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Gioli's name is often associated with those Italian filmmakers who frequented the Cooperativa Cinema Indipendente centered around the Filmstudio in Rome. But this is really an over-simplification derived more than anything else from a need to classify thi
How do works of art endure over time in the face of aging materials and changing interpretations of their meaning? How do decay, technological obsolescence, and the blending of old and new media affect what an artwork is and can become? And how can changeable artworks encourage us to rethink our assumptions of art as fixed and static? Revisions is a unique exploration of all of these questions.
¿Cómo se presenta el cine en las prácticas artísticas cuando éste ha sido progresivamente despojado de su aparato tecnológico? ¿Es el cine una técnica o un método de asociación mental que estimula el pensamiento? Desde su mismo nacimiento, el cine se vio ceñido a una serie de normas y valores que le impedían expresar la naturaleza radical de sus potencias y, no obstante, unos cuantos visionarios han logrado extirparlo de su laberinto circular. No se trata de practicar una destrucción total del cine en todos los casos, sino de transformarlo en otras formas artísticas. Paracinema, en oposición al cine expandido, es la realización de la idea de cine a un nivel conceptual, experiencial y artístico. Se trata, en cualquier caso, de generar una experiencia cinemática desconectada, entera o parcialmente de su aparato tradicional.
This is our brand-spanking new collection of select works from v7.9 of our festival - The collection includes 4 discs and a pair of 3-D glasses. All proceeds from the sale of this collection goes directly to ensure that next year's festival will be as successful as this year was!
In the 1960s and 1970s actionism and happenings provided a foundation for performance art, the exceptional form in which women are as numerous but more recognized as men. Three generations of artists set out
in As She Likes It to formulate a statement on
Gordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobGordon Ball's films have been acclaimed for their originality, their powerful directness. As filmmaker Stan Brakhage has written of Ball's two works on the death of his mother and the death of his father, he "has accomplished something unique in the autobiographical genre of motion pictures. " Jonas Mekas declared Ball's Mexican Jail Footage "the best jail film I've seen"; of the same movie Robert Frank exclaimed "I can't forget this film."
This five-disc set comprises 15 works by filmmaker and multimedia artist Bill Morrison, called "one of the most adventurous American filmmakers" by Variety. Morrison's work is characterized by his sensitive approach to found, often decaying film footage, and his close collaboration with contemporary conmposers, including Vijay Iyer, Johann Johannsson and Bill Frisell. Among other shorts and features, this set includes his acclaimed DECASIA (2002), "the most widely acclaimed American avant-garde film of the fin-de-siecle." (J. Hoberman, The Village Voice).
Nauman's eerily intuitive way of creating sophisticated, intellectually angular art out of simple gestures-a 10-minute film called "Bouncing Two Balls between the Floor and Ceiling with Changing Rhythms," for example, in which the artist does just that-builds fascination out of repetition's blandness. This set of collected writings is essential for anyone wishing to explore the ideas behind Nauman's practices, even if it duplicates much of the recent Art + Performance volume (Johns Hopkins, 2003) on Nauman and is nearly twice as expensive.
IN/FLUX is a series of three DVDs. Each DVD is a compilation of experimental films and videos from the African world. The violence and the pleasures, the contradictions, fears and desires of a planet shaped by the postcolonial condition, the present-futur
Packaged with a DVD of six films and videos, These Here Separated to See How They Standing Alone Or The soundtracks of Six Films by Stephanie Barber includes the narration spoken in Barber's award-winning experimental work.
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