Edited by Walter Forsberg & John Klacsmann
Deadline: December 1, 2014 A.D. (MMXIV)
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INCITE Journal of Experimental Media seeks submissions of media art writing, criticism, interviews, artist pages, Twitter sagas, jokes, and creative contributions for its sixth issue along the thematic: FOREVER.
In contemporary economies of immediacy and connectivity, what is temporality’s role and relevance other than as a force to be exploded?
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Why are LPs and film reels and tapes and optical discs and iPod menu buttons all circular? What does it mean to wait 8 hours in line to see Marclay’s “The Clock”? Why does Hollis Frampton scholar Clint Enns claim: “Duration is Dead”? Who wore post-apocalyptic 1980s cinema better: Darryl Hannah, or Neil Young + DEVO? Is La Monte Young a spinning disk or a flash memory kind of guy? Why did film loop installations become art-world de rigeur as Kodak went into bankruptcy protection? What the fuck is “time-based media”? Are screensavers art? What does it mean to be "permanently preserved"? Is that even possible? Why don’t they make them like they used to? Does *it* really matter?
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OUROBOROS....SCREENSAVERS....ETERNAL FLAMES....LOOPS....MONOLITHS....
TIME CAPSULES....SPIRAL JETTY....WHIRLPOOL (EYE OF THE STORM)....CAROUSELS....
WHILE(1){ }....FEEDBACK....DRONE....EON....⌘+L...."WHAT IS PAST IS PROLOGUE"....
LOCKED GROOVES....TETRIS....PERSISTENCE....ENDURANCE....MOBIUS STRIP....
uptime....INSIGHT.... CRYPTS....ARCHIVES....INDEFATIGABLE....PERMANENCE....
ROCK SOLID...COSMOS....PALINDROMES...WORMHOLES...TIMELINES...
PHENAKISTOSCOPES.....STRATA CUT...OVERFLOW....VANISHING POINTS...
ECHELON....CYCLE....BACK AND FORTH....FRACTALS....SCAN LINES....(to be continued)
<---- Contact ------------------------------------------------------>
Submissions and queries can be emailed to: INFO@INCITE-ONLINE.NET
For future detail about our editorial policy and submission guidelines, please consult the information section of our website: WWW.INCITE-ONLINE.NET
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