explicate. How does one describe fear ? We know it when we feel it but how can we share, through the paltry use of language, our experience of it ? Moving images, mostly embellished with sound, extend the expressive possibilities beyond what can be accomplished through language or even static imagery. By employing the largest palette of creative possibilities, film and video artists from around the world strive to externalize those complex driving forces that we all enjoy and endure and that bind us, as humanity, together despite our difference.

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  • 21st Century Limited

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    The Great Art of Knowing (David Gatten, 2004)21st Century Limited is series of six programmes comprising films and videos selected from the results of the Film Comment poll “A Decade in the Dark—Avant-Garde Film and Video 2000-2009.” The poll gathered the opinions of forty-six filmmakers, curators and film critics regarding the best film and vdeo works form the first decade of the 21st century (2000-2009), the 'best' filmmakers and their thoughts about promising 'emerging' artists. The programmes will be screened in three dates: July 11, 18 and 25 at the Walter Reader Theater in New York. The first date will have in-person appearances of filmmakers David Gatten and Jeanne Liotta

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  • Punto de Vista’s anti-documentary documentaries

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    Amanar Tamasheq (Lluis Escartin, 2010)Punto de Vista’s anti-documentary documentaries
    Friday, July 16th 2010, 19:30h, $8 admission
    Millennium Film Workshop
    66 East 4th Street, New York, USA

    Discussion to follow with Josetxo Cerdán, María Adell of PRAGDA, and Spanish film critic Manu Yáñez.

    A program of new Spanish experimental non-fiction at the Millennium Film Workshop, in conjunction with the festival Punto de Vista, selected by Doctruck  and Uniondocs, and co-presented with Pragda.

    The Punto de Vista Documentary Film Festival is an annual festival held in Navarra dedicated to forms of cinema generically grouped under the heading of ‘documentary.’ Programmed by Artistic Director Josetxo Cerdán, films come from around the world, with an emphasis on finding rarities in form and subject. The festival seeks to reward risk-taking and non-narrative approaches, and to uncover glints in Spanish and World Cinema.

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  • Del éxtasis al arrebato: Un homenaje a la obra del cineasta y creador Iván Zulueta

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    Arrebato (Iván Zulueta, 1979)Del éxtasis al arrebato: Un homenaje a la obra del cineasta y creador Iván Zulueta
    6 al 8 de Julio, 19h, entrada libre
    Centro de Arte Los Galpones
    Av. Avila con 8a Trans. de Los Chorros
    Caracas, Venezuela

    Exploración, drama, psicodelia, juegos de tiempos narrativos. Todo ello y más se funde en la obra del genial cineasta de culto Iván Zulueta, uno de los abanderados del cine experimental español en el período tardofranquismo, fallecido a finales de 2009 en Guipuzcoa, España. Con este ciclo, a presentarse en el Centro de Arte Los Galpones entre el 6 y el 8 de julio, se pretende ofrecer un homenaje a su figura y a su aporte a la historia del cine.

    Previamente a las proyecciones se organizarán tres conversatorios explicativos en los que se contará con la presencia de Andrés Duque, director del documental "Iván Z".

    Martes 6 de julio
    - Arrebato (Iván Zulueta, 1979, 110min.)

    Miércoles 7 de julio
    - Iván Z (Andrés Duque, 2004, 55min.)
    - Kingkong (Iván Zulueta, 1971, super 8mm, 6min.)
    - Fiesta (Iván Zulueta, 1976, super 8mm, 12min.)
    - Roma-Brescia-Cannes (Iván Zulueta, 1974, super8mm, 24min.)

    Jueves 8 de julio
    - Tea for two (Iván Zulueta, 1978, video, 9min.)
    - La taquillera (Iván Zulueta, 1978, super 8mm, 10min.)
    - Na-da y Aquarium (versión reducida) (Iván Zulueta, 1976, video, 11min.)
    - La fortuna de los Irureta (Iván Zulueta, 1964, video, 20min.)
    - Mi ego está en Babia (Iván Zulueta, 1975, video, 40min.)

    D-generación, experiencias subterráneas de la no-ficción española
    Sábado 10 de Julio, 17h, entrada libre
    Oficina #1, Centro de Arte Los Galpones
    Av. Avila con 8a Trans. de Los Chorros
    Caracas, Venezuela

    Encuentro con Andrés Duque

     

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  • Xcèntric: When It Was Blue

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    When It Was Blue (Jennifer Reeves, 2008)Xcèntric: Closing Session Of The Ninth Season
    When It Was Blue, Jennifer Reeves

    Wednesday June 30th 2010, 18h
    Centre de Cultura Contemporània de Barcelona
    Montalegre, 5, 08001 Barcelona, Spain

    Dates: 

    Wednesday, June 30, 2010 - 20:00 to Thursday, July 1, 2010 - 19:55
  • Light Industry: The Touching of Hands

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    The Salivation Army (2002)Light Industry: The Touching of Hands
    Saturday, July 10, 2010, 19:30h
    177 Livingston Street, Brooklyn, 11201 NY
    Tickets - $7, available at door.
    Presented by Scott Treleaven

    “The title for the show comes from a remark that Gysin made to Genesis, and Genesis to me: that magical training can only be passed on by the touching of hands.” — ST

    An evening of solo and collaborative projects by Scott Treleaven and Genesis Breyer P-Orridge, focusing on the shared influence of artist and mystic Brion Gysin. Gysin’s close friendship with Breyer P-Orridge, and in turn her friendship with Treleaven, has over time given rise to a number of aesthetic and philosophical affinities found in the work of all three, communicated from one to the other by direct contact.

    Each has explored, in his or her own way, the nature of extreme mental states, ideas of eros and thanatos, and modern applications of occult thought. Permutations of the cut-up technique, invented by Gysin in the 1950s, can be found in the reordering of visual information by both Breyer P-Orridge and Treleaven. A preoccupation with the legend of the Cult of the Assassins led to Gysin collaborator William Burroughs’s novel The Wild Boys, Breyer P-Orridge’s collective Thee Temple Ov Psychick Youth and, later, Treleaven’s The Salivation Army, his VHS classic about a mid-90s movement centered around a Wild Boys/Psychick Youth-inspired zine. All demonstrate what Treleaven calls a “pre-Web concept” of “total intimacy and privacy, unmediated by uncontainable social networks.”

    Tonight's program will consist of rarely-seen Temple Ov Psychick Youth ritual videos (circa 1990), a newly completed piece by Breyer P-Orridge, Weird Woman (2010), and The Salivation Army (2002), culminating with a performance by Chicago-based drone metal outfit Locrian and a screening of Last 7 Words (2009), Treleaven's affectionate and ethereal Super-8 portrait of Breyer P-Orridge.

    Genesis Breyer P-Orridge was born in Manchester, England in 1950. S/he was a member of the Kinetic action group Exploding Galaxy/Transmedia Exploration from 1969-1970. S/he conceived of and founded the seminal British performance art group Coum Transmissions in 1969 and was the co-founder of Throbbing Gristle, Psychic TV, and the spoken word/ambient music performance group Thee Majesty. Throughout Genesis’ long career, s/he has worked and collaborated with William S. Burroughs, Brion Gysin, Derek Jarman and Dr. Timothy Leary, among others. She explores human behavior, ritual, and personality modification through performances that create neo-shamanic collaged paintings called “Sigils." Her most recent work documents the physical alterations s/he and her partner, the late Lady Jaye, endured within their project Pandrogeny, about re-union and re-solution of male and female to a perfecting hermaphroditic state. "Breyer P-Orridge" is the 3rd Being created by the collaborative fusion of the two artists, of which they are each an active half.

    Scott Treleaven was born in Canada, in 1972. His work incorporates a variety of media, predominantly collage, film and photography, and his versatility has allowed him to collaborate with such notable artists as AA Bronson, Lady Jaye & Genesis Breyer P-Orridge, Dennis Cooper, Kevin Drew (of Broken Social Scene), director Carter Smith, and G.B. Jones. Treleaven first came to attention in 1996, while still a student, with his initial foray into filmmaking, Queercore. The movie proved to be a decisive documentary of the gay punk scene in the 1990s, which he followed with the publication of his zine, This Is the Salivation Army, influenced by the writings of W.S. Burroughs, Breyer P-Orridge and the seminal Rapid Eye publications. Treleaven's work continues to focus on concepts of sexuality, psychology, mysticism and perception. He lives and works in Paris.

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