Samuel Felinton is an experimental artist and filmmaker studying at West Virginia University, whose work explores the evolving relationship between technology, memory, and media. His practice spans digital collage, video art, and narrative disruption, often challenging traditional storytelling through innovative forms.

One of his notable works, The Death of Film, is a computer-generated experimental piece that examines the power and influence of artificial intelligence in the creative process. All funds generated from this film are donated to the Animation Guild’s efforts to address the impact of AI on the film industry. Through projects like this, Felinton navigates the tension between human creativity and technological advancement, inviting reflection on the future of art and authorship.