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IN/FLUX is a series of three DVDs. Each DVD is a compilation of experimental films and videos from the African world. The violence and the pleasures, the contradictions, fears and desires of a planet shaped by the postcolonial condition, the present-futur
Gordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobGordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobiographical genre of motion pictures. " Jonas Mekas declared Ball's Mexican Jail Footage "the best jail film I've seen"; of the same movie Robert Frank exclaimed "I can't forget this film."
Notes on Marie Menken explores the almost forgotten story of the legendary artist Marie Menken (1909-1970) who became one of New York´s outstanding underground experimental filmmakers of the 1940s through the 1960s, inspiring artists such as Stan Brakhage
This is our brand-spanking new collection of select works from v7.9 of our festival - The collection includes 4 discs and a pair of 3-D glasses. All proceeds from the sale of this collection goes directly to ensure that next year's festival will be as successful as this year was!
The original, first ever Peripheral Produce release- originally released in 1998 on VHS tape, featured a compilation of twelve experimental films and videos. The new remastered Peripheral Produce Auto-Cinematic Video Mix Tape includes all of those plus other great titles from previously out of print Peripheral Produce tapes, including Truth in Advertising by Negativland, Atlanta by Miranda July, Battles on the Astral Plane by Jon Raymond, Slow Gin Soul Stallion by Animal Charm, Warning by Vanessa Renwick, Love Child by Bryan Konefsky, plus work from the Olympia Film Ranch, Russ Forster, Eric Ostrowski, Scott Arford, Matt McCormick, and Julian Lawrence.
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
A documentary on contemporary American artist Bruce Nauman, known for his challenging, yet playful approach to conceptual art. This is observed in his public art installation Vices and Virtues, consisting of huge neon signs that flash the seven deadly sinA documentary on contemporary American artist Bruce Nauman, known for his challenging, yet playful approach to conceptual art. This is observed in his public art installation Vices and Virtues, consisting of huge neon signs that flash the seven deadly sins. Through a diversity of media, including sculpture, video, printmaking, and performance, Nauman uses art to examine communication and the human experience. Make Me Think features 60 of his pieces, including early film projections and video installations like Clown Torture and Anthro/Socio, and chronicles the development of a "video sculpture" titled Violent Incident. Wrote Michael Kimmelman, chief art critic of The New York Times, Nauman "inspires reverence, or loathing...It's hard to feel indifferent to work like his.
Of course Peters the filmmaker blurs the individual of the same name with his dense textual and visual
system of symbols to create something else: Jan Peters the fictional character.
(Claus Löser)
In the 1960s and 1970s actionism and happenings provided a foundation for performance art, the exceptional form in which women are as numerous but more recognized as men. Three generations of artists set out
in As She Likes It to formulate a statement on
The diary movie.
Les nuages américains
Le journal de Joseph M from Gérard Courant is a portrait of Joseph Morder.
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