Publicaciones más valoradas según las votaciones de los usuarios de la página.
The basic idea is that it is impossible to fix film. Film is something, which is always in a state of flux...The images, ‘real’ in the beginning, gradually disintegrate and the gelatine layer, where the chemicals are embedded, dissolves. All that’s left in the end is the ‘raging of the elements’. -Jürgen Reble
The collected shorts of Maya Deren the \"Mother of the trance film\" who worked completely outside the commercial film industry and made her own inner experience the center of her films.
The recently restored Korean Trilogy by Robert Darroll are now made available for personal ownership for the first time. Restoration created by Mark Toscano and the Academy Film Archive. This DVD also includes five more films by Darroll and a rare installation project.
"The first words that come to mind about Robert Darroll’s films are density and complexity -- of imagery, technique and style. He assimilates, transforms and transcends almost every technique in the history of animation. This is the apotheosis of motion graphics – simultaneously photographic, videographic and computer graphic. Darroll creates a hypnotic and visionary universe through virtuosic use of rotoscoping, compositing, layering, filtering and complex segmentations of the frame." - Gene Youngblood
The Transformable Moment: The Films of Stephen Broomer, edited by Scott Birdwise and Tom McSorley, features new essays on Broomer’s work, a complete filmography, and an extensive interview with Broomer. Contributors include R. Bruce Elder, Dan Browne, Clint Enns, Zoë Heyn-Jones, Brett Kashmere, Scott Miller Berry, Cameron Moneo, Andréa Picard, and Michael Sicinksi.
“Having devoted his life to the art of cinema in his various capacities as a filmmaker, scholar, preservationist, and poet, Stephen Broomer is on his way to establishing himself among the most aesthetically and historically engaged experimental filmmakers in Canada. His practice is indeed ‘experimental’ in the best sense of the term: his films are imbued with a clear awareness of the great strengths and weaknesses of what was, the limitations and possibilities of what is, and the mystery and wonder of what could be.” Scott Birdwise, York University / Canadian Film Institute
"Film should not be misused for non-filmic messages": Wilhelm and Birgit Hein examine in their films theprocess of reproduction and the film material itself. Rohfilm shows the destruction of the common "film image" and was described by Stephen Dwoskin as a "visual bombing" of shreds, fragments, dirt and leftovers of film editing. Reproductions dissolves photos in greys, 625 films a negative "snow" TV image with different speeds, in Portraits photos are changed by the development and reproduction processes. Materialfilme consists of film starting and ending leaders, the elements of every film that normally are not seen on the screen. W+B Hein's underground film classics deal with the unexplored potentials of the film material which starts to disappear in the digital world.
EILEEN MAXSON drowns in white walls and cable television, emerging on occasion to press record. Heavy-hearted and humorous, Maxson's videos record characters struggling with an unrequited love of television. These are women trapped in forgotten scraps of
Ten award-winning and favorite short films from the 46th Ann Arbor Film Festival, covering all dimensions of the frame: avant garde film art, experimental animation comedy, alternative narrative, poetic and abstract explorations of nature, indie documentary. Time Pieces also includes rare bonus material with deleted scenes, director commentary, artist statements, video installations and audition outtakes.
Stan Brakhage’s body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage’s films. In particular, many of these essays revolve around the controversial issues of representation and perception.
These shorts, executed between 1984 and 1986 in Vienna, exude an amazingly fresh intimacy and vitality. Referred to by the filmmakers as »home movies«, they record actionistic performances in the directors´ own living quarters, with added soundtracks of i
Produced by Bay Area filmmaker and sound artist John Davis in conjunction with a fellowship and residency at the Kala Art Institute in Berkeley CA, this limited edition of 100 includes two hand-silkscreened gatefold LPs and four silkscreened DVDs of original film and music, plus a 50-page booklet of writing and images bound in a hand letterpressed cover. The project was conceived to publicly showcase emerging and established strains of expanded cinema and music collaboration in the San Francisco Bay Area, as well as to create a physical document that captured that energy.
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